Drums / Percussions (908 D)
Position | Resulting sound | Commentary |
| More fundamental, | Position on the |
| little overtones | drum: |
|
| |
|
| drumskin, directed |
|
| towards the center |
|
| of the drumskin, the |
| Less fundamental, | fundamental to |
| overtones ratio can | |
| many overtones | |
| be adjusted by | |
|
| |
|
| changing the angle |
|
| of the microphone. |
|
| The most balanced |
|
| results are obtained |
|
| at an angle of |
|
| |
| Pronounced | Optional: |
| proximity effect | tangential position |
|
| of the gooseneck in |
|
| order to reduce the |
|
| distance to the |
|
| drumskin. |
In order to prevent interference due to crosstalk between adjacent sound sources, try to position the microphone so that the interfering sound source is located in the angle area of the highest cancellation of the microphone (approx. 180°; see polar diagram).
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