Positioning the microphone
Position | Resulting sound | Commentary |
| High proximity effect | Very little |
| (much bass/fundamental) | crosstalk from |
|
| other sound |
| Powerful, direct sound | sources |
| Less proximity effect | More crosstalk |
| (less bass/fundamental) | from other sound |
|
| sources |
| Some room ambience, |
|
| natural, balanced sound |
|
| Very little proximity effect | Much crosstalk |
| (little bass/fundamental) | from other sound |
|
| sources |
| More room ambience, |
|
| indirect sound |
|
If sibilance or “popping” occurs, position the microphone not directly in front of the mouth but slightly to the side. In order to prevent feedback, position monitor
In order to prevent interference due to crosstalk between adjacent sound sources, try to position the microphone so that
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