Front Panel Features

On-Screen Menu (continued)

VIDEO CONFIGURATION SUBMENU (continued)

■Monochrome Mode

Use this setting to enable monochrome mode. Only the luminance of the image will be displayed as a grayscale picture.

■Blue-Only Mode

Use this setting to enable Blue-Only mode. This mode displays only the blue color component of the image, switching off the red and green components. Use this mode when calibrating the monitor to SMPTE color bars with the following procedure:

1.Allow the monitor to warm up for at least 5-10 minutes.

2.Display SMPTE split-field color bars on the monitor using the internal generator or an external source.

3.Enable Monochrome mode.

4.Locate the pluge pattern (super black, black, and gray bars) at the lower-right corner of the screen. Adjust the Brightness knob until there is no visible difference between the super black and black bars, but the gray bar is still visible.

5.Adjust the Contrast knob until an even grayscale appears along the top bars.

6.Disable Monochrome mode.

7.Enable Blue-Only mode and adjust the Color knob so that the outermost bars (white and blue) appear to match in brightness.

8.Composite/S-Video NTSC only: Adjust the Tint knob until the third bar from the left (cyan) and the third bar from the right (magenta) appear to match in brightness.

9.Disable Blue-Only mode.

■Pixel-to-Pixel Mode

Use this setting to enable Pixel-to-Pixel mode.

This mode bypasses the monitor’s internal scaling function and displays incoming images in their native resolution and aspect ratio, with a one-to-one mapping:

•For incoming formats smaller than the native resolution of the LCD panel (1366 x 768), the image will be displayed in the center of the screen using only the necessary LCD pixels. For example, NTSC or PAL images will occupy exactly 720 x 486 or 720 x 576 pixels respectively. The surrounding pixels will be black.

•For incoming formats exceeding 1366 x 768 pixels, only the center 1366 x 768 of the incoming image will displayed occupying the whole screen, with the remainder of the picture cropped. For example, 1080i/p formats will both be cropped to 1366 x 768 and displayed full-screen.

Note: Pixel-to-Pixel mode will utilize the entire screen (1366 x 768) regardless of the aspect ratio setting. Pixel-to-Pixel mode is not available when using the VGA or DVI inputs.

1Power Button

Turn the monitor on by pressing the power button. In the OFF state, the LED will shine brightly. The LED will dim when the monitor is turned on.

2Input Select Buttons

Use the input select buttons to select the input to be displayed:

•Video

•S-Video

•YPbPr (SD/HD)

•VGA

•DVI

•SDI (SD/HD)

Each input automatically detects the applicable formats (See Compatible Input Formats – Page 7).

3On-Screen Menu Navigation Buttons

Use the Menu, ↑, ↓, and Select buttons to display and navigate the on-screen menu (See Main Menu and Navigation – Page 8).

Top Front Panel

Lower Front Panel

4User-Definable Function Buttons

Two user-definable function buttons can be used for direct access to various settings. Functions are assigned using the on-screen menu (See User- Definable Function Buttons – Page 14).

5Image Adjustment Knobs

Use the image adjustment knobs to adjust the following settings. Pressing each knob will display the current status of the corresponding control:

•Brightness (0-64)

•Color (0-64)

•Tint (0-64) [NTSC Only]

•Contrast (0-64)

6Tally Lights

Three tally LEDs (green, red, and yellow) are provided as general purpose indicators. Each LED can be individually controlled, providing multiple indications. Tally LEDs are controlled via the HD-15 connector on the rear panel (See Tally Interface –

Page 6)

V-R261P-AFHD specifications

The Marshall Electronics V-R261P-AFHD is a compact and versatile 26-inch HD LCD monitor designed for professional broadcast and production environments. Its lightweight and slim design make it an ideal choice for applications in studios, on location, or as part of an OB (outside broadcast) van setup.

One of the standout features of the V-R261P-AFHD is its high resolution. With a native resolution of 1920x1080 pixels, it provides excellent clarity and detail, ensuring that operators can see every nuance of their video content. The display supports a wide range of SD and HD formats, making it suitable for both traditional and modern workflows.

The monitor boasts advanced color accuracy and a wide viewing angle thanks to its IPS (In-Plane Switching) technology. This ensures that color fidelity remains consistent, even when viewed from off-angles, which is critical in collaborative environments where multiple operators may be looking at the screen. The V-R261P-AFHD also supports a 10-bit color depth, allowing for smoother color transitions and better representation of gradients, which is essential for achieving professional-grade visuals.

Another significant feature of this monitor is its extensive set of input options, which includes HDMI, 3G-SDI, and composite inputs. This flexibility makes it compatible with a wide array of video sources, allowing for easy integration into existing systems. The V-R261P-AFHD also includes embedded audio support, which is important for monitoring synchronized sound during production.

In terms of monitoring capabilities, the V-R261P-AFHD incorporates various tools that enhance the user experience. These include features such as waveform monitoring, vectorscope, and peaking, which help operators ensure that their video signals are accurate and within specifications. Additionally, the monitor supports customizable overlays, allowing users to display essential information during live broadcasts or recordings.

The build quality of the V-R261P-AFHD is designed for durability, featuring a rugged chassis that can withstand the rigors of professional use. The monitor can be mounted in a variety of configurations using standard VESA mounts, providing versatility in how it can be deployed in different environments.

Overall, the Marshall Electronics V-R261P-AFHD combines high-resolution imaging, robust connectivity, and advanced monitoring capabilities, making it a solid choice for professionals in the broadcast and production industry. Its thoughtful design and feature set cater to the evolving needs of video production, ensuring that it remains a reliable tool for any operator.