Marantz HD6400W Digital TV Rollout TIME/TERMS/TECHNOLOGY, Progressive P and Interlace I Scan

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DIGITAL TV ROLLOUT - TIME/TERMS/TECHNOLOGY

DTV TIMETABLE

PROGRAM AVAILABILITY

The switch to digital pro- gramming won’t happen

overnight, but broadcasters are beginning the task of convert- ing equipment and production capabilities to meet the FCC’s rules for signal format and launch of digital TV.

The first step for the networks will be to supply their affiliates with one satellite program feed for continuing NTSC service (at least thru the year 2006), and another feed for a single chan- nel of HDTV (or SDTV format channels). ABC, CBS, NBC, and PBS networks are all attempting to broadcast some HDTV programming beginning in the fall of 1998 (see the digi-

TOP TEN MARKETS (30% OF US HOUSEHOLDS)

Baltimore

By November 1998

Charlotte

Cincinnati

 

(Voluntary)

 

Cleveland

By May 1999

Denver

 

(Mandatory)

 

Hartford/New Haven

Atlanta

Houston

Boston

Indianapolis

Chicago

Miami

Dallas

Minneapolis/St. Paul

Detroit

Orlando

Los Angeles

Phoenix

New York

Pittsburgh

Philadelphia

Portland

San Francisco

Raleigh/Durham

Washington, D.C.

Sacramento

 

 

 

 

San Diego

 

 

Seattle/Tacoma

 

 

St. Louis

 

all other commercial stations must construct digital facilities by May 2002

Tampa/St. Petersburg

 

(non-commercial stations, such as PBS affiliates, by May 2003)

By November 1999

TOP 30 MARKETS (50% OF US HOUSEHOLDS

ADVANCED TELEVISION SYSTEM COMMITTEE FORMATS

digital 1nf0rmation

While they may dif- fer on the choice of digital formats (1080i, 720p, 480i, etc.) the netw orks broadcast plans center mainly on select primetime * program viewing. Because of the production tech- niques and equip- ment upgrades necessary for digi- tal broadcasts the telecasting of sports or other live events will not

tal InfOrmation section to the right for specific plans and details), but much in the way of new digital broadcast tower con- struction, site zoning and other conversion issues will need to be resolved in order for the broad- casts to begin in earnest.

In the beginning local stations can offer different program- ming on their allotted digital

 

Digital Television

Horizontal

Vertical

Screen/Image

Total Pixels

 

Resolution

Resolution

 

Aspect Ratio

(transmitted per

 

Format/Name

(pixels across screen

(Viewable Scan

 

(width to height)

video frame*)

 

 

width)

Lines)

 

 

 

 

BROADCAST

TV (SDTV)525P/525I

1920

1080

16:9

2,073,600

 

High Definition TV

 

HDTV 1080P/1080I

 

 

 

 

 

High Definition TV

1280

720

16:9

921,600

 

HDTV 720P/720I

 

 

 

 

FOR

Standard Definition

704

480

4:3 - 16:9

337,920

TV (SDTV)

640

480

4:3

307,200

 

Standard Definition

 

 

 

 

 

 

*60 frames per second (fps) for live video; 24 and 30 fps for material produced in film.

become available until audience view - ership can justify costs.

Some initial net-

w ork plans for digi- tal broadcasts:

ABC- Wonderful

W orld of Disney (in

channel space, but as time pass- es the percentage of NTSC pro- grams that must be converted to digital “simulcast” broadcasts will increase (in order to meet specified conversion schedule requirements.)

The Cable TV industry’s stan- dard for the use and carrying of digital broadcasts, which has a different frequency modulation than cable signals, is unresolved (as of the date of this publica- tion.) Although some cable operators promise that digital set-top boxes or decoders will be available to pass HDTV signals to digital TV sets, no official “must carry” design for the interfacing of cable TV pro- gramming and digital TV tech- nologies has been agreed upon. Even without firm program launch dates or established guidelines, digital cable decoder equipment and program offer- ing plans (by such cable pro-

Digital Television (DTV) is the umbrella term used to describe the new digital television system adopt-

ed by the FCC. DTV is an open standard with few specific format rules for the implementation of

HDTV/SDTV/and a host of potential data broadcast applications. Although there are certain guidelines

for frequency/bit rates/transmission power/etc. the FCC has taken the position that the marketplace

should decide or dictate what formats will best serve the public.

