Put 24 Tracks to Work for You
The VS-2400CD Digital Studio Workstation brings professional 24-track recording
and CD burning to a new low price, while adding impressive new features
like RSS®surround panning and V-LINK video control.
• Self-contained 24-track/24-bit/96kHz recording workstation with onboard effects, CD-RW drive and 40GB hard disk• 24-track playback; 16-track simultaneous recording with 384 V-Tracks• 48-channel, fully automated digital mixer with 13 motorized faders• 8 XLR/TRS balanced inputs and Hi-Z input; 8 analog outputs including 5.1 Surround output; R-BUS and digital I/O
• Intuitive software-style control via included mouse and VGA monitor output
• New RSS surround panning creates a 3-Dimensional sound field for mixing
• Import .WAV/AIFF files direct from CD-ROM; export files in .WAV format
• V-LINK function for synchronizing or controlling Edirol video equipment
Specifications
Sample Rate (kHz)
Recording 96
658
1,977
988
988
1,977
2,635
3,163
3,954
M24
MTP
M16
CDR
MT1
MT2
LIV
LV2
88.2
716
2,152
1,076
1,076
2,152
2,866
3,442
4,304
64
987
2,966
1,483
1,483
2,966
3,953
4,744
5,932
48
1,316
3,954
1,977
1,977
3,954
5,271
6,326
7,909
44.1
1,433
4,305
2,152
2,152
4,304
5,732
6,885
8,609
32
1,975
5,932
2,966
2,966
5,932
7,907
9,489
11,864
* The above-listed recording times are approximate. Times may
vary slightly depending on the specifications of the disk drive
and on the number of songs that were created.
* In CDR recording mode, two tracks are always used in a pair
(channel link is on), so recording time is half the above-listed.
* Maximum recording time of VS-2400CD is approximately four
times of above recording time. (10 GB x 4 Partitions)
(0dBu=0.775Vrms)
Tracks: 24
V.Tracks: 384 (16-V.Tracks per each Track)
96.0/88.2/64.0/48.0/44.1/32.0 kHz
* Adjustable range with vari-pitch function
16.00 kHz — 98.00 kHz (at 96 kHz)
16.00 kHz — 50.00 kHz (at 48 kHz)
Mastering 24-bit (M24)
Multitrack Pro (MTP)
CD Writing (CDR)
Mastering 16-bit (M16)
Multitrack 1 (MT1)
Multitrack 2 (MT2)
Live 1 (LIV)
Live 2 (LV2)
¥ Sample Rate 48/44.1/32 kHz
16-tr. Rec / 16-tr. Play (M24, M16, CDR)
16-tr. Rec / 24-tr. Play (MTP, MT1/2, LIV, LV2)
¥ Sample Rate 96/88.2/64 kHz
8-tr. Rec / 8-tr. Play (M24, M16, CDR)
8-tr. Rec / 12-tr. Play (MTP, MT1/2, LIV, LV2)
* Depending on the organization of the song data etc., the
number of tracks which can be simultaneously recorded or
played back may be limited.
40 G bytes: 10 G bytes (Capacity) x 4 (Partition)
96.0 kHz: 20 Hz — 40 kHz (+0 dB/-2 dB)
88.2 kHz: 20 Hz — 40 kHz (+0 dB/-2 dB)
48.0 kHz: 20 Hz — 22 kHz (+0 dB/-2 dB)
44.1 kHz: 20 Hz — 20 kHz (+0 dB/-2 dB)
32.0 kHz: 20 Hz — 14 kHz (+0 dB/-2 dB)
200 projects in each partition
1000 per project
100 (10 x 10 banks) per project
100 (10 x 10 banks) per project
999 Undo / 1 Redo
Input 1—8: -50 — +14 dBu
(maximum +26dBu: balanced,
