CM-60 Clip-on Miniature

Condenser Microphone

USER GUIDE

Congratulations on purchasing the Nady CM-60 Microphone! Able to han- dle high sound pressure levels without distortion, the CM-60 microphone is ideal for close-up miking of all types of drums and percussion instruments, as well as for accurate sonic reproduction of brass, string, woodwind, gui- tars, and other acoustic instruments producing high sound fields. Perfect for wireless, live performance, and recording applications.

USING YOUR CM-60

The CM-60 can be purchased for use with a wireless bodypack transmit- ter or for hardwired use with any standard mixer, powered mixer, or mic preamp which provides 9-52V phantom power.

CM-60Mini-XLR— provided with a mini-XLR plug that can be used with most wireless microphone bodypacks

CM-60Mini-locking Plug — provided with a 3.5mm mini-plug that is stan- dard for most Nady wireless products

CM-60 Standard XLR — provided with mini-XLR connector and the XM-

60 XLR adapter, required for hardwired use to convert 9-52V phantom power to 6V.

For wireless applications, connect the mini-XLR or 3.5mm mini-locking plug to the mic input of your body pack transmit- ter. For hardwired applications, use an XLR to XLR balanced cable to connect the CM-60 to your equipment (requires phantom power). The optional Nady 48V SMPS-1 Phantom Power Supply can also be used if your mixer doesn’t supply phantom power.

Using the rubber spring clamp, the CM-60 can be mounted to drum rims, edges of acoustic instrument sound holes, or the bells of wind instruments. Adjust the gooseneck to position the mic as desired, close to the sound source. Be aware of the proximity effect (an increase in bass response) when the mic is placed close to the instrument. This may or may not be desirable. Experimenting with the position of the mic with respect to the audio source will ensure the optimum results you are seeking in any given application. If the microphone is placed too near a speaker cabinet during live stage use, an unpleasant howling effect (acoustic feedback) may occur. Although all microphones are prone to feedback to some extent, those with a unidirectional polar pattern (such as the CM-60) are specially designed to accept only signals from the audio source directly in front of the mic cartridge. Thus, the cardioid pattern of the CM-60 helps ensure that it will deliver only the desired audio in front of the mic, rejecting the unwanted audio from the rear, even in noisy ambient conditions with high sound pressure levels from the P.A. and monitor speakers. This means that feedback will be greatly minimized with the CM-60 in all live performance miking applications.

Some useful ways in which to totally eliminate annoying feedback include: experimenting with mic positions with respect to the speakers, decreasing speaker volume (whenever possible), and adjusting the equalization of the mic audio with the mixer.

The rubber boom shock mount greatly reduces vibration and low frequencies from being transferred to the audio of the microphone. This will help prevent low frequency feedback and allows the CM-60 to be easily mounted on the most reso- nant instruments or materials with a minimum of low/mid frequency feedback or stage rumble.

The built-in windscreen, as well as the included external windscreen, protect the microphone and prevent any sudden blasts of air from overdriving the audio which greatly reduces feedback and popping noises.

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Nady Systems manual User Guide, Using Your CM-60
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CM-60 specifications

The Nady Systems CM-60 is a professional-grade condenser microphone known for its versatility and high-performance features, making it an ideal choice for studio recording, live performances, and broadcast applications. One of the standout characteristics of the CM-60 is its exceptional sound quality, which derives from its high sensitivity and wide frequency response. The microphone is designed to capture audio with clarity and detail, ensuring that vocals and instruments are rendered faithfully.

One of the key features of the CM-60 is its cardioid pickup pattern, which effectively isolates the sound source while minimizing background noise. This directional pattern allows users to focus on specific sounds and reduces the risk of feedback, making it perfect for both live and studio environments. Furthermore, the microphone is equipped with a low self-noise level that enhances its performance in critical recording situations.

The CM-60 boasts a frequency response range of 20 Hz to 20 kHz, allowing it to capture a broad spectrum of audio frequencies. This makes it suitable for various applications, from capturing the subtle nuances of a singer's voice to the rich tones of musical instruments. Additionally, its high SPL (Sound Pressure Level) handling capability makes the CM-60 effective at capturing loud sound sources without distortion, making it a reliable choice for drums and amplified instruments.

The durability of the CM-60 is another important aspect that sets it apart. With a rugged construction, this microphone is built to withstand the rigors of both studio and live use. It comes with a shock mount and a windscreen that further enhance its usability by reducing unwanted vibrations and plosive sounds.

Another notable feature is its versatility in powering options, as the CM-60 can be powered via phantom power or battery operation, providing flexibility in different setups. This feature is especially useful for field recording applications where access to an electric power source may be limited.

In conclusion, the Nady Systems CM-60 stands out as a reliable and versatile condenser microphone that combines high-quality sound capture with practical design features. With its cardioid pattern, broad frequency response, and solid durability, it is an excellent choice for audio professionals seeking a dependable microphone for various applications. Whether in the studio or on stage, the CM-60 delivers outstanding performance that meets the demands of today’s audio landscape.
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