High Definition Television (HDTV) is approxi-

Standard Definition Television (SDTV) offers

 

mately twice the vertical and horizontal resolu-

 

about the same picture resolution as today’s

 

tion of today’s NTSC TV. Because of the extra

 

NTSC TV, but the picture quality is improved

 

width (16:9) format of HDTV the picture con-

 

because of the lack of snow and ghosts that

 

tains about five times as much information (or

 

accompany normal NTSC over-the-air broad-

 

pixels) as conventional TV.

 

casting.

 

HDTV also includes 5.1 channels of Dolby

 

Multiple channels are possible with SDTV since

 

Digital surround sound to be broadcast through

 

the 6-MHz signal space allotted for digital

 

two front speakers; one center speaker; two rear

 

broadcasts can be used for other types of less

 

back speakers; and a separate bass channel or

 

data filled format programming.

 

subwoofer signal.

Standard Definition Television (SDTV) refers to

HDTV refers to the product/system with the fol-

 

the product/system with the following perfor-

 

lowing minimum performance specs:

 

mance attributes:

 

-

Resolution: vertical display resolution of

 

-

Resolution: display resolution lower than that

 

 

720P, 1080I, or higher

 

 

of HDTV

 

-

Aspect Ratio: capable of displaying 16:9 for-

 

-

Aspect Ratio: none specified

 

 

mat images at the minimum resolution levels

 

-

Audio: produces useable audio

 

-

Audio: receives, reproduces, and/or outputs

 

- Receiver: receives all ATSC (Table 3) formats

 

 

Dolby digital audio

 

 

and produces a useable picture

 

-

Receiver: receives all ATSC (Table 3) formats

 

 

 

PROGRESSIVE (P) AND INTERLACE (I) SCAN

720p format); to phase in other HDTV broadcasts later.

CBS- proposed to send five hours of 1080i programming per week

NBC- to begin shooting The Tonight Show with Jay Leno in HDTV beginning in 1999; also plans to show other primetime show s in HDTV

Fox to distribute some portion of its schedule in 720p HDTV.

*Outside of the primetime slot for

gram providers as HBO, Turner Broadcasting and the Discovery Channel) are all underway for the interconnection of cable TV and the arrival of HDTV. It may not have immediate solutions at the outset, but market and industry demands should speed cable operators to provide for the HDTV signal to make it into the cable supplied home. Direct-broadcast satellite system (DSS) providers (such as Direc Tv, Unity Motion, Dish

• Progressive and Interlace refer

mation contained in a 1080-line

to the method in which the video

HD picture, interlace is needed

from a picture telecast is scanned

to fit the format into the allotted

or displayed on the TV screen.

6MHz channel space.

- Interlace scans or paints half

- Progressive scans or paints the

the vertical lines for the picture

entire video picture one line

on the screen every 1/60 of a

after another. Used with today’s

second. Then the rest of the pic-

computer monitors this progres-

ture is filled in between the lines

sive process can eliminate some

of the first half on a followup

of the picture artifacts found

scan. The speed of this process

with interlace scan, but does

is so fast that it appears to the

require a larger bandwidth in

eye as being one complete pic-

order to deliver programs at the

ture. Due to the amount of infor-

same frame rate.

INTERLACE FIELDS

(Separate scans sent every 1/60 of a second)

The interlace scan process was first used with NTSC broadcasts to conserve video bandwidth space. With certain scenes or video material the interlace process can cause image blurring or other visual screen artifacts.

netw ork digital show s local sta- tions can provide different program- ming on their digital broadcast channel. They are free to convert current NTSC programming into digital SDTV or even upgrade their signal to true HDTV.

Network, etc.) have also announced plans to deliver HDTV to its customer base in the spring of 1999. DSS sub- scribers will likely need upgrad- ed dish and satellite receiver designed equipment to complete their digital reception package, but a number of providers are working on both off-the-air sig- nal and direct satellite feed solu- tions.

