MartinLogan The Quest Speaker System user manual Passive Bi-amplification

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Operation

Passive

 

 

Bi-amplification

 

 

For those of you that desire ultimate

 

 

performance, the Quest may be

 

 

passively bi-amplified using the

OUTPUT

INPUT

existing internal passive crossover

Preamplifier

 

 

 

elements.

 

 

WARNING! Only after the BI-

OUTPUT

Amplifier

OUTPUT

WIRE/BI-AMP SWITCH is in the

INPUT

 

INPUT

Bi-Wire/Bi-Amp position may

 

 

 

you connect individual runs of

 

 

 

speaker cable from your ampli-

 

Amplifier

 

fier to the Low-pass and High-

OUTPUT

OUTPUT

pass AMPLIFIER CONNEC-

INPUT

 

INPUT

TIONS binding posts. Damage

 

 

 

will occur to your amplifiers if

 

 

 

the BI-WIRE/BI-AMP SWITCH is

 

 

 

not in the correct position!

 

 

 

Passive bi-amplification takes the bi-

Figure 3. Horizontal passive bi-amplification. One channel shown. BI-WIRE/BI-AMP

wiring concept one step further. Now

 

SWITCH in Bi-Wire/Bi-Amp position.

you will have a dedicated channel of

 

 

 

 

amplification directly connected to the

 

Horizontal Bi-amping (read Warning above).

high and low-pass sections of the Quest crossover.

There are two different methods to passively bi-amplify. The

With horizontal bi-amping, one amplifier drives the high-

pass section while the second amplifier drives the low-pass

first, and most common, is referred to as Horizontal Bi-

section. To horizontally bi-amplifyyour Quests, connect

amping. The second method that is gaining in popularity is

the low frequency amplifier to the Low-Pass Input + and -

referred to as Vertical Bi-amping. With either method

AMPLIFIER CONNECTIONS binding post. Connect the high

you may use two stereo amplifiers or four mono amplifiers,

frequency amplifier to the Full-Range/High-Pass Input

or two mono amplifiers and one stereo amplifier. Get the

+ and - binding posts. Next, connect the left and right

idea? With either form of passive bi-amplification, your pre-

preamplifier outputs to the appropriate left and right inputs

amplifier must have dual outputs. If your pre-amplifier is not

of both amplifiers. See figure 3.

so equipped, you must either purchase or construct a "Y"

Vertical bi-amping (read Warning above).

adaptor.

 

Horizontal bi-ampingallows you to use two different

With vertical bi-amping, each of the stereo amplifiers is

dedicated to one speaker. To vertically bi-ampyour

types, models or brands of amplifiers (i.e. tubes on top,

Quests, connect the left amplifier channel of amplifier #1 to

transistor on the bottom), assuming that they have identical

the Low-Pass Input + and - binding post and the right

gain or that one stereo pair has adjustable gain. However,

amplifier channel of amplifier #1 to the Full-Range/High-

we recommend that you use two identical amplifiers (i.e.

Pass Input + and - binding post. Repeat the same

same brand and model). If the amplifiers of choice do not

procedure for the other speaker with amplifier #2. Connect

have the same gain characteristics, then a sonic imbalance

the left preamplifier outputs to both inputs of the left channel

will occur between the high-pass and low-pass sections of

amplifier (#1) and the right pre-amplifier outputs to both

the speaker, and integration between the two will suffer

inputs of the right channel amplifier (#2). See figure 4 on the

greatly. The very nature of vertical bi-ampingdictates

following page.

that both amplifiers be identical.

 

 

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Quest User's Manual

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Contents Quest Speaker System ImportantContents Introduction Installation in Brief Electrostatic Concept An Electrostatic TransducerHistory Page Martin-Logan Exclusives Full Range OperationVapor Deposited Film Transducer IntegrityCurvilinear Line Source AC Power Connection OperationBi-Wire Connection Standard ConnectionPassive Bi-amplification Horizontal Bi-amping read Warning aboveVertical bi-amping read Warning above Contouring Switches Bass Contour SwitchPresence Contour Switch Active Bi-AmplificationRoom Acoustics Your RoomTerminology Rules of Thumb Bipolar Speakers and Your RoomRoom Acoustics and Dispersion Interactions Controlled Horizontal DispersionControlled Vertical Dispersion Three Major Types of Dispersion Multiple Large Panel DispersionPlacement Listening PositionWall Behind the Listener Wall Behind the SpeakersFinal Placement ExperimentationFinal Word X-tra Tweek Solid FootingEnjoy Yourself Questions What size of an amplifier should I use with the Quests?Troubleshooting No OutputRecommended Music Analog Discs Compact DiscsGlossary Page Quest Specifications Page Delaware street Box Lawrence, kansas