Yamaha PSR-510 - page 28

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● Mode 2: Chord 2 This is essentially the same as the Chord 1 mode, above, except that the

lowest note played in the Auto Accompaniment section of the keyboard will

be played by the bass part rather than the chord root.

● Mode 3: Single SINGLE mode fingering makes it simple to produce beautifully orches-

trated accompaniment using major, seventh, minor and minor-seventh

chords by pressing a minimum number of keys in the Auto Accompaniment

section of the keyboard. The accompaniment produced is perfectly matched

to the currently selected accompaniment style.

Major Chords:

If you press a “C” key in the left-hand section of the keyboard, for ex-

ample, a C-major accompaniment will be played. Press another key in the

left-hand section of the keyboard to select a new chord. The key you press

will always determine the “root” of the chord played (i.e. “C” for a C

chord).

Minor Chords:

Simultaneously press the root key and a black key to its left.

Seventh Chords:

Simultaneously press the root key and a white key to its left.

Minor-seventh Chords:

Simultaneously press the root key and both a white and black key to its

left.

NOTES

•The Auto Accompaniment will continue playing even if you lift your

fingers from the Auto Accompaniment keys. You only need to press

the Auto Accompaniment keys when changing chords.

● Mode 4: Multi

This is a combination of the Single and Chord 1 modes. In this mode the

PSR-510 automatically discriminates between Single and Chord 1 mode

fingerings and generates the appropriate accompaniment.

NOTES

•If more than two keys are played and all but the highest key are black

keys, and the chord is not recognized by the Chord 1 mode, the high-

est note will be interpreted as the root of a minor (m) chord.

•If more than three keys are played and, excluding the highest key, are

a mixture of black and white keys, and the chord is not recognized by

the Chord 1 mode, the highest note will be interpreted as the root of a

minor-seventh (m7) chord.

•If more than two keys are played and all but the highest key are white

keys, and the chord is not recognized by the Chord 1 mode, the high-

est note will be interpreted as the root of a seventh (7) chord.

Auto Accompaniment

C on E C on G