FREQUENTLY ASKED DTV QUESTIONS

Q: What are the goals of DTV?

A: The move to digital program-

operation capability matched for

A: In the United States the commit-

ming will shift from initial select

both the NTSC and ATSC systems.

ment for free and local digital

program offerings; to increased

 

broadcasts is a main standard for the

simulcast availability; to the ulti-

Q: What’s in the future for DTV?

new ATSC system. The reception

mate return of analog NTSC broad-

A: Because of the computer, multi-

and interaction of local terrestrial

cast channels to the federal govern-

media, and broadcast services

broadcasting for DTV programming

ment in 2006. The NTSC and ATSC

involved in setting ATSC and signal

is to remain the same regardless of

systems will coexist for years to

compression standards, DTV picture

the region or area of the country in

come (with possible date extensions

formats can be universally adopted

which you reside.

provided for the return of NTSC

not only for TV broadcasts but also

 

system channels if needed.)

for computer and other interrelated

Q: How long will the transition to

Products such as the HD6400W

web and network service purposes.

DPTV are uniquely positioned with

 

DTV take?

 

 

 

ABC, NBC and Fox are advising affili- ates to use 480p for the majority of its broadcast day, while CBS recom- mends its stations use the 480i for- mat.

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Contents Table of Contents Quick USE Guide Integrated Product DesignPress the Power Dptv Description of Controls and Operation Dptv BeginLCD Remote Description of Controls and Operation LCD RemoteControls OperationsDigital Atsc Menu Control Operations Atsc MenusAdditional Remote Dptv Functions On the DptvSound Menu Functions Features Menu FunctionsPicture Menu Functions Analog Ntsc Menu Control Operations Ntsc MenusPress the direction Press the Left/RightIf using the DPTV’s local key Board, press Monitor Menu Control OperationsMonitor Menu Functions Monitor Display ControlsDigital TV Rollout TIME/TERMS/TECHNOLOGY Advanced Television System Committee FormatsProgressive P and Interlace I Scan Frequently Asked DTV Questions

HD6400W specifications

The Marantz HD6400W is a high-definition audio and video receiver that combines cutting-edge technology with outstanding performance, making it an essential component for audiophiles and home theater enthusiasts. Designed to provide a comprehensive multimedia experience, the HD6400W excels across a variety of formats and sources, seamlessly integrating with modern home entertainment systems.

One of the standout features of the HD6400W is its support for high-resolution audio formats. This receiver handles various codecs, including Dolby Atmos, DTS:X, and high-definition audio files, such as FLAC and DSD. The incorporation of these formats allows users to experience their favorite music and movies with exceptional clarity and depth. With its powerful amplification capabilities, the receiver can deliver immersive sound that fills the room, ensuring that every subtle note and explosive sound effect comes to life.

The HD6400W also boasts advanced video processing capabilities, supporting 4K Ultra HD content and HDR (High Dynamic Range) technologies like HDR10 and Dolby Vision. This ensures crystal-clear picture quality with vibrant colors and outstanding contrast, making it perfect for today’s most demanding video formats. The receiver includes multiple HDMI inputs, allowing easy connectivity to various devices such as Blu-ray players, gaming consoles, and streaming devices, while also featuring eARC (enhanced Audio Return Channel) for simplified audio processing.

Another key technology integrated into the HD6400W is the Audyssey MultEQ room correction system. This feature analyzes the acoustics of your listening environment and optimizes audio output for an ideal sound experience. By adjusting speaker settings and EQ profiles based on room dimensions and speaker placement, Audyssey ensures that users achieve the best possible sound quality, tailored to their specific space.

The Marantz HD6400W is also designed with user convenience in mind. It comes with a user-friendly interface and can be controlled via a dedicated mobile app, offering easy access to various audio and video settings. Additionally, built-in Wi-Fi and Bluetooth connectivity provide seamless streaming from popular music services and personal devices, further enhancing the overall versatility of the receiver.

In summary, the Marantz HD6400W is a feature-rich audio and video receiver that embodies the perfect balance of performance, technology, and user convenience. With its high-resolution audio capabilities, advanced video processing, and adaptive room correction, this receiver stands out as a premium choice for creating an exceptional home theater experience.