7
+1
+1
5-15
-15
U
U U U
1
LINE
MIC
INPUT
INPUT
BA
BA
L/UNBA
L/UNBA
L
MIC
INPUT
INPUT
BA
BA
L/UNBA
L/UNBA
L
2
LINE
MIC
INPUT
INPUT
3/4
MONO
MONO
L
R
LINE
5/6
MONO
MONO
L
R
LINE
BA
BA
L/UNBA
L/UNBA
L
BA
BA
L/UNBA
L/UNBA
LBA
BA
L/UNBA
L/UNBA
L
MONO
MONO
CTRL RM
OUT
OUT
L
R
L
STEREO AUXRETURN
RETURN
R
MAIN
OUT
OUT
L
R
PHONESAUX SEN
SEN
D GAIN
0
GAIN
0
EQ
+15
+15
-15
-15
U
HIGH
MID
2.5kH
2.5kH
z
12
12
kH
kH
z
INPU
INPU
T/OUTPU
T/OUTPU
T
1TAPEMAIN
EQ
HIGH
MID
2.5kH
2.5kH
z
12
12
kH
kH
z
EQ
HIGH
MID
2.5kH
2.5kH
z
12
12
kH
kH
z
EQ
HIGH
MID
2.5kH
2.5kH
z
12
12
kH
kH
z
23/4 5/6IN
IN
OUT
OUT
LRCD/TAPE
LOW
80H
80H
z
TAPE TO
TAPE TO
CTRL RM /
CTRL RM /
PHONES
PHONES
TAPE TO
TAPE TO
MIX
MIX
LOW
80H
80H
z
LOW
80H
80H
z
LOW
80H
80H
z
+15
+15
-15
-15
U
+15
+15
-15
-15
U
+15
+15
-15
-15
U
+15
+15
-15
-15
U
+15
+15
-15
-15
U
+15
+15
-15
-15
U
U
Guitar
Microphone
Mackie HR824 or other
Active Studio Monitors
Headphones
Drum Machine
Sound Card
LINE
OUT
LINE
IN
MIC
IN
+1
+1
5-15
-15
U
U U U
1
LINE
MIC
INPUT
INPUT
BA
BA
L/UNBA
L/UNBA
L
MIC
INPUT
INPUT
BA
BA
L/UNBA
L/UNBA
L
2
LINE
MIC
INPUT
INPUT
3/4
MONO
MONO
L
R
LINE
5/6
MONO
MONO
L
R
LINE
BA
BA
L/UNBA
L/UNBA
L
BA
BA
L/UNBA
L/UNBA
LBA
BA
L/UNBA
L/UNBA
L
MONO
MONO
CTRL RM
OUT
OUT
L
R
L
STEREO AUXRETURN
RETURN
R
MAIN
OUT
OUT
L
R
PHONESAUX SEN
SEN
D GAIN
0
GAIN
0
EQ
+15
+15
-15
-15
U
HIGH
MID
2.5kH
2.5kH
z
12
12
kH
kH
z
INPU
INPU
T/OUTPU
T/OUTPU
T1TAPEMAIN
EQ
HIGH
MID
2.5kH
2.5kH
z
12
12
kH
kH
z
EQ
HIGH
MID
2.5kH
2.5kH
z
12
12
kH
kH
z
EQ
HIGH
MID
2.5kH
2.5kH
z
12
12
kH
kH
z
23/4 5/6IN
IN
OUT
OUT
LRCD/TAPE
LOW
80H
80H
z
TAPE TO
TAPE TO
CTRL RM /
CTRL RM /
PHONES
PHONES
TAPE TO
TAPE TO
MIX
MIX
LOW
80H
80H
z
LOW
80H
80H
z
LOW
80H
80H
z
+15
+15
-15
-15
U
+15
+15
-15
-15
U
+15
+15
-15
-15
U
+15
+15
-15
-15
U
+15
+15
-15
-15
U
+15
+15
-15
-15
U
U

DAT Recorder

Mono in/Stereo out Reverb

(optional)

Microphones

1 and 2

Headphones

CD Player

Drum MachineKeyboard

Active Speakers (Mackie SRM450s)

HOOKUP DIAGRAMS

Small Club Gig

Computer set-up

Note: Push down the TAPE
TO CTRL RM/PHONES
(18) switch to listen to the
sound card output in the
control room speakers and
headphones. Leave it up
to listen to the main mix.
Do not press the TAPE TO
MIX (21) switch, or there
will be feedback.