Drums
Position | Resulting sound | Commentary |
| More fundamental | Position on the drum: |
| tone, | |
| little overtones | head, directed towards |
|
| the center of the batter |
|
| head, the fundamental |
| Less fundamental | tone to overtones ratio |
| tone, | can be adjusted via the |
| many overtones | angle. The most balanced |
|
| results are obtained at |
|
| an angle of |
In order to prevent interference due to crosstalk between adjacent sound sources, try to position the microphone so that the interfering sound source is located in the angle area of the highest cancellation of the microphone (approx. 120°).
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