14
INTERNAL EFFECTS

The internal effects circuit receives mono signals

from the AUX 2 FX bus, and it outputs stereo signals

onto the main mix buses. It also adds a summed

mono signal to the stage monitor mix (AUX 1 bus).

The outputs are controlled by two FX RETURN (45, 46)

knobs described on the next page.

Inside the processor, the analog audio is

converted to digital, this is processed, and the result

converted into stereo analog signals.

Spicy curry can also result in some remarkable

internal effects, many in the audio frequency range.

34. EFFECTS SELECTOR

The internal effects processor has 16 great preset

effects to enhance your sound, confuse cats, and

upset hamsters, if that is your idea of fun. Each has

been carefully modeled to represent standard

effects. Note that the output mutes momentarily

when changing effects.

35. EFFECTS VARIATIONS

As you rotate this control from position 1 through

to 16, the “strength” of the effect will increase.

For an example: for a reverb effect, a low number

will have a short reverb time, and a larger number

will have a longer reverb time.

36. FX INPUT LEVEL and OL LED

This knob allows you to adjust the signal level

going into the internal effects processor. This is

useful if the signal is too strong, and the processor

becomes overloaded.

If you see the FX OL overload light come on, turn

down the knob until it just turns off during the louder

passages, riffs, chords, yells, etc.

37. FX BYPASS and LED

Press this switch in to bypass the internal effects

processor, and so prevent its output from appearing

on the main mix or stage monitors. The LED reminds

you whenever the processor is bypassed.

Use BYPASS if you are not using the internal

effects, as it will reduce any extraneous interstellar

noise, or use it to quickly compare between the

effective effect of effects and the effect of no

effects.

VOCAL 1 SPRING REVERB

VOCAL 2 MONO DELAY

LARGE HALL STEREO DELAY

SMALL HALL FLANGER

LARGE ROOM CHORUS

SMALL ROOM REVERB + DELAY

PLATE REVERB + FLANGER

TAPE REVERB REVERB + CHORUS

U
U
MAX
PHONESLAMP
BYPASSEQ IN
FX OL
MAIN MIXAUX1(MON)
POWER
PHANTOM 48V
1
MAIN
MIX
SUB
2
SUB
3
SUB
4
SUB
SUB ASSIGN
TO MAIN MIX
MASTER
AUX
SEND
CTRL RMPHONES
CD/TAPE IN
TO MAIN MIX
TO
MAIN
MIX
TO
AUX1
MON
INTERNAL EFFECTS
SUBS
1-2
SUBS
3-4
MAIN
MIX
CD/
TAPE
FX
BYPASS
SOURCE
SELECT
RUDE SOLO
0dB = 0dBu
OUTPUT LEVEL
USB
SOURCE
OL
MAX
MAX MAX
MAX
L R L R L R L R
1
MON
2
FX
+15
+15
FX
RETURN
+15
+15
15
-
15+
5
10
0
5
10
-
15
+15
5
10
0
5
10
STEREO GRAPHIC EQ
64Hz 125Hz 400Hz 1kHz 2.5kHz 8kHz 16kHz
16
LEVEL
SET
12
8
4
0
-4
-12
-24
FX
INPUT
LEVEL
SPRINGM DELAYST DELAYCHORUSREV + FLANGERREV + CHORUSREV + DELAYFLANGERTAPE REVPLATESM HALLLG ROOMLG HALLVOCAL 1SM ROOMVOCAL 2VARIATIONS
MAIN MIX
SUBS 1-2
(PRE-FADER)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
USB OUTPUT
10
dB
30
20
10
40
50
5
5
60
10
dB
30
20
10
40
50
5
5
60
10
dB
30
20
10
40
50
5
5
60
10
dB
30
20
10
40
50
5
5
60
10
dB
30
20
10
40
50
5
5
60
UUUUU
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