New technology and features deliver film picture
New integrated cinema quality circuitry for enhanced expressiveness
Dynamic Iris and
IMAGES
A new Dynamic Iris optical system incorporates AI technology to control the light volume and gamma curve in real time. Gamma correction is possible in every single scene. In conjunction with lamp control, the world’s first Iris with
Precise colour portrayal with deeper blacks
Without lamp power control or | With lamp power control but without | With Dynamic iris and dynamic |
dynamic gamma correction blacks | dynamic gamma correction, blacks | gamma correction, the |
and other colours appear lifeless. | and other colours are lackluster and | image sustains the brilliance of |
| drab. Blacks and other dark portions | bright colours resulting in a truer |
| are not washed out, however whites | image over a wider livelier range. |
| and bright portions are dim and dull. |
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Lamp | Dynamic Iris |
| To three |
| LCD panel |
LIFELIKE
The Iris opens and closes actual time according to image signal.
NEW TECHNOLOGY AND FEATURES DELIVER FILM PICTURE QUALITY WITH
Cinema Colour Management technology
The innovative colour correction system incorporates Cinema Colour Management (CCM) technology, enabling free control of colours. Until the development of CCM, it has been difficult to reflect the colourist’s intentions, because correcting one colour affected certain others. With CCM technology, individual correction of approximately 1,070,000,000 colours without affecting other colours is possible. Colour control usually includes control of contrast, but CCM technology goes even further and controls brightness too. CCM is a true breakthrough and moves colour correction closer to the process used for motion pictures.
Adjust
CCM colour correction |
Conventional | A | A |
| AE700: |
B |
| B | ||
| 1,070,000,000 (approx.) | |||
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Adjusting colour A to B |
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| colour correction |
changes the hues of the |
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| Adjusting colour A to B has |
surrounding colours. |
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| no effect on the |
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| surrounding colours. |