62 PSR-R200 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
ä·‚ˇÚÛ‡
• 61 Í·‚˯‡ Òڇ̉‡ÚÌÓ„Ó ‡Áχ, (C1 – C6)
ù͇Ì
•Üä-˝Í‡Ì
ç‡ÒÚÓÈÍË
• êÖÜàå éÜàÑÄçàü/Çäã.
• Éêéåäéëíú: ÍÌÓÔÍË [+],[-].
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl
• [ã], [è], [ëãìòÄâ à ìóàëú], [êàíåàäÄ], [éÜàÑÄçàÖ], [A-B èéÇíéê]/
[Äääéåè. Çäã./Çõäã.], [çÄáÄÑ]/[Çëíìèã./îàçÄã/áÄåÖÑãàíú.],
[ÇèÖêÖÑ]/[[éëçéÇç./èÖêÖïéÑ.], [íÖåè], [èÄìáÄ]/[ÄÇíé-ëíÄêí],
[ëíÄêí/ëíéè], [äéåèéáàñàü], [ëíàãú], [íÖåÅê], [îìçäñàü],
[êéüãú], [çÄÅéê áÇìä. ùîîÖäíéÇ], [êÖÇÖêÅ. Çäã./Çõäã.], [ÑÖåé],
[åÖíêéçéå Çäã./Çõäã.], ˆËÙÓ‚˚ ÍÌÓÔÍË [0]-[9], [+], [-]
íÂÏ·
• 129 ÚÂÏ·Ó‚ + 4 ÚÂÏ·‡ Û‰‡Ì˚ı + 1 ̇·Ó Á‚ÛÍÓ‚˚ı ˝ÙÙÂÍÚÓ‚
•èÓÎËÙÓÌËfl: 32
ëÚËθ
• 100 ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ
•ìÔ‡‚ÎÂÌË ÒÚËÎflÏË:
Äääéåè. Çäã./Çõäã., ÄÇíé-ëíÄêí, ëíÄêí/ëíéè,
Çëíìèã./îàçÄã/áÄåÖÑãàíú., éëçéÇç./èÖêÖïéÑ.
• ÄÔÔÎË͇ÚÛ‡: ÔÓ‰‰ÂÊ͇ ÌÂÒÍÓθÍËı ÏÂÚÓ‰Ó‚ Ë„˚ ‡ÍÍÓ‰‡ÏË
•ÉÓÏÍÓÒÚ¸ ÒÚËÎÂÈ
îÛÌ͈Ëfl Ó·Û˜ÂÌËfl
• ëÎÓ‚‡¸ ‡ÍÍÓ‰Ó‚
•ìÓÍË 1 – 3
îÛÌ͈Ëfl
•Style Volume (ÉÓÏÍÓÒÚ¸ ÒÚËÎfl), Song Volume (ÉÓÏÍÓÒÚ¸ ÏÂÎÓ‰ËË), Tuning
(ç‡ÒÚÓÈ͇), Transpose (í‡ÌÒÔÓÁˈËfl), Split Point (íӘ͇ ‡Á‰ÂÎÂÌËfl),
Main voice (Volume, Octave) (éÒÌÓ‚ÌÓÈ ÚÂÏ· („ÓÏÍÓÒÚ¸, ÓÍÚ‡‚‡)),
Reverb Type (íËÔ Â‚Â·Â‡ˆËË), Reverb level (ìÓ‚Â̸ ‚·‡ˆËË),
Panel Sustain (臂‡fl Ô‰‡Î¸), Local On/Off (îÛÌ͈Ëfl Local ÇÍÎ./Ç˚ÍÎ.),
External Clock (Ç̯Ìflfl ÒËÌıÓÌËÁ‡ˆËfl), Initial Setup Send (艇˜‡
̇ÒÚÓÂÍ ÔÓ ÛÏÓΘ‡Ì˲), Time Signature (ó‡ÒÚÓÚ‡ Ò˄̇ÎÓ‚ ÏÂÚÓÌÓχ),
Metronome Volume (ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ), Demo Cancel (ÓÚÏÂ̇
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ)
ùÙÙÂÍÚ˚
• ùÙÙÂÍÚ Â‚Â·Â‡ˆËË: 9 ÚËÔÓ‚
åÂÎÓ‰Ëfl
• 102 ‚ÒÚÓÂÌÌ˚ ÏÂÎÓ‰ËË
•ÉÓÏÍÓÒÚ¸ ÏÂÎÓ‰ËË
