EXAMPLES

Clean Funk

2ND STAGE OFF

CONTOUR ON TONE S. PICTURE CRUNCH S. PICT.

LOW

 

 

 

 

FLAT

MID

 

 

 

BOOST

HIGH

 

 

 

 

FLAT

1

 

 

1

 

1

 

IX

 

 

 

MID

 

HIGH

 

LOW

 

 

 

 

 

B/C

 

 

 

B/C

 

B/C

 

CRUNCH

 

 

 

TONE

 

 

6

 

 

 

 

 

 

 

4

 

 

8

 

 

 

 

2

 

 

10

 

 

 

 

0

 

12

 

LOW

 

HIGH

 

2ND STAGE

 

 

CONTOUR

Tube

 

 

 

 

 

 

 

 

 

C H A N N E L 1 - T U B E

Hollow Reggae

2ND STAGE

OFF

CONTOUR

 

ON

TONE S. PICTURE

CRUNCH S. PICT.

LOW

 

 

BOOST

MID

 

 

 

 

 

CUT

HIGH

 

 

 

 

CUT

1

 

 

1

 

1

 

 

LOW

 

 

 

MID

 

HIGH

 

B/C

 

 

 

B/C

 

B/C

 

 

 

 

 

 

 

 

 

 

 

 

 

 

CRUNCH

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TONE

 

 

6

 

 

 

 

 

 

 

4

 

 

8

 

 

 

 

2

 

 

10

 

 

 

 

0

 

12

 

LOW

 

HIGH

 

2ND STAGE

 

 

CONTOUR

Hard Funk

Straight Rock

Fat and ugly

2ND STAGE

 

ON

2ND STAGE

 

ON

2ND STAGE

 

ON

CONTOUR

 

ON

CONTOUR

OFF

CONTOUR

 

ON

TONE S. PICTURE

TONE S. PICTURE

TONE S. PICTURE

CRUNCH S. PICT.

CRUNCH S. PICT.

CRUNCH S. PICT.

LOW

 

BOOST

LOW

 

BOOST

LOW

 

BOOST

MID

 

 

 

CUT

MID

 

 

 

FLAT

MID

 

BOOST

HIGH

 

BOOST

HIGH

 

 

 

FLAT

HIGH

 

 

 

CUT

1

 

1

 

1

 

1

 

1

 

1

 

1

 

1

 

1

 

 

LOW

 

MID

 

HIGH

 

LOW

 

MID

 

HIGH

 

LOW

 

MID

 

HIGH

 

B/C

 

B/C

 

B/C

 

B/C

 

B/C

 

B/C

 

B/C

 

B/C

 

B/C

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

CRUNCH

 

 

 

 

 

 

 

CRUNCH

 

 

 

 

 

 

 

CRUNCH

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TONE

 

 

 

 

TONE

 

 

 

 

TONE

6

 

 

 

 

 

 

6

 

 

 

 

 

 

6

 

 

 

 

 

 

4

 

8

 

 

 

 

4

 

8

 

 

 

 

4

 

8

 

 

 

 

2

 

10

 

 

 

 

2

 

10

 

 

 

 

2

 

10

 

 

 

 

0 12

 

LOW

 

HIGH

0 12

 

LOW

 

HIGH

0 12

 

LOW

 

HIGH

 

2ND STAGE

 

 

CONTOUR

 

2ND STAGE

 

 

CONTOUR

 

2ND STAGE

 

 

CONTOUR

C H A N N E L 1 - T U B EC H A N N E L 1 - T U B EC H A N N E L 1 - T U B E

Clear compress

Tapping/chords

Ballade

 

2ND STAGE

OFF

2ND STAGE

ON

2ND STAGE

ON

CONTOUR

OFF

CONTOUR

ON

CONTOUR

OFF

TONE S. PICTURE

TONE S. PICTURE

TONE S. PICTURE

CRUNCH S. PICT.

CRUNCH S. PICT.

CRUNCH S. PICT.

