REAR PANEL CONTROLS

1. Fan

This is a variable speed cooling fan. Cool air enters the amplifier through the fan filters located on the front of the amplifier. Be sure not to block these ports when installing the amplifier or other equipment.

2. Input connectors

Connect the input source to the balanced combo connectors using either XLR or 1/4” TRS plugs. They are configured as fol- lows : Pin 2 (Tip) hot, Pin 3 (Ring) cold, and Pin 1 (Sleeve) ground. We recommend using balanced three-conductor cabling wherever possible. Unbalanced two-conductor 1/4” plugs can also be inserted into these inputs, but you will get better signal quality and less outside noise and hum if you use balanced lines. Stereo signal should be connected to both the Channel 1 and Channel 2 input jacks. When operating the unit in Bridged Mono or Parallel modes, use the Channel 1 input jack only.

3. Link connectors

These jacks are used to send a parallel signal to another device or amplifier.

4. High Pass Filter (HPF) switch.

These switches are used to activate the built-in High Pass Filter. The HPF rolls off signals below 40Hz. This improves bass per- formance by limiting sub-audio cone motion, making more power available for the speaker’s rated frequency range. When the filter is turned off, a 5 Hz roll off protects against DC or deep sub-audio inputs.

5. Limiter switch

When the input signal connected to your amplifier is too high, you end up with a distorted output signal. To prevent this, both chan- nels feature a clip limiter that can be engaged or disengaged selectively.

6. Bridge / Stereo / Parallel switch

This switch changes the amplifier operating mode between stereo, mono bridged, and parallel.

7. 5-way Binding Post

Connect each channel of the unit to 4 ohms or 8 ohms loudspeak- ers.Two pairs of 5-way binding posts are provided for each chan- nel, so that paralleling of speakers is possible. Connection to the binding posts can be made with bare wire, banana plugs, or spade lug terminations. Make connections to both the Channel 1 and Channel 2 terminals for Stereo or Parallel Mode, or a single connection across the red terminals only of Channel 1 and Channel 2 for Bridged Mono Mode.

8. Speakon® output connectors

You can use these to connect each channel of the unit to 8 ohms or 4 ohms loudspeakers. Using Speakon® speaker cables, make connections to both the channel 1 and channel 2 connectors for Stereo or Parallel Mode, or to the Bridged mode connector for Bridged Mono Mode.

9. Circuit breaker

The breaker acts in place of common disposable fuses. This cir- cuit breaker will trip if there is a fault with the main voltage or if maximum output is exceeded. Simply depress the circuit breaker and power up the unit again.

10. AC input

IEC connector for AC power cable. Connect the supplied heavy- gauge 3-pin IEC power cable.

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Stanton A.2800, A.1800, A.900 user manual Rear Panel Controls
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A.2800, A.900, A.1800 specifications

Stanton A.1800, A.900, and A.2800 are renowned models from the Stanton brand, celebrated for their reliability and exceptional audio fidelity. These models are primarily designed for vinyl enthusiasts and professional DJs, each offering distinct features and technologies tailored to varying user demands.

The Stanton A.1800 is designed for those seeking high-quality performance in a robust, portable package. It features a direct-drive system that ensures consistent speed and reduces wow and flutter, making it ideal for both casual listening and professional environments. This model is equipped with a high-torque motor that provides rapid start-up times and stability, even during intense mixing sessions. Additionally, the A.1800 boasts an adjustable anti-skating feature to maintain groove integrity, ensuring that the needle tracks accurately across the vinyl.

The Stanton A.900 elevates audio performance with advanced features targeted at the professional market. It incorporates a superior cartridge designed to yield rich, detailed sound playback with reduced distortion. The A.900 also highlights a unique S-shaped tonearm that enhances tracking while minimizing resonance and vibration. This precision design allows for improved sound reproduction, making it an excellent choice for audiophiles and DJs. Furthermore, the A.900 includes digital outputs, facilitating seamless integration with modern digital audio systems while retaining the warmth of analog sound.

Finally, the Stanton A.2800 stands as a pinnacle of performance and versatility in the Stanton lineup. This model integrates enhanced connectivity options, allowing users to connect with both analog and digital sound systems. The A.2800 features a robust build, ensuring longevity while maintaining performance. Its sophisticated pitch control system allows for precise adjustments, making it invaluable for live DJ performances. Additionally, the inclusion of a vinyl emulator function permits users to experiment with vinyl-like sound manipulation using digital files, bridging the gap between analog and electronic music.

In summary, Stanton's A.1800, A.900, and A.2800 models cater to a wide range of users, from casual listeners to professional DJs. Each model offers unique features that enhance sound quality, versatility, and performance, solidifying Stanton's reputation as a leading brand in the vinyl and DJ market. Whether seeking portability, professional-grade audio fidelity, or innovative technology, Stanton provides options that meet diverse audio needs.
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