Crate Amplifiers DX-112, DX-212 manual Appendix a, Designer’s Note Amplifier Modeling

Page 48

DX-112/212 Digital Guitar Amplifier

Appendix A

Designer’s Note: Amplifier Modeling:

Building an amplifier model is really not much different than building an actual amplifier. With an actual amplifier you start with components like tubes, transformers, resistors, capacitors, and a speaker, and put them together to create an amplifier. With a virtual amplifier you start with virtual components and put them together to create an amplifier model.

It all starts with what many consider to be the "magic" in the sound of many vintage amplifiers: the vacuum tube. We created a tube model flexible enough to emulate different types of vacuum tubes, from preamp tubes such as the 12AX7 to power amp tubes like the 6L6 and the EL84.

Next, we constructed models to duplicate the filtering and equalization that takes place between the gain stages of an amplifier. These equalization models are adaptable to precisely emulate the frequency characteristics of a specific amplifier’s controls. We even created models for the output transformer and power supply sag characteristics.

After extensive research, we discovered that there's really no magic in the tube itself. Much of the tube amplifier sound is a result of not just the tube, but the way the tube interacts with the other components in the amplifier. We created our tube models to interact with the other components in our virtual amplifiers, just like the real thing.

After we developed our component models, we put them together to create our virtual amplifiers. We sound tested our amplifier models extensively to ensure that they remained true to the sound and feel of the original amplifier. Although we may have taken the magic out of the tube, we wanted to keep the magic of the tube sound.

The diagrams on the following page show the signal chain of the DX-112/212 amplifier.

43

Image 48
Contents Page Page DX-112/212 Digital Guitar Amplifier Important Safeguards and Precautions Contents Quick Start Plug In and Go Connect DifferentYour Try out If you need Look at the Front Panel Controls 8. Bass, Mid, Treble Adjusts the sig Effects Selector Chooses the effectLook at the Rear Panel Standard MIDI/Crate Footswitch Ground PIN of the AC PlugMaking the Right Connections ConnectionsInput Jacks Stereo Line Out/In JacksMidi Thru/Out Jack DX-112/212 Digital Guitar Amplifier Amp Models AMP ModelsStudio Tweed Control Gain Digital Effects EffectsEffect Adjust Sensitivity Auto-Wah only Recalling the Presets Saving New PresetsKeypad Tap Button Manual MAN ButtonOther things you should know about the lit buttons Factory Presets 1-5 Bank a We call it UnpluggedFactory Presets 6-10 Bank B User Presets 1- 5 Bank a Preset #User Presets 6-10 Bank B User Presets 11-16 Bank a User Presets 16-20 Bank B User Presets 21-25 Bank a User Presets 26-30 Bank B User Presets 31-35 Bank a User Presets 36-40 Bank B User Presets 41-45 Bank a User Presets 46-50 Bank B User Presets 51-55 Bank a User Presets 56-60 Bank B User Presets 61-65 Bank a User Presets 66-70 Bank B User Presets 71-75 Bank a User Presets 76-80 Bank B User Presets 81-85 Bank a User Presets 86-90 Bank B User Presets 91-95 Bank a User Presets 96-100 Bank B 100Appendix a Designer’s Note Amplifier ModelingLine Midi Implementation Chart Appendix BDate 02/18/99 Model DX-112/212 VersionSpecifications Appendix CSLM Electronics, Inc. a Division of St. Louis Music, Inc