Dolby Laboratories 430 Practical Operation, Console Signal Path Insertion Guide

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4 High-frequency and Low-frequency Suppression Controls

The left-hand slider controls the amount of low level LF attenuation the unit applies; the right-hand slider controls the low level HF attenuation. When the controls are at the top there is no processing, and at the bottom there is maximum processing. The effect is gradual with about half scale giving enough processing for most applications; only on severely noisy tracks will more than half scale be needed. Maximum attenuation is approximately 16 dB at low-frequencies, and 18 dB at high-frequencies.

2.2PRACTICAL OPERATION

If the amount of noise that needs to be suppressed is small, i.e., the noise itself is at a low level, then the amount of processing needed will be small, and the change from expansion to linear (no processing) will be so gentle and gradual that the default setting of the rotary level control (pushed in) will give good results on virtually all types of dialog and interference. In fact, for small amounts of processing, the effect of the control is almost inaudible.

On the other hand, if the unwanted background noise is relatively loud and there is only a small difference between speech level and the background noise, then maximum or near maximum processing may be required. The rotary level control should be pulled out and set so that normal voice is lighting the three central LEDs more or less equally (there is little or no processing at ± 10 dB of nominal level). This gives a visual indication that the dialog lies in the linear (no processing) band and the noise can then be suppressed by drawing down the sliders.

If the level of the track is too high or the rotary level control too far clockwise, then noise can start to enter the linear band and processing will be partially lost. If the track level is too low or the level control too far counterclockwise, then the voice will take on an expanded character with poorly controlled dynamics. Noise will be modulated by the voice more and the voice will be dulled by the HF control and dried by the LF control.

In situations where there is too much reverberation, a combination of HF and LF processing increases intelligibility and reduces the perceived reverberation time. Similar treatment is also useful in situations where dialog has been overcompressed by ALC circuits in portable camcorders or similar recording equipment. If the interference is broadband, clearly both the LF and HF bands can be used in varying amounts. The expander sections are in series so their effects tend to sum. For this reason, the amount of processing used can often be reduced when both bands are brought into play since they broadly overlap in the range of 200 Hz to 2kHz.

2.3CONSOLE SIGNAL PATH INSERTION GUIDE

The choice of Model 430 insertion point in the console chain is very important for best results. Where the dialog already lacks presence, HF processing will tend to accentuate the problem and sibilants will become more muffled except when they occasionally come through clearly giving an impression of poorer vocal control than the original track. Under these circumstances, an equalizer should precede the unit to bring the sibilants up into the linear region of operation in the Model 430.

As with other playback-only devices, a large amount of high-frequency low level attenuation may subjectively lower the HF speech content. This effect can be compensated by judicious use of console equalization after the Model 430 unit.

When there is a strong interfering tone such as AC power buzz or generator hum, this is best reduced by high pass filtering before Model 430 processing so that the level difference between noise and dialog can be maximized, reducing the amount of processing required. If intrusive noise includes spot tonal signals along with ‘noise blanket’ components, the spot tones should be attenuated prior to suppression of the wide-band noise components, e.g., dip filters should precede the Model 430 in the signal chain.

On the other hand, owing to the filtering nature of the treatment, it may be more pleasing to lightly equalize the output of the Model 430 processor at the opposite end of the spectrum to that at which treatment has been selected so that the effective passband is more balanced about the 200 to 2 kHz decade.

MAIN

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Contents Series Dolby Laboratories Incorporated Dolby Background Noise Suppressor Specifications Table of Contents Introduction Section Unit Configurations Model 430 SystemAccessories 430SK1 1 Channel Suppressor KITSection Operation ControlsConsole Signal Path Insertion Guide Practical OperationMain Section Installation Control unit and Suppressor FramesMain Console Mounting of Remotes Channel Number AssignmentPanel Cut-Out Templates for Cat. No Remotes Regulatory Notices Style PlugsImportant Safety Notice IEC NoticesSection Theory of Operation Dialog Section Cat. No Voltage Regulation/SmoothingA1 Plugging Precautions Appendix