DM-

3200

 

Applications Guide

 

 

 

 

04/01/05 Page 2 of 4

Music Tracking

hen you’re tracking a band in your studio,

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Wthere are certain features that musicians

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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and producers demand from a recording console.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The DM-3200 gives you eight aux sends so that you

-ICROPHONES

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

can give individual cue mixes to each musician

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

and have some left over to buss to the two built-in

 

 

 

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effects. It has a professional control room section

 

 

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with talkback mic and slate functions as well as

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three playback source selection switches.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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For recording large ensembles you get 16 micro-

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

phone preamps, each with analog insert, phantom

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power (selectable in groups of four) and a –20dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

pad switch. Four assignable analog inputs are pro-

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

8 -ULTITRACKCRECORDER

vided, for inserting your favorite tube compressor

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

on a console channel, or you can use the 4-band

disk recorders (like the TASCAM X-48), analog tape

EQ and dynamics found on every channel.

When the sound is dialed in, send that channel

recorders or computer-based DAW recorders. The

to its own track with the Direct button or combine

affordable DM-3200 handles all of the routing and

inputs to the 16 busses. There are plenty of digital

bussing you need in a professional studio, allowing

and analog I/O options to combine stand-alone hard

you to concentrate on running your session.

Post Production and Gaming

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mixing inside of a computer is difficult enough in stereo, and when you start working on surround projects, managing and monitoring all of the ins and outs becomes more like air traffic control. The DM-3200 becomes your control center for mixing large projects with dozens of channels. It can mix your tracks with one snapshot, and with two button presses you’re ready to transfer them

to a dubber or video deck.

Just connect your DAW interface,like Digidesign’s 192 Digital I/O for Pro Tools®, to one of the digital connections on the rear panel (or use our optional IF-FW/DM FireWire interface card). The DM-3200 even acts as a HUI controller for Pro Tools, allowing you to mix some channels in the DAW and others in the console.

The DM-3200 is an outstanding choice for mix- ing in surround, with 5.1 and even 6.1 automated panning. The 16 busses become two surround

busses in surround mode, allowing you to buss channels to discrete stems. The optional IF-SM/DM Surround Monitoring card provides downmixing to stereo, individual output solo/mute and bass management features to the console.

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Tascam DM-3200 manual Music Tracking, Post Production and Gaming

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.