maximum +20dBu: unbalanced)
Guitar (Hi-Z): -50 — +14 dBu (maximum +20 dBu)
Input 1—8: 10 k ‰ (balanced)
Guitar (Hi-Z): 1 M ‰
Master Out: +4 dBu (balanced)
AUX A (L, R): +4 dBu (balanced)
AUX B (L, R): +4 dBu (balanced)
Monitor Out: +4 dBu (balanced)
Master Out: 600 ‰
AUX A (L, R): 600 ‰
AUX B (L, R): 600 ‰
Monitor Out: 600 ‰
Phones: 22 ‰
Master Out: 10 k ‰ or greater
AUX A (L, R): 10 k ‰ or greater
AUX B (L, R): 10 k ‰ or greater
Monitor Out: 10 k ‰ or greater
Phones: 8 — 600 ‰
4-band (2 shelving + 2 peaking)
* Useful simultaneously at up to 32ch in both Input Mixer
and Track Mixer. (at 48kHz or less.)
* Useful simultaneously at up to 16ch in both Input Mixer
and Track Mixer. (at 64kHz or above.)
Compressor, Expander
* Useful simultaneously at up to 32ch in both Input Mixer
and Track Mixer. (at 48kHz or less.)
* Useful simultaneously at up to 16ch in both Input Mixer
and Track Mixer. (at 64kHz or above.)
Maximum 4 stereo (One pre-installed + One more
optional VS8F-2)
320 x 240 dots Graphic LCD (with backlight)
Digital I/O: Coaxial, Optical (conforms to IEC60958)
VGA Out: 15-pin miniD-sub
PS/2: 6-pin miniDIN
MIDI: 5-pin DIN
R-BUS: 25-pin D-sub
IDE type 3.5 inches 40 G bytes
Reading Speed: 24x (max.)
Recording Speed: Record (CD-R) 4x correspond
Re-Write (CD-RW) 4x correspond
MIDI Connectors (5-pin DIN)
Input Jack 1—8 (XLR type [balanced, phantom power])
Input Jack 1—8 (1/4inch phone type [TRS balanced])
Guitar (Hi-Z) Jack (1/4inch phone type)
Digital In Connectors (Coaxial type, Optical type)
Digital Out Connectors (Coaxial type, Optical type)
Foot Switch Jack (1/4inch phone type)
PS/2 Mouse Connector (6-pin miniDIN)
PS/2 Keyboard Connector (6-pin miniDIN)
VGA Out Connector (15-pin miniD-sub)
R-BUS Connector (25-pin D-sub)
Master Out Jack L/R (1/4inch phone type, TRS balanced)
Monitor Out Jack L/R (1/4inch phone type, TRS balanced)
AUX A Send Jack L/R (1/4inch phone type, TRS balanced)
AUX B Send Jack L/R (1/4inch phone type, TRS balanced)
Headphones Jack (Stereo 1/4inch phone type)
AC117 V, AC230 V or AC240 V
60 W
480 (W) x 481 (D) x 136 (H) mm
18-15/16 (W) x 18-15/16 (D) x 5-3/8 (H) inches
10.5 kg
23 lbs 3 oz
Owner’s Manual English
Appendices
R-BUS Equipment Connection and Setting Guide 2
Block diagram
Demo CD
CD-R disc
PS/2 Mouse
Short Cut Seal
AC Cord
Tracks
Locator Hard Disk Drive
CD-RW Drive
Connectors
Power Supply
Power Consumption
Dimensions
Weight
Accessories
Scene
Undo/Redo
Nominal Input Level
(variable)
Input Impedance
Nominal Output Level
Output Impedance
Recommended Load
Impedance
EQ
Dynamics Processor
Effects
Display
Interface
Sample Rate
Recording Mode
Maximum Simultaneous
Recording / play back
Tracks
Maximum Useful Capacity
Recording Time
(at 10GB Partition,
conversion in 1 track,
unit: minutes)
Frequency Response
Projects
Marker
* In the interest of product development, the specifications
