
hours,
minutes, seconds & frames ahead of the rest.
| 
 | 
 | 03H 02M 52S 05F 43 | SF audio | ||||||||
| 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | scrubbing | 
| 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | JUST LIKE TAPE | 
| dv40 and  | 
 | 
 | 
 | 
 | 
 | The large  | |||||
| 
 | 
 | 
 | 
 | 
 | rotate) jog/shuttle dial and clever digital | ||||||
| 
 | 
 | 
 | 
 | 
 | tracking technology result in incredible | ||||||
| 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | |
| 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | audio scrubbing. | 
| SEAMLESS INTEGRATION | Plus, with it’s  | 
 | 
 | 
 | 
 | 
 | It really is just like using tape. | ||||
| 
 | 
 | 
 | 
 | 
 | 
 | ||||||
| recorded files can easily be transferred around the post | 
 | 
 | 
 | 
 | 
 | 24bit | |||||
| simply removing them from the caddy and placing in the | house’s media network. | 
 | 
 | 
 | 
 | 
 | 
 | 
 | |||
| In addition to UDF  | 
 | 
 | 
 | 
 | 
 | ||||||
| 
 | 
 | 
 | 
 | 
 | 
 | ||||||
| integration which makes the  | created on other manufacturers recorders in FAT16, BWF | 
 | 
 | 
 | 
 | 
 | Resolution | ||||
| formidable production team. | Interleaved format complete with timecode information. | 
 | 
 | 
 | 
 | 
 | |||||
| The DV40 provides high precision scrubbing for  | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 192kHz | ||
| RAM discs, easy ethernet networking plus extensive audio / | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | |||
| 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | |||
| timecode manipulation. | 
 | 
 | 
 | 
 | D™ | 
 | |||||
| 
 | 
 | 
 | 
 | 
 | 
 | Frequency | |||||
| 
 | 
 | interfacing | FLEXIBLE RECORDING | ||||||||
| 
 | 
 | 
 | 
 | 
 | 
 | 
 | mode used. In addition, other formats | ||||
| 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | The DV40 is capable of recording up to | 
| 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 24bit / 192kHz depending on recording | 
| 
 | 
 | INCREDIBLY WELL CONNECTED | on XLR connectors, while the standard complement of | 
 | 
 | 
 | 
 | 
 | offered: (see chart on page 7) | ||
| 
 | 
 | Each of the four audio channels feature balanced XLR | timecode, video sync and word clock inputs and outputs | 
 | 
 | 
 | 
 | 
 | 16bit / 44.1kHz, 16bit / 48kHz, 24bit / | ||
| 
 | 
 | inputs individually switchable between +4dBu and  | are also present. Interoperability and system integration is | 
 | 
 | 
 | 
 | 
 | 44.1kHz, 24bit / 48kHz, 24bit / 88.2kHz, | ||
| 
 | 
 | and the highest quality 24bit/192kHz AD converters. The | taken care of via 9 and 15 pin  | 
 | 
 | 
 | 
 | 
 | 24bit / 96kHz and 24bit / 176.4kHz | ||
| 
 | 
 | outputs are provided on both balanced XLR again with | latter also providing a 12V 400mA power source for future | 
 | 
 | 
 | 
 | 
 | 
 | ||
| 
 | 
 | 24bit/192kHz DA converters as well as 1/4" unbalanced | remote control applications. Both these interfaces comply | 
 | 
 | 
 | 
 | 
 | 
 | ||
| ency selector | 
 | 
 | 
 | 
 | 
 | 
 | 
 | ||||
| 
 | phone jacks for easy monitoring  | to the Sony  | 
 | 
 | 
 | 
 | 
 | 
 | |||
| 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | ||||
| 
 | 
 | Flexible headphone monitoring is provided on the front | Fostex’s own extended instruction set. | 
 | 
 | 
 | 
 | 
 | 
 | ||
| 
 | 
 | panel with switchable source selection for Track 1+2, | The  | 
 | 
 | 
 | 
 | 
 | 
 | ||
| 
 | 
 | Track 3+4, Track 1+3/2+4 and each track individually. | 
 | 
 | 
 | 
 | 
 | 
 | |||
| 
 | 
 | Digital input and output for all four channels is taken care | remote control, fader starts and file search rounds off this | 
 | 
 | 
 | 
 | DV40 is equipped with  | |||
| 
 | 
 | of via the AES/EBU format (doubling up for 176.4/192kHz) | most comprehensive set of interface capabilities. | 
 | 
 | 
 | 
 | ||||
| 
 | 
 | 
 | 
 | 
 | 
 | as standard. Once the IP address is set DV40 | |||||
| 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 | ||
files will be available via your media network.
P R O F E S S I O N A L D V D M A S T E R R E C O R D E R