Positioning the microphone

Position

Resulting sound

Commentary

 

High proximity effect

Very little

 

(much bass/fundamental)

crosstalk from

 

 

other sound

 

Powerful, direct sound

sources

 

Less proximity effect

More crosstalk

 

(less bass/fundamental)

from other sound

 

 

sources

 

Some room ambience,

 

 

natural, balanced sound

 

 

Very little proximity effect

Much crosstalk

 

(little bass/fundamental)

from other sound

 

 

sources

 

More room ambience,

 

 

indirect sound

 

If sibilance or “popping” occurs, position the microphone not directly in front of the mouth but slightly to the side. In order to prevent feedback, position monitor loud-speakers so that they are located in the angle area of the highest cancellation of the microphone.

In order to prevent interference due to crosstalk between adjacent sound sources, try to position the microphone so that

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