Aperture | Stepless aperture range |
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This lens has two aperture settings; A position and a stepless aperture control. Use the aperture ring to switch between the two settings. T No. is used in both notation and control on the camera and lens.
To use the stepless aperture setting |
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This setting allows stepless control of the aperture between T/4.5 - T/6.7. Turn the |
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aperture ring to set the desired aperture. |
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• This stepless range is recommended when a large aperture is desired. |
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| A position | |||||||
• Set your camera to A mode or M mode when using this setting. (In P mode or scene- |
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selection setting, the settings will be the same as A mode. In S mode, the settings will |
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be the same as M mode.) |
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• A slight click can be felt at the T/4.5, T/5.6, and T/6.7 marks. |
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• The index marks between T/4.5 and T/5.6 represent 1/3 aperture values. |
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• When shooting, the aperture values set by the aperture ring are used. Those values are |
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not accurately reflected in the values displayed or recorded by the camera. |
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To use the A position
This setting (A position) allows the lens to be used the same way as traditional
• All exposure modes (P, A, S, M) can be used on the camera.
Aperture Information
This lens has two apertures; the stepless aperture, manually controlled with | Stepless aperture |
the aperture ring, and the automatic aperture (A position), controlled by |
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the camera. In the stepless aperture setting, emphasis is put on the aperture |
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shape, which is rounder than the automatic aperture. For large aperture |
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settings, selecting the stepless aperture is recommended. |
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Automatic aperture (functioning when set to the A position)
Depth of field (in meters)
When focus is set on a subject, anything at that same distance will appear sharp, and anything within a certain range before and beyond the subject will also appear in focus; this is called depth of field. Depth of field depends on the subject distance and aperture you choose.
| T/4.5 | T/5.6 | T/6.7 | T/8 | T/11 | T/16 | T/22 | T/32 | |
∞ | ∞ | ∞ | ∞ | ∞ | ∞ | ∞ | ∞ | ∞ | |
114.8 | 97.8 | 82.3 | 69.2 | 49.0 | 34.7 | 24.6 | 17.4 | ||
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10m | 10.91 | 11.08 | 11.32 | 11.61 | 12.44 | 13.84 | 16.48 | 22.58 | |
9.23 | 9.11 | 8.96 | 8.79 | 8.37 | 7.84 | 7.20 | 6.46 | ||
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5m | 5.21 | 5.24 | 5.29 | 5.35 | 5.51 | 5.76 | 6.15 | 6.80 | |
4.81 | 4.78 | 4.74 | 4.69 | 4.58 | 4.42 | 4.22 | 3.97 | ||
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3m | 3.068 | 3.080 | 3.096 | 3.115 | 3.165 | 3.239 | 3.350 | 3.522 | |
2.935 | 2.924 | 2.910 | 2.894 | 2.852 | 2.795 | 2.719 | 2.618 | ||
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2m | 2.027 | 2.032 | 2.038 | 2.046 | 2.065 | 2.094 | 2.135 | 2.198 | |
1.974 | 1.969 | 1.963 | 1.956 | 1.939 | 1.915 | 1.882 | 1.837 | ||
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1.5m | 1.514 | 1.156 | 1.519 | 1.523 | 1.533 | 1.547 | 1.567 | 1.597 | |
1.478 | 1.484 | 1.481 | 1.478 | 1.469 | 1.456 | 1.439 | 1.415 | ||
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1.2m | 1.028 | 1.209 | 1.211 | 1.213 | 1.219 | 1.226 | 1.238 | 1.254 | |
1.192 | 1.191 | 1.189 | 1.187 | 1.182 | 1.175 | 1.165 | 1.151 | ||
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1.0m | 1.005 | 1.006 | 1.007 | 1.008 | 1.011 | 1.016 | 1.023 | 1.033 | |
0.995 | 0.994 | 0.993 | 0.992 | 0.989 | 0.985 | 0.978 | 0.970 | ||
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0.87m | 0.873 | 0.874 | 0.874 | 0.875 | 0.877 | 0.881 | 0.885 | 0.891 | |
0.867 | 0.866 | 0.866 | 0.865 | 0.863 | 0.860 | 0.856 | 0.850 | ||
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The
Exposure compensation
As the magnification increases, the amount of light reaching the image sensor decreases. This is automatically compensated in all autoexposure modes, or in the manual exposure mode as long as the exposure is adjusted according to the camera’s meter index. If your camera is set to the manual exposure mode and you are using a
(E.g., when adjusting by the aperture, +1 means opening the aperture 1 more stop.)
Exposure correction | +1 | + /4 | + /2 | + /4 | 0 |
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Magnification ratios | 0.25X | 0.20X | 0.15X | 0.08X | 0.029X |
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Distance | 0.87 | 1.0 | 1.2 | 2.0 | 5.0 |
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About Apodization
A special “apodization element” is situated near the aperture of the lens optical system. This special optical element is a type of ND filter which gradually becomes thicker (darker) towards the perimeter, thereby reducing the amount of light that passes through around the outer perimeter. The aperture of this lens is indicated and controlled by the T No., which compensates for the reduction imposed by the special apodization element. The T No. can be used as the F No. on a normal lens when the exposure is determined.
| Apodization element | |
Principle of defocusing effect improvement |
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Defocusing of a dot | Defocusing of a line | |
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This lens
Intensity decreases gradually | Gradually diffused without losing |
toward the perimeter | shape |
Theoretical ideal traditional lens
Intensity stays the same | Line becomes thicker |
Defocused images appear as blurred clusters of dots. A lens with well compensated aberration reproduces the image shape accurately, but cannot produce smooth blurs in a defocused area. There may be unpleasant blurs, which for example, make one line appear to be doubled, depending on the way of compensation. This lens adopts a special apodization element that provides a gradually diffused image toward the perimeter without losing the core shape. In other words, it provides soft and natural defocusing without transforming the original shape unnaturally.
Specifications
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| Equivalent |
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| Minimum | Maximum |
| Filter | Dimensions |
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| Name |
| Angle of | Angle of | Minimum | (maximum | Mass |
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| groups- | focus*4 | magnification | diameter |
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| (Model name) | focal length*1 |
| elements | view 1*3 | view 2*3 | (m (feet)) | (×) | (mm) | diameter × height) | (g (oz.)) |
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| 135mm |
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| f/31 |
| Approx. 80×99 | Approx. 730 |
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F2.8 [T4.5] STF | 202.5 |
| 18° | 12° | 0.87 (2.85) | 0.25 | 72 |
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| (T/32) | (3 1/8×3 7/8) | (25 3/4) |
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| (SAL135F28) |
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*1 | The value for equivalent |
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*2 | Including apodization element |
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*3 | The value of angle of view 1 is based on | ||||||||||||
*4 | Minimum focus is the shortest distance from the image sensor to the subject. |
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Included items: Lens (1), Front lens cap (1), Rear lens cap (1), Lens hood (1), Exclusive case (1), Set of printed documentation