0-360 Panoramic Optic Setup for MINOLTA Z1/Z2/Z3

1)Mount Camera to tripod, securely, with lens pointing vertically.

2)Thread 0-360 Panoramic Optic (with thread adapter) to camera. (Do not overtighten.)

3)Adjust tripod until Optic is vertical (refer to bubble level on top of unit).

4)Turn Power on.

5)Turn top Mode dial to "A" (Aperture Priority).

6)Press 'Menu' button, then use Arrows to set:

Image Size to highest setting (2272x1704 for Z3)

Drive Mode to "Self Timer"

White Balance to "Auto"

Quality to "Fine"

Focus Mode to "Manual"

Sensitivity (ISO) to "100"

7)Press Flash button on top of camera to turn flash off.

8)Adjust Zoom until image of mirror just fills frame from top to bottom:

(NOTE: Depending on your camera's threads, the image may be slightly off-center. This is normal. A trick is to use a thin piece of paper or tape as a shim (between camera & Optic) to align to center.)

9)Press bottom arrow of Arrow Pad to set MF (Manual Focus) to "0.19m".

10)Press center button of Arrow Pad to set Aperture to "F8.0". This is your Aperture (F-stop).

11)Press the shutter release. You have 10 seconds to hide!

Not Zoomed in enough!

Proper Zoom

Zoomed in too far!

'Donut' doesn't fill frame

'Donut' fills frame

'Donut' runs off top & bottom of frame

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A note about Aperture, Depth of Field, and Field of View

Aperture- a mechanism behind the camera lens similar to the iris of your eye, opening and closing to adjust the amount of light entering the camera. The aperture opening also determines the Depth of Field of the image.

Depth of Field- describes the objects in the image which are in focus, in terms of their distance from the camera. For example, a camera focused at 30m, with a Depth of Field of 8m, will have objects from 26-34m from the camera in focus. Objects closer than 26m or further than 34m will start to become blurry.

Field of View- the vertical Field of View (vFOV) of the 0-360 attachment. The 0-360 has a vFOV of 115 degrees, meaning it will “see” from 52.5º above the horizon to 62.5º below the horizon.

A smaller Aperture opening (higher F-Stop number) allows less light to enter the camera, but yields a higher Depth of Field. With a high F-Stop, the shutter speed needs to be slowed down to allow more light (else a dark photo), but will have more Depth of Field in focus.

A larger Aperture opening (lower F-Stop number) allows more light to enter the camera, but a lower Depth of Field. This means the shutter speed can be faster, but fewer objects will be in focus. (With slower shutter speeds, moving objects may blur.)

The 0-360 is designed to operate with a camera F-Stop of F8.0 or higher. This provides a high enough Depth of Field to allow the entire mirror to be in focus. With lower F-stops, the shutter speed can be increased, but the upper or lower portions (or both) of the mirror may not be entirely in focus. This means the image far above or far below the horizon may not be sharply focused. This may not be a problem, as many times the sky or the ground may not need to be sharply focused.

With the MINOLTA Z1/Z2/Z3, you should be able to get a vFOV of over 110 degrees, with good focus across the entire image.

For best results, shoot a well-lit scene! With high F-Stops, you need good lighting, or longer exposure times.

 

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Minolta Z1, Z3, Z2 warranty En Jo, An T

Z2, Z1, Z3 specifications

Minolta, a renowned name in the world of photography, released several notable digital cameras in the early 2000s, including the Z1, Z2, and Z3 models. These cameras are celebrated for their innovative features and technologies, appealing to a diverse range of photography enthusiasts.

The Minolta Z1 was introduced as a compact, user-friendly digital camera designed for casual photographers. The Z1 features a 3-megapixel resolution, which was impressive at the time, and a 10x optical zoom lens that offered versatility in capturing distant subjects. The camera's Super Macro mode allowed users to take stunning close-up shots, making it ideal for capturing intricate details. The inclusion of a 1.8-inch LCD screen facilitated easy framing and reviewing of images. In terms of connectivity, the Z1 supported CompactFlash cards for storage, providing ample space for photos.

Building on the success of the Z1, the Minolta Z2 was released, showcasing several enhancements. This model retained the 10x optical zoom feature, but it boasted improved image stabilization technology that helped reduce blurriness caused by camera shake, especially in low-light conditions. The Z2 further upped the ante with a 4-megapixel resolution, enabling users to capture more detailed images. The camera also introduced a longer battery life, extending shooting sessions without frequent recharges. An updated user interface made navigation more intuitive, allowing users to explore various modes and settings seamlessly.

The Minolta Z3 took the capabilities and features of its predecessors even further. Sporting a 4-megapixel resolution and enhanced 12x optical zoom, the Z3 allowed for greater flexibility in framing shots. It incorporated advanced features like a Super SteadyShot image stabilization system that greatly reduced motion blur—an essential factor for capturing sharp images. The Z3 also introduced a more advanced LCD screen with better visibility in bright sunlight. One of the standout characteristics of this model was its compatibility with the optional accessory lens system, enabling users to expand their creative possibilities with wide-angle and telephoto attachments.

In summary, the Minolta Z1, Z2, and Z3 cameras exemplify the brand's commitment to innovation and quality in digital photography. With features like impressive optical zooms, enhanced resolutions, and clever stabilization technologies, these models catered to both amateur and more experienced photographers seeking to capture high-quality images with ease and precision. Each successive model marked a step forward, showcasing Minolta’s ability to adapt to the burgeoning digital photography landscape.