for this product are subject to change without prior notice.
No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name
Algorithm 36 presets
P000
P001
P002
P003
P004
P005
P006
P007
P008
P009
P010
P011
P012
P013
P014
P015
P016
P017
P018
P019
P020
P021
P022
P023
P024
P025
P026
P027
P028
P029
P030
P031
P032
P033
P034
P035
Reverb 18 presets
P036
P037
P038
P039
P040
P041
P042
P043
P044
P045
P046
P047
P048
P049
P050
P051
P052
P053
Reverb2 20 presets
P054
P055
P056
P057
P058
P059
P060
P061
P062
P063
P064
P065
P066
P067
P068
P069
P070
P071
P072
P073
Gate Reverb 4 presets
P074
P075
P076
P077
Delay 9 presets
P078
P079
P080
P081
P082
P083
P084
P085
P086
Tape Echo 201 4 presets
P087
P088
P089
P090
Chorus 6 presets
P091
P092
P093
P094
P095
P096
Phaser 3 presets
P097
P098
P099
Flanger 3 presets
P100
P101
P102
Pitch Shifter 7 presets
P103
P104
P105
P106
P107
P108
P109
Mic Modeling 29 presets
P110
P111
P112
P113
P114
P115
P116
P117
P118
P119
P120
P121
P122
P123
P124
P125
P126
P127
P128
P129
P130
P131
P132
P133
P134
P135
P136
P137
P138
Vocal 10 presets
P139
P140
P141
P142
P143
P144
P145
P146
P147
P148
Guitar 11 presets
P149
P150
P151
P152
P153
P154
P155
P156
P157
P158
P159
Guitar Amp Modeling 9 presets
P160
P161
P162
P163
P164
P165
P166
P167
P168
Bass 6 presets
P169
P170
P171
P172
P173
P174
Special Effects 11 presets
P175
P176
P177
P178
P179
P180
P181
P182
P183
P184
P185
Parametric Equalizer 26 presets
P186
P187
P188
P189
P190
P191
P192
P193
P194
P195
P196
P197
P198
P199
P200
P201
P202
P203
P204
P205
P206
P207
P208
P209
P210
P211
Graphic Equalizer 3 presets
P212
P213
P214
Stereo Multi 5 presets
P215
P216
P217
P218
P219
Speaker Modeling 11 presets
P220
P221
P222
P223
P224
P225
P226
P227
P228
P229
P230
Mastering Tool Kit 19 presets
P231
P232
P233
P234
P235
P236
P237
P238
P239
P240
P241
P242
P243
P244
P245
P246
P247
P248
P249
* Please use with sample rates of 48kHz or less.
Preset Effect Patch List
Reverb*
Reverb2
Gate Reverb*
Delay
StPS-Delay
Delay RSS
TapeEcho201
MultiTapDly
StDly-Chorus
Chorus RSS
Space Chorus
St Phaser
AnalogPhaser
St Flanger
AnalogFlnger
Rotary
2ch RSS
MicModeling*
GuitarMulti1
GuitarMulti2
GuitarMulti3
GuitarAmpMdl
Vocal Multi
Voice Trans*
Vocal Cancel
Vocoder
Vocoder2 (19)*
Lo-Fi Proces
3BndIsolator
DualComp/Lim
Parametric EQ
Graphic EQ
Hum Canceler
Stereo Multi
Speaker Mdl*
MastringTool*
RV:LargeHall*
RV:SmallHall*
RV:Strings*
RV:PianoHall*
RV:Orch Room*
RV:VocalRoom*
RV:MediumRm*
RV:LargeRoom*
RV:CoolPlate*
RV:Short Plt*
RV:Vocal Plt*
RV:Soft Amb.*
RV:Room Amb.*
RV:Cathedral*
RV:Long Cave*
RV:GarageDr.*
RV:Rock Kick*
RV:RockSnare*
R2:LargeHall
R2:SmallHall
R2:Strings
R2:PianoHall
R2:Orch Room
R2:VocalRoom
R2:MediumRm
R2:LargeRoom
R2:CoolPlate
R2:Short Plt
R2:Vocal Plt
R2:Soft Amb.
R2:Room Amb.
R2:Cathedral
R2:Long Cave
R2:GarageDr.
R2:Rock Kick
R2:RockSnare
R2:BriteGte2
R2:Fat Gate2
RV:BriteGate*
RV:Fat Gate*
