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minutes, seconds & frames ahead of the rest.
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| scrubbing |
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| JUST LIKE TAPE |
dv40 and |
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| The large | |||||
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| rotate) jog/shuttle dial and clever digital | ||||||
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| tracking technology result in incredible | ||||||
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| audio scrubbing. |
SEAMLESS INTEGRATION | Plus, with it’s |
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| It really is just like using tape. | ||||
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recorded files can easily be transferred around the post |
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| 24bit | |||||
simply removing them from the caddy and placing in the | house’s media network. |
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In addition to UDF |
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integration which makes the | created on other manufacturers recorders in FAT16, BWF |
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| Resolution | ||||
formidable production team. | Interleaved format complete with timecode information. |
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The DV40 provides high precision scrubbing for |
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| 192kHz | ||
RAM discs, easy ethernet networking plus extensive audio / |
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timecode manipulation. |
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| D™ |
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| Frequency | |||||
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| interfacing | FLEXIBLE RECORDING | ||||||||
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| mode used. In addition, other formats | ||||
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| The DV40 is capable of recording up to |
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| 24bit / 192kHz depending on recording |
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| INCREDIBLY WELL CONNECTED | on XLR connectors, while the standard complement of |
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| offered: (see chart on page 7) | ||
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| Each of the four audio channels feature balanced XLR | timecode, video sync and word clock inputs and outputs |
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| 16bit / 44.1kHz, 16bit / 48kHz, 24bit / | ||
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| inputs individually switchable between +4dBu and | are also present. Interoperability and system integration is |
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| 44.1kHz, 24bit / 48kHz, 24bit / 88.2kHz, | ||
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| and the highest quality 24bit/192kHz AD converters. The | taken care of via 9 and 15 pin |
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| 24bit / 96kHz and 24bit / 176.4kHz | ||
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| outputs are provided on both balanced XLR again with | latter also providing a 12V 400mA power source for future |
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| 24bit/192kHz DA converters as well as 1/4" unbalanced | remote control applications. Both these interfaces comply |
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ency selector |
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| phone jacks for easy monitoring | to the Sony |
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| Flexible headphone monitoring is provided on the front | Fostex’s own extended instruction set. |
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| panel with switchable source selection for Track 1+2, | The |
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| Track 3+4, Track 1+3/2+4 and each track individually. |
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| Digital input and output for all four channels is taken care | remote control, fader starts and file search rounds off this |
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| DV40 is equipped with | |||
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| of via the AES/EBU format (doubling up for 176.4/192kHz) | most comprehensive set of interface capabilities. |
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| as standard. Once the IP address is set DV40 | |||||
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files will be available via your media network.
P R O F E S S I O N A L D V D M A S T E R R E C O R D E R