SPEAKERS:
Sensitivity to speaker mismatching in regards to ohmage differences is low, hence no damage to the amplifier will occur. However, very low ohmage loads will cause the power tubes to wear faster. The
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| used. When using two 8 Ohm speakers, connect each of them to the 4 Ohm speaker jacks that are |
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| provided, this will equal a 4 Ohm load which is the proper impedance required when using this particu- |
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| lar speaker configuration. |
8 OHM | 4 OHM | 4 OHM |
EFFECTS LOOP: SEND / RETURN & MIX
These two 1/4" jacks are the patch point for external signal processing effects. The EFFECTS LOOP in the
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| the Effects Loop RETURN jack. | ||
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| Use the rotary MIX control to blend in the desired amount of the processed signal with the original | |
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10% | 10 | 0% |
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| dry signal. The least degradation of signal is usually found by setting the processor’s mix at 100% | ||
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| and the EFFECTS LOOP MIX control at the lower end of the control. In this manner the least | |||||
FX MIX | RETURN | SEND | |||||
amount of your pure tone will be processed and you will be dialing in a “very small amount” of a | |||||||
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“very wet” signal to be mixed with the original. This method seems to produce the best results for tone and signal to noise ratio. The EFFECTS LOOP interrupts the signal between the
100% to use the EFFECTS LOOP as a Power In patch point. Connect your last effects’ Output jack to the Effects RETURN jack. We suggest that when using the
REVERB: RECT-O-VERB COMBO & RECT-O-VERB HEAD
These self explanatory controls deliver the rich natural reverb sound. Although the circuit is the same for both RHYTHM and LEAD
channels, the amount of Reverb available is not. In the LEAD channel there is slightly less Reverb available overall because of this | |||||||
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| channels’ very nature. The reason behind this is two fold: 1.) that it is easier to prevent |
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| the massive amount of Gain and signal strength present in the Modern high gain Mode |
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| from causing unwanted Reverb oscillations. 2.) This channels aggressive nature lends | |
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| itself more to musical styles where high settings of Reverb are simply not traditional. | ||
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| 1 | Don’t worry...there is still plenty of Reverb for drenched solo work in both of the Lead | |
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| REVERB | Modes. Simply run the control a little higher than that of the top channel. |
10% | 10 0% |
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| FX MIX RETURN | SEND |
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