LOW

 

 

 

FLAT

LOW

 

CUT

LOW

BOOST

MID

 

 

 

FLAT

MID

BOOST

MID

BOOST

HIGH

 

BOOST

HIGH

 

FLAT

HIGH

 

CUT

1

 

1

 

1

 

1

1

1

1

1

1

 

LOW

 

MID

 

HIGH

LOW

MID

HIGH

LOW

MID

HIGH

 

B/C

 

B/C

 

B/C

B/C

B/C

B/C

B/C

B/C

B/C

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

CRUNCH

 

 

 

TONE

CRUNCH

 

TONE

CRUNCH

 

TONE

6

 

 

 

 

 

 

6

 

 

6

 

 

4

 

8

 

 

 

 

4

8

 

4

8

 

2

 

10

 

 

 

 

2

10

 

2

10

 

0 12

 

LOW

 

HIGH

0 12

LOW

HIGH

0 12

LOW

HIGH

 

2ND STAGE

 

 

CONTOUR

2ND STAGE

CONTOUR

2ND STAGE

CONTOUR

ProC H A N N E L 1 - T U B EC H A N N E L 1 - T U B E

These setting examples aim at helping you to better handle with the control stage and to utilise it for the realisation of your sound conceptions. Set channel 1 according to the examples and adjust the TONE control to the left and to the right within the suggested area, respectively. press the switches to learn more about their efficiency.

C H A N N E L 1 - T U B E

C H A N N E L 1 - T U B E

CRUNCH settings are level-dependent. The examples suppose GAIN has been set to OK. As Rock-parts are usually performed harder than tapping-techniques, rather than compensating for this gap with GAIN to obtain the desired compression, you could just raise the CRUNCH control in this case.

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Warwick ProTube IV, ProTube IX owner manual Examples, Clean Funk

ProTube IX, ProTube IV specifications

The Warwick ProTube IV and ProTube IX are two notable amplifier series from the renowned German instrument manufacturer Warwick, widely recognized for their commitment to producing high-quality musical equipment. Both models are designed for bass players seeking exceptional sound quality, versatile features, and reliable performance on stage and in the studio.

The Warwick ProTube IV is distinguished by its powerful 450-watt output, delivering a wide dynamic range that ensures clarity and punch across various musical styles. One of its standout features is the innovative hybrid design, combining both tube and solid-state technologies. This design provides the warmth and character often associated with tube amplifiers, while also leveraging the reliability and headroom of solid-state components. This hybrid approach results in an amp that produces rich harmonic overtones and a full-bodied sound, satisfying the tonal preferences of many bassists.

Additionally, the ProTube IV sports a comprehensive set of tonal shaping options. Its dual-channel design allows musicians to switch between clean and overdriven sounds seamlessly. Built-in controls for gain, treble, mid, and bass frequencies give players extensive customization capabilities, enabling them to dial in their ideal tone. Furthermore, the amp features a balanced DI output, making it easy to connect to recording equipment or a PA system for live performances.

On the other hand, the Warwick ProTube IX ups the ante with its robust capabilities and innovative technologies. Featuring an impressive 800-watt output, this amplifier is designed for the professional bassist requiring reliable performance in demanding environments. Similar to the ProTube IV, it utilizes a hybrid architecture, blending the richness of tube warmth with the power and stability of solid-state circuitry.

The ProTube IX is equipped with advanced signal processing technology, including a built-in compressor and EQ section that allows for further tonal customization. The compressor provides control over dynamics, ensuring that each note is articulate and well-defined, even in high-volume situations. Additionally, the amplifier includes a range of connectivity options, such as headphone outputs and an AUX input, catering to modern players' needs.

Both models come housed in rugged enclosures, designed to withstand the rigors of touring and consistent use. Their user-friendly interfaces streamline operation, letting musicians focus on their performance rather than technical details.

In summary, the Warwick ProTube IV and ProTube IX represent a fusion of reliable engineering and tonal versatility. Their unique features and advanced technologies make them suitable for a wide range of bass players, providing the power and sound quality necessary for both live performances and studio recordings.