Auto mode, .6 sec., F2.8, +0.25 EV, ISO 800, Auto white balance; Photo: David McClain
SEL16F28
Ultra-slim (22.5 mm) and lightweight with high-quality metal exterior
5-element design with one aspherical element for top-class optical performance Ideal for shooting stills or movies
Circular aperture for attractive defocusing
Built-in motor delivers smooth, quiet autofocus operation 35mm equivalent focal length: 24mm
Combine this compact wide-angle prime lens with any E-mount camera for a totally new photographic experience. Mounted on any of the slim bodies for which it is designed it becomes part of an extraordinarily compact, portable photographic system that can slip comfortably into a coat pocket, ready to shoot at any time. In action it gives you wide 16mm coverage (equivalent to a 24mm lens on a full-frame 35mm camera) for comfortable shooting in situations ranging from cramped indoor settings to sweeping landscapes, and the large F2.8 maximum aperture is ideal for handheld shooting in low light.The SEL16F28 is an excellent choice for both stills and movies, particularly since its quiet autofocus/aperture operation will contribute to high-quality movie sound.
•Weight (approx): 67 g
•Dimensions (Dia. x L): 62 x 22.5 mm
•Max. magnification ratio: 0.078x
SEL16F28 with VCL-ECF1, E 16mm F2.8 with Ultra Wide Converter, 1/3200 sec, F/6.3, ISO 200, Auto white balance
Fisheye Converter | Ultra Wide Converter | |
VCL-ECF1 | VCL-ECU1 | |
| | With Fisheye Converter |
| | Without converter |
Fisheye and Ultra Wide Converters | With Ultra Wide Converter |
Although the 16mm SEL16F28 is a wide-angle lens, these converters can give you an even wider view. The VCL-ECF1 Fisheye Converter goes a step further with a 180° angle of view that is equivalent to a 15mm lens on a 35mm full-frame format camera, with fascinating curvilinear “fisheye perspective.” The VCL-ECU1 Ultra Wide Converter provides an angle of view equivalent to that of an 18mm lens on a 35mm full-frame format camera, making it possible to shoot dramatic wide-angle scenes with extended depth of field. Both converters attach securely with bayonet mounts, ensuring optimum optical alignment and image quality. Furthermore, these converters cause no light loss so f-stop values remain unchanged.