RV:ReverseGt*
RV:PanningGt*
DL:Short Dly
DL:MediumDly
DL:LongDelay
DL:AnalogDly
DL:Tape Echo
DL:Karaoke
DL:Multi-Tap
DL:MltTapAmb
DL:Ping Pong
TE:ShortEcho
TE:LongEcho
TE:OldTape
TE:PanEcho
CH:Lt Chorus
CH:Deep Cho
CH:DetuneCho
SPCHO:MODE 1
SPCHO:MODE 2
SPCHO:MODE 3
PH:Lt Phaser
PH:DeepPhase
AP:FB-Phaser
FL:LtFlanger
FL:Deep Fl
AF:SBF-325
PS:-4thVoice
PS:ShimmerUD
VT:M to Fm*
VT:Fm to M*
VT:Male Duo*
VT:FemaleDuo*
VT:Robot*
MM:5758*
MM:57421*
MM:57451*
MM87*
MM:5747*
MM:57Line*
MM:DR20421*
MM:DR20451*
MM:DR2087*
MM:1058*
MM:1087*
MM:Mini57*
MM:Mini87*
MM:C3KB57*
MM:C3KB58*
MM:C3KB421*
MM:C3KB451*
MM:C3KB87*
MM:C3KB47*
MM:C3KBLine*
MM:Kick&Snr1*
MM:Kick&Snr2*
MM:H.Hat&Tom*
MM:Dr.OvrTop*
MM:Dr.OvrAll*
MM:Ac.Guitar*
MM:StudioVcl*
MM:StereoMic*
MM:Ambience*
VO:Vocal Efx
VO:JazzVocal
VO:RockVocal
VO:Narration
VO:BigChorus
VO:Club DJ
VO:AM-Radio
VO:PlusTwo
VO:Robot Efx
VO:Bull Horn
GT:Rock Lead
GT:LA Lead
GT:MetalLead
GT:Metal Jet
GT:CleanRthm
GT:DledClean
GT:Delay Rif
GT:Acoustic
GT:BluesDrv.
GT:Liverpool
GT:Country
GA:JazChorus
GA:CleanTwin
GA:Vin.Tweed
GA:BluesDrv.
GA:MatchLead
GA:StudioCmb
GA:JMP-Stack
GA:SLDN Lead
GA:5150 Lead
BS:DI’edBass
BS:MikedBass
BS:CompBass
BS:Fat Bass*
BS:Auto Wah
BS:FX Bass
LFP:BreakBts
LFP:1bitDist
LFP:TeknoFlt
LFP:Reso Flt
LFP:FatBotom
VOC2:M19Band*
VOC2:S19Band*
HC:Quiet60Hz
HC:Quiet50Hz
VC:Vocal Cnl
VC:CenterCnl
PEQ:BassDrum
PEQ:RockBD
PEQ:RockSD
PEQ:RimShot
PEQ:Toms
PEQ:Hi Hat
PEQ:Cymbals
PEQ:Overhead
PEQ:Bass 1
PEQ:Bass 2
PEQ:SlapBass
PEQ:Sax
PEQ:Bari.Sax
PEQ:ElecGtr
PEQ:NylonGtr
PEQ:BluesGtr
PEQ:SlideGtr
PEQ:LineGtr
PEQ:Male
PEQ:RockMale
PEQ:Female
PEQ:RockFeml
PEQ:Narrator
PEQ:Organ
PEQ:St.Piano
PEQ:SmallCho
GEQ:TotalEQ1
GEQ:TotalEQ2
GEQ:Space EQ
CL:Comp
CL:Limiter
EQ:Loudness
EQ:Fat Dance
EQ:ThinJingl
SPM:SuperFlt*
SPM:P.GenBlk*
SPM:P.E-Bs*
SPM:P.Mack*
SPM:SmalCube*
SPM:WhiteCon*
SPM:W.C+tiss*
SPM:S.Radio*
SPM:SmallTV*
SPM:BoomBox*
SPM:BB.LowBs*
MTK:Mixdown*
MTK:PreMastr*
MTK:LiveMix*
MTK:PopMix*
MTK:DanceMix*
MTK:JinglMix*
MTK:HardComp*
MTK:SoftComp*
MTK:ClnComp*
MTK:DnceComp*
MTK:OrchComp*
MTK:VocalCmp*
MTK:Acoustic*
MTK:RockBand*
MTK:Orchestr*
MTK:LoBoost*
MTK:Brighten*
MTK:DJsVoice*
MTK:PhoneVox*
Options
EFFECT EXPANSION BOARD
CHANNEL EDIT CONTROLLER
R-BUS INTERFACE CARD
DYNAMIC MICROPHONE MIC MODELING PREAMP
10CH DIGITAL LINE MIXER
24-BIT DIGITAL REFERENCE MONITOR
PEDAL SWITCH
R-BUS CABLE
FOOTSWITCH
The flagship VS-2480CD offers several
enhancements for professional users like

16 analog inputs, 17 motorized faders,

SMPTE sync and more.
Roland Corporation U.S.

5100 S.Eastern Avenue P.O BOX 910921

Los Angeles, CA 90091-0921

Phone: (323) 890.3700 Fax: (323) 890.3701

Visit us online at www.RolandUS.com
All specifications and appearances are subject to change.
All trademarks are the property of their respective companies.

Printed in Japan Jan. 03 RAM-3679 C-4 ERK-UPR-SE