MIDI
• îÛÌ͈Ëfl Local ON/OFF (‚ÍÎ/‚˚ÍÎ)
• îÛÌ͈Ëfl Initial Setup Send (艇˜‡ ̇ÒÚÓÂÍ ÔÓ ÛÏÓΘ‡Ì˲)
• Ç̯Ìflfl ÒËÌıÓÌËÁ‡ˆËfl
ÇÒÔÓÏÓ„‡ÚÂθÌ˚ ‡Á˙ÂÏ˚
•çÄìòçàäà/ÇõïéÑ, DC IN 12V, MIDI in/out, èÖÑÄãú
ìÒËÎËÚÂθ
• 2,5 + 2,5 ÇÚ
ÑË̇ÏËÍË
• 12 ÒÏ x 2 ¯Ú.
èÓÚ·ÎflÂχfl ÏÓ˘ÌÓÒÚ¸
• 10 ÇÚ (ÔË ËÒÔÓθÁÓ‚‡ÌËË ‡‰‡ÔÚ‡ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ PA-3C)
àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl
• ĉ‡ÔÚÂ: ‡‰‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ Yamaha PA-3B, PA-3C
• ŇڇÂË: ¯ÂÒÚ¸ ·‡Ú‡ÂÂÍ ÙÓχڇ «AA», LR6 ËÎË ‡‚ÌÓˆÂÌÌ˚ı
ɇ·‡ËÚ˚ (¯ËË̇ x ‰ÎË̇ x ‚˚ÒÓÚ‡)
• 945 x 348 x 110 ÏÏ
(37-1/4 x 13-2/3 x 44-1/3 ‰˛ÈÏÓ‚)
ÇÂÒ
• 4,4 Í„ (9 ÙÛÌÚÓ‚ 11 Û̈ËÈ) (·ÂÁ ·‡Ú‡ÂÈ)
èË̇‰ÎÂÊÌÓÒÚË, ‚ıÓ‰fl˘Ë ‚ ÔÓÒÚ‡‚ÍÛ
• è˛ÔËÚ
• êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
*íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë Ëı ÓÔËÒ‡ÌËfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â
ÔÓθÁÓ‚‡ÚÂÎfl Ô‰̇Á̇˜ÂÌ˚ ÚÓθÍÓ ‰Îfl Ó·˘Â„Ó Ò‚Â‰ÂÌËfl. äÓÔÓ‡ˆËfl
Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ÏÓ‰ËÙˈËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËfl
Ë ÏÂÌflÚ¸ Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó
ۂ‰ÓÏÎÂÌËfl. èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ
Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ Á‡‚ËÒÂÚ¸ ÓÚ Â„ËÓ̇, Ó·‡˘‡ÈÚÂÒ¸ Á‡
ËÌÙÓχˆËÂÈ Í ÏÂÒÚÌÓÏÛ Ô‰ÒÚ‡‚ËÚÂβ ÍÓÔÓ‡ˆËË Yamaha.
ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË, ÔÓÒÚ‡‚ÎflÂÏ˚ ÔÓ Ê·Ì˲
ÔÓÍÛÔ‡ÚÂÎfl
• ĉ‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇: PA-3B, PA-3C
• àÌÚÂÙÂÈÒ USB-MIDI: UX16
• 艇θÌ˚È ÔÂÂÍβ˜‡ÚÂθ: FC4/FC5
• èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚: L-2C/L-2L
• ç‡Û¯ÌËÍË: HPE-150/HPE-30