6: MENU CONTROL BUTTONS
These .three .buttons .labeled .“”, .“”, . and .“SEL” .(SELECT) .are .used .to .con- trol .the .menu .and .setup .functions .dis- played .on .the .LCD. .To .enter .a .menu .
SEL mode, .you .can .press .any .one .of .these . buttons. .This .will .bring .up .the .main . menu. .Navigating .any .menu .or .sub-
menu .is .done .using .the .two .arrow .(.and .) .but- tons. .Once .the .desired .submenu .or .function .is . highlighted, .pressing .“SELECT” .will .make .it .the . current .menu .or .function. .
To. .exit .a .menu, .or .back .up .a .step .use .the .arrow . buttons .to .highlight .the .‘X’ .displayed .in .the .lower . right .hand .corner .of .the .LCD .window .and .press .
“SELECT”, .or .wait .3 .to .4 .seconds .for .the .menu .to . time .out .and .return .to .its .previous .state.
7:SOURCE SELECT BUTTONS & INDICATORS
Pressing .any .one .of .these .
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| buttons .will .instantly .switch . |
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| the .SP2’s .analog .and .digital . |
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| inputs .to .read .the .indicated . |
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TV/SAT DVD CD AUX VCR | TAPE |
| source. . |
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| If .the .SP2 .is .in .its .digital . |
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| mode, .as .soon .as .any .input . |
is .selected .and .switched, .the .decoder .will .auto- |
matically .try .to .determine .the .new .bitstream’s .type . and .mode. .
8:DIGITAL MODE SELECT BUTTON & INDICATOR
function. .The .LED .immediately .above .the .
MODE ed. .
When .Digital .Mode .is .selected, .the .decoder . will .automatically .default .to .a .digital .signal .for .the . selected .input .if .one .is .present. .
. If .a .digital .signal .is .present .and .detected, .the . SP2 .will .automatically .determine .the .type .of .bit- stream .and .select .the .proper .decoding .mode. .The . indicator .LED .will .turn .green .when .this .happens. .
. If .NO .DIGITAL .SIGNAL .is .detected .the .SP2 .will . default .back .to .the .analog .input .for .the .selected . source. .This .also .automatically .puts .the .SP2 .into . its .Digital .Standby .Mode. .When .this .occurs .the .LED . indicator .will .turn .RED .
. In .this .mode, .the .decoder .will .continually .check . the .selected .source .inputs .for .the .presence .of .a . digital .signal. .If .one .is .detected, .the .SP2 .will .auto-
operation .mode .for .that .source. .
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. When .this .mode .of .operation .is .selected .the . SP2 .will .look .at .ONLY .its .analog .inputs. .If .a .digital . signal .does .appear .the .SP2 .will .NOT .recognize .it . and .will .remain .in .its .analog .only .mode .until .you . press .the .Digital .button .again .to .either .select .the . digital .source .or .place .the .SP2 .into .its .auto .detect . mode .as .explained .above.
9:SURROUND MODE BUTTON & INDICATOR
Pressing .this .button .will .engage .the .SP2’s .
surround .listening .mode. .When .this .function .
is .operational .the .LED .will .turn .green. .For .
Dolby .Digital .and .DTS .bitstreams, .the .signal . SURROUND will .be .decoded .and .presented .with .no .addi-
material, .the .SP2 .will .synthesize .surround . information .based .on .the .chosen .Surround .Mode . (see .Appendix A: SP2 Surround Modes .for .more . information).
10: STEREO & STEREO DOWNMIX MODE
If .this .button .is .selected .and .the .supplied . bitstream .is .more .than .2 .channels, .the .
decoder .will .automatically .implement .a .ste-
reo .downmix. .Otherwise, .analog .or .digital . STEREO two .channel .signals .are .passed .as .conven-
tional .stereo.
11: MONO & MONO DOWNMIX MODE
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| If .this .button .is .selected .and .the .supplied . |
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| bitstream .is .more .than .1 .channel, .the .SP2 . |
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| software .will .create .a .Mono .mix .of .all .sig- |
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| nals. .If .the .centre .channel .is .present, .the . |
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MONO |
| Mono .signal .will .appear .in .the .centre .chan- |
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| nel. .If .no .centre .channel .is .present, .the . |
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mono .signal .will .appear .simultaneously .on .the . | ||
Left/Right .speakers. . |
NOTE: Downmix [stereo or mono] is a software based automatic mixing function available within the SP2. This process exists because whenever the number of active decoder outputs or loudspeakers selected in setup is less than the number of chan- nels in the Dolby Digital program, some channel combining will be necessary to present the pro- gram on the available number of channels/loud- speakers.
As .a .part .of .any .program’s .production, .its .produc- ers .can .set .and .adjust .the .type .and .ratios .allowed . for .downmixing .somewhat .to .ensure .optimum . results .without .compromising .the .full .Multichannel . balance. .This .is .accomplished .by .including .specific . data .within .the .Dolby .Digital .bitstream .which .rep-
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