Film & Post Production
With more than 300
Thanks to the processing and memory access capabilities of Reverb 6000, presets with distinct characteristics are offered alongside easy to use, generic sustain reverb effects. Therefore, credible and quickly adjustable simula- tions are a part of the package, covering anything from claustrophobic boxes to gigantic outdoor environments. To further spark the creativity of its user, Reverb 6000 also comes with new algorithms going beyond simulations to the land of twisted and funky effects.
Reverb 6000 includes
Music Production
Reverb 6000 comes with more than 300
Adding to the
Reverb 6000 in Film & Post Production
6.1 Reverb
Provide the ultimate spatial engagement of a cinema audience using the 6.1 reverb with 3 front plus 3 surround channels. Reverb 6000 is an industry first.
Credible Environments
Extravagant reflection rendering delivers the most convincing and controllable spaces available. From claustrophobic boxes to big outdoor scenarios.
Halls of Fame
Find out how the latest reverb technology is used by the music industry’s
16 Mono Reverbs
16 independent mono Reverbs to cover arbitrary sur- round formats, and situations where bleed between Reverb return channels has to be prevented.
Wild Reflections
Advanced Delays and boundary effects for mono, stereo, LCR, 5.1 and 6.1 formats. Reflector will forever change the way you look at Delay and Diffusion.
Skywalker Sound Collection
Reverb 6000 contains a compilation of first class Reverb and Room Simulation presets from one of the most respected post production houses in the world.
Reverb 6000 in Music Production
Source Reverb
Use Source based Reverb to create spatial sensation. Subtle position cues support localization and enables easy discrimination between instruments.
Massive Delay
High resolution Delays: 2290 users prepare yourself for the next step. More control, more time, more for- mats, more wacky.
True Stereo
Covering all formats from mono to 6.1, true stereo Reverbs are available in several flavors: From natu- ralistic source types to traditional sustain versions.
Old Classics
Now also available: Sought after flavors from the past like sweet, chorused Reverb and highly unnatural envelope responses.
“The 6000 allows me to move my sound effects from small | “Having experimented with the latest algorithms, I feel |
caves to exterior wide expanses with startling realism” | the 6000 has what it takes to become the industry |
Christopher Boyes | standard for 5.1 reverberation” |
Recording Mixer, Sound Designer | John Kurlander |
| Scoring Mixer |
“These days I don't go anywhere without it!. I just used it on records for Barbra Streisand, Diana Krall and Patti Austin, there's no doubt about it: the System 6000 simply has the best reverbs around”
Al Schmitt
Producer/Engineer
“Since I've integrated the 6000 into my studio, I find I use other reverbs/processors less and less. Not only does it emulate other reverbs convincingly, on it's own it opens up a world of new possibilities. The reverbs are more detailed and subtle. The 5.1 reverbs are dramatic and are already completely indispensable”
George Massenburg
Engineer, Producer