REAR PANEL CONNECTORS AND CONTROLS

 

 

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100-120 VAC 50/60 Hz 100 mA

MIC

LINE PHANTOM MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

LEVEL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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ON

 

 

 

 

 

 

 

 

 

 

 

M267 M367

LINE

MONITOR

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

IN

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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4 INPUT

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MIX

 

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REAR PANEL CONNECTORS AND CONTROLS

FIGURE 2

1.Mic/Line Level Output Switch: Sets output to microphone or line level.

2.Phantom Power Switch: Adds 12-volt phantom power to all inputs set to MIC. Use DIP switch 7 to increase voltage to 48 volts (see DIP Switches).

3.Mic/Line Level Input Switches 1-6: Sets input to microphone or line level. Phantom power is disabled for inputs set to LINE.

4.M267/M367 Mix Bus Level Switch: Set to M267 when con- necting to a SHURE M267, FP42, FP51, M67, or SE30. Use the M367 setting with another M367 or SHURE FP32A.

IMPORTANT

Unless required, leave the mix bus LEVEL switch in the M367 position. The M367 setting may increase mixer out- put noise up to 30 dB, depending on the MASTER output setting.

5.Mix Bus Jack: Allows you to connect the M367 to another mixer. The mix bus connection is "two-way" and pre-master. When two M367 mixers are connected, all 12 inputs appear at both mixers' outputs. The MASTER gain control of either M367 can be adjusted without affecting the other mixer’s output.

NOTE

The output level of each M367 mixer drops by 6 dB when connected through the MIX BUS, increase the Master Gain to compensate.

For a balanced mix bus connection between two M367s, use a mix bus cable with two 1/4 in. stereo (tip, ring, sleeve) plugs. When connecting other types of Shure mixers, construct a mix bus cable with a 1/4 in. mono phone plug (tip = signal, sleeve = ground) and the appropriate connector for the other mixer's mix bus jack (see Figure 3).

 

BALANCED

TO M367 #1

TO M367 #2

 

UNBALANCED

TO M367

N.C. TO M267

MIX BUS CONNECTIONS

FIGURE 3

6.Channel Inputs: These female XLR inputs are transformer- balanced to provide superior rejection of hum, RFI, and other interference.

7.Monitor In Jack: Accepts mono line-level signals (tip = signal, sleeve = ground) for "tape return" or a communications chan- nel input. See Pull/Monitor switch description.

You can also modify the MONITOR IN jack to accept a stereo input and provide a stereo sum monitor signal (see Internal Modificable Functions).

8.Mixer Output: These male XLR outputs are transformer-balanced. The Line output is preset to line level, but can be modified to a true 600Ω output impedance or changed to microphone level (see Inter- nal Modifiable Functions).

9.Power Connector: See AC Operation.

10.Time Delay Fuses: The slide-out compartment contains two power line fuses. The outer (toward you) is a spare.

M367: 0.125A, 250V fuse

M367E: 0.063A, 250V

WARNING

For continued protection against fire, replace with the same type and rating of fuse.

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Shure M367 Rear Panel Connectors and Controls, MIX BUS Connections, Power Connector See AC Operation
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M367 specifications

The Shure M367 is a premium audio mixing console designed for professional applications, renowned for its robust build quality and advanced functionalities. Specifically designed for use in live sound reinforcement and broadcasts, the M367 is a reliable choice for audio engineers and sound technicians.

One of the standout features of the Shure M367 is its versatile channel configuration. With a total of six mono input channels, it allows for a variety of sources, including microphones and instruments. Each channel is equipped with high-quality preamplifiers, providing low noise and a wide dynamic range. This ensures that audio signals are captured with clarity and precision, essential for any professional setting.

The M367 features a flexible EQ section for each channel, utilizing a three-band equalizer with adjustable parameters. This allows users to tailor the tonal balance according to their specific needs, enhancing the overall audio experience. Additionally, the built-in low-cut filter helps eliminate unwanted low-frequency noise, making it easier to achieve a clean sound across various applications.

Another important aspect of the Shure M367 is its advanced routing capabilities. With multiple auxiliary sends, users can create independent mixes for stage monitors, effects processing, or recordings. The output section also offers balanced XLR outputs, ensuring that signals are transmitted cleanly with minimal interference.

Technologically, the M367 incorporates high-performance components designed to withstand the rigors of live sound environments. Its rugged chassis is built to endure extensive use, while intuitive controls make it user-friendly, even under pressure. This combination of durability and ease of use makes it a favorite among professionals.

Moreover, the M367 is equipped with comprehensive metering options, allowing for accurate monitoring of audio levels. This is critical in live sound situations, where ensuring clarity and balance is paramount. The console's design also includes a dedicated headphone output for monitoring, enabling sound engineers to listen closely to the mix.

In conclusion, the Shure M367 is a highly capable audio mixing console that combines professional-grade sound quality, extensive features, and rugged construction. Whether used for live performances, studio recordings, or broadcast applications, the M367 stands out as a reliable tool for achieving high-quality sound. With its robust technology and user-friendly design, it continues to be a preferred choice among audio professionals around the world.
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