Input Labels
For easier identification and selection of the input mode, you can label each input mode or skip terminals that are not connected to any equipment.
•To select the input mode (p. 24)
Preparations: | 2 Select [Setup] |
1 Display the menu |
MENU
MENU
EXIT
RETURN
abc | def |
1 | Select [Display Settings] | select |
1/2 | ||
| Eco Navigation | access |
| Child Lock |
Digital TV Tuning Menu
Language
Display Settings Access
VIERA Link Settings
Network Setup
DivX® VOD
System Menu
ghi | jkl | mno |
pqrs | tuv | wxyz |
2Select [Input Labels]
Display Settings
Teletext | FASTEXT |
Teletext Character Set | English |
|
|
Input Labels | Access |
Banner Display Timeout | 3 seconds |
|
|
VIERA Connect Banner | On |
|
|
Playing Time Display | On |
select access
3 Select an input terminal and set | ||
Input Labels | 1/2 | select |
TV
■To return to TV
EXIT
■User input
AV1 | DVD |
AV2 | AV2 |
|
|
AV3 | AV3 |
PC | PC |
|
|
HDMI1 | HDMI1 |
HDMI2 | HDMI2 |
|
|
HDMI3 | HDMI3 |
HDMI4 | HDMI4 |
Digital TV | Digital TV |
access / store
The labels you set will be displayed in [Input Selection] menu (p. 24) or banner.
•If [Skip] is selected, you cannot select the mode.
Input Labels
You can name each input mode freely.
1 Select [User input] | 2 Set characters one by one |
|
| 3 Store | |||||||||||||||||||||||
|
| select | User input |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| select | RETURN | |||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||
|
|
| Name |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| access |
| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T |
|
| set |
|
|
|
| a | b | c | d | e | f | g | h | i | j | k | l | m | n | o | p | q | r | s | t |
|
|
| ||
|
|
|
| U | V | W | X | Y | Z |
| 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | ! | : | # |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| u | v | w | x | y | z | ( | ) | + | - | . | * | _ |
|
|
|
|
|
|
|
|
|
|
|
(maximum: ten characters)
•You can set characters by using numeric buttons.
(p. 27)
39