M-Audio 24 manual Recording Menu, Encoder, Channels

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MicroTrack 24/96 < User Guide

Recording Menu

This menu lets you determine the recording format for subsequent audio recordings; changing these settings will have no effect on any of the files currently stored in memory. This menu will show a list of parameters with their values after them. To change the values, first select the parameter by pressing up or down on the [NAV] wheel then press in on the [NAV] wheel to select the parameter. Once selected, pressing up or down on the [NAV] wheel will change the value of the parameter. Once the desired value is shown, press in on the [NAV] wheel to confirm your selection and return to the previous menu. The options in this menu are as follows:

1.Input Source: This is where you select which input of the MicroTrack 24/96 to use for recording. 1/8” . . . . . . . . . . . . . .Chooses the 1/8” mic input as the recording source.

TRS–1/4 inch . . . . . . . . Chooses the 1/4” TRS jacks as the recording source. You will also need to use the [L/M/H] switch to set the operating mode for these inputs.

S/PDIF

Selects the S/PDIF digital input as the recording source. When S/PDIF is selected, the [LEVELS] buttons will

 

have no effect.

2.Input Monitoring: Input Monitoring is the ability to listen to the incoming audio signals before and/or while recording is in progress. This can be extremely helpful when recording digital sources since there’s often no other way to hear the digital signal you’re trying to record. It will also help you hear if your recording is distorting. When Input Monitoring is active, the currently selected input will be heard at the headphone and RCA outputs. Playback signals will override input monitoring.

3.27dB TRS Input Boost: When this option is set to on, incoming signals will be boosted 27dB before being recorded. This is helpful when recording quiet sound sources or when using mics with low output levels.

4.Encoder:

WAV. . . . . . . . . . . . . .Chooses WAV as the recording format. This format is uncompressed and will yield the highest quality

recordings. Be aware that the files created in this format can be quite large.

MP3 . . . . . . . . . . . . . .Selects MP3 as the recording format. This format compresses the audio data to yield smaller file sizes. Unlike WAV format, MP3 files are not identical representations of the original signal. They have had portions of the audio signal removed in an effort to keep file sizes to a minimum.

5.Sample Rate: The options available in this menu will depend on the Encoder selected above. Keep in mind that file sizes will increase as the sample rate is increased.

44.1/ 48 / 88.2 / 96 . . . . These will be the available sample rates when WAV is selected as the encoder. 44.1kHz is the rate for CDs. 96kHz will yield the highest frequency response, but also the largest file size.

44.1/ 48 . . . . . . . . . . .These will be the available sample rates when MP3 has been selected as the Encoder. 44.1kHz is the rate used for CDs.

6.Bit Depth: Like Sample Rate, the options shown in this menu will depend on the Encoder selected above. Keep in mind that file sizes will increase as this setting is increased.

16 / 24 . . . . . . . . . . . .When WAV is selected as the encoder, this menu will allow you to set the bit-depth of your recording. 16-bit is the CD standard. 24-bit will yield increased dynamic range and increased file size.

96 / 128 / 160 / 192 /

224 / 320 . . . . . . . . . . .When MP3 is selected as the encoder, this value will determine the bit-rate of the file. 320kbps will yield the best sounding file, but it will also be the largest.

7.Channels:

Stereo . . . . . . . . . . . . .The Stereo option will cause the MicroTrack 24/96 to record both the left and right inputs into discrete channels. This is the default setting for the MicroTrack 24/96.

Mono . . . . . . . . . . . . .The Mono option will cause the MicroTrack 24/96 to only record one channel of audio instead of two.

8.Record Time Available: This is not an adjustable parameter as it merely shows the space available on the media in the MicroTrack 24/96. This information is provided here to help you make a choice of which recording parameters to use. If you see that you’re getting low on memory space, you can choose to use MP3 encoding instead of WAV to yield smaller recordings.

3 - Hardware Controls and Indicators

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Contents Professional 2-Channel Mobile Digital Recorder Table of Contents Introduction Product FeaturesWhat’s in the Box Minimum System RequirementsCharging the Battery with the USB Power Supply Installation ProcedureNo Drivers Required Formatting the Recording MediaFront Hardware Controls and IndicatorsBottom TopLeft Settings Menu RightFiles Menu Recording Menu EncoderChannels System Menu Back Light MenuPlayback EQ Menu Recording Operating InstructionsLoop Playback PlaybackDisconnecting the MicroTrack 24/96 from Your Computer Using the MicroTrack 24/96 with a ComputerCharging the MicroTrack 24/96 from the Computer Transferring Audio FilesSwapping CompactFlash Media Disconnecting from Mac OSWarranty Terms and Registration Warranty Terms Warranty RegistrationContact Appendix Recording Time vs. Media Chart128 MicroTrack 24/96 User Guide

24 specifications

The M-Audio 24 is a powerful multimedia interface designed for musicians, producers, and sound engineers seeking high-quality audio performance. This versatile tool is particularly popular among home studio enthusiasts and professionals alike, thanks to its impressive specifications and user-friendly features.

One of the standout characteristics of the M-Audio 24 is its advanced audio resolution. With support for 24-bit depth and sample rates up to 192 kHz, users can capture every nuance of their recordings, ensuring pristine sound quality. This high-resolution capability allows for precise mixing and mastering, making it an ideal choice for both studio recordings and live performances.

The M-Audio 24 features multiple inputs and outputs, providing flexibility for various recording and production tasks. Typically, it offers a combination of XLR and TRS inputs, allowing for direct connection of microphones and instruments. Additionally, the interface usually includes MIDI In/Out ports, facilitating seamless integration with keyboards, synthesizers, and other MIDI-capable devices. This extensive connectivity ensures that users can expand their setups without limitation.

Another notable feature is the low-latency monitoring capability. The M-Audio 24 is designed to minimize latency, enabling musicians to record and monitor their performances in real-time without noticeable delay. This is particularly critical when tracking instruments and vocals, as it enhances the overall recording experience and maintains musical timing.

The M-Audio 24 is built with robust, durable materials, ensuring reliability for both studio sessions and on-the-road use. Its compact design makes it easy to transport, appealing to traveling musicians and producers who need a reliable interface wherever they go.

User-friendly software integration is another key aspect of the M-Audio 24. It typically comes bundled with various digital audio workstation (DAW) software, providing users with the tools they need to begin creating right out of the box. This compatibility with popular DAWs ensures that users can easily incorporate the device into their existing workflows.

In summary, the M-Audio 24 combines exceptional sound quality, versatile connectivity, low-latency performance, and user-friendly features, making it a top choice for anyone serious about audio production. Whether you are tracking vocals, recording instruments, or mixing music, this interface stands out as a reliable option for achieving professional results.
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