Mesa/Boogie MARK 1 owner manual Screen

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BIAS ADJUSTMENT: ( A continuing series...)

NOTE: An article written by Randall Smith that we thought you might find interesting.

Here’s a question we often hear:

“Why doesn’t Mesa put bias adjustments in their amplifiers?”

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Well, there’s a short answer and a long answer to this question.

The short answer is that during my 12 years of repairing Fenders, one of the most frequent problems I saw was bias controls that were either set wrong or that had wandered out of adjustment due to vibration. As any honest tech will tell you, there’s lot’s of easy money to be made by sprinkling “holy water” on amplifiers ... uh, what I meant to say is “Your amp needed biasing.” See what I mean? What customer is going to argue with that?

It only takes a moment and a volt meter: The Fender diagram shows how: “Adjust this trim pot for - 52 volts.” That’s it. Nothing more.

Now don’t be fooled into thinking that tubes “draw” more or less bias, they don’t. The way a bias supply is connected to a tube is akin to a dead end road, it just trails off to nowhere without really completing a circuit. It’s a static voltage and regardless of what tube is in the socket — or even if the tubes aren’t plugged in at all, it doesn’t change the bias voltage a bit.

So the end of the short answer is this: Since a bias supply needs to put out the right voltage and never vary, I wanted to build amplifiers that were individually hard wired to the correct values and NEVER needed adjustment. And for 25 years, that’s how Mesa/ Boogies have been built.

Time to change tubes? Just plug our tubes into any one of our amps and you’re DONE. No tech needed. NO bills and no BS about biasing. And most important: The bias is RIGHT because it can’t change!

Now, you want the long answer? Here’s more information on how our hard-wired bias avoids trouble. Please read on.

But first, let’s make an important distinction. Our business is designing and building high performance amplifiers. And for this we need tubes whose variance is within a narrow range. Our warehouse is full of rejects ...oh, they work — they just don’t perform within our tolerance range. We have a very sophisticated computer - based tube testing system (nicknamed “Robotube”) that matches and measures tubes over seven important parameters. It can even predict which tubes are likely to have a shortened lifetime — even though they work perfectly during the test.

Because our business is building quality amps, we can afford to reject a lot of wayward tubes. The guys you hear complaining because Boogies don’t have bias adjusters are primarily in the business of selling tubes - not amps.They don’t want to throw away 30 percent of their inventory, so they promote the idea that tubes outside our parameters can be used to “customize” amplifiers and they criticize us because our amps can’t be adjusted to accommodate their out-of-Mesatolerance tubes.

Now you might be thinking, “But I thought you just said that tubes don’t “draw” bias, therefore they don’t effect the bias supply and thus it doesn’t need to be adjustable.”

And that’s right. Tubes don’t effect the bias setting, but the bias setting does effect how the tubes work. But how it effects the tubes is difficult to measure.

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Contents Mark 1 RE -ISSUE Hello from the Tone Farm MK-1 Precautions & Warnings Mark 1 Operating Instructions OverviewFront Panel Front Panel Warm tone and spongy, elastic feel Rear Panel Rear Panel Amp Mark Personal Sample Settings Sheet Diagnosing Power Tube Problems Tube Maintenance & MicrophonicsTube Noise Diagnosing PRE AMP Tube Problems MIS-MATCHING What is MY Cabinets ImpedanceSpeaker Impedance Matching & HOOK-UP Guide SeriesParallel Combination of Series & ParallelWiring SCHEMES...Amplifier to Speaker Cabinets Wiring SCHEMES...Amplifier to Speaker Cabinets Wiring SCHEMES...Amplifier to Speaker Cabinets Safe Mismatch Screen Bias Adjustment Cheers Randall Smith Designer and President On TRIODES, Pentodes & Irishmenn Triodes PentodesPage Mark Mesa Boogie Spirit of Art in Technology

MARK 1 specifications

The Mesa/Boogie MARK 1 is an iconic guitar amplifier that has significantly influenced the world of music since its introduction in the late 1960s. Designed by Randall Smith, the MARK 1 was one of the earliest examples of a high-gain, boutique-style amplifier, aimed at offering guitarists a versatile tool for achieving rich tones across various genres.

One of the standout features of the MARK 1 is its innovative preamp design, which utilizes multiple gain stages to produce a wide range of tonal options. This allows players to achieve everything from sparkling clean sounds to aggressive, saturated overdrive. The two-channel configuration—clean and lead—enables users to switch effortlessly between different sounds, making it a favorite among performers looking for adaptability in their rig.

The MARK 1 is also equipped with a powerful EQ section, featuring a 5-band graphic equalizer that grants further control over tonal shaping. This level of customization is rare in amplifiers of its time, allowing musicians to tailor their sound to perfection, whether in the studio or on stage. The “Fat” switch adds additional low-end response and gain, enhancing the amp's overall character and making it suitable for heavier genres.

Another hallmark of the MARK 1 is its compact design, which was revolutionary at the time. Weighing significantly less than traditional tube amplifiers, the MARK 1 was constructed with portability in mind, making it easy for gigging musicians to transport. This combination of power and portability made the MARK 1 a popular choice for artists across various genres, from rock to blues and jazz.

The MARK 1, like many of Mesa/Boogie’s offerings, is built with high-quality components, ensuring durability and reliability. The use of premium tubes in the power section contributes to its dynamic response and harmonic richness, vital for expressive playing.

Overall, the Mesa/Boogie MARK 1 is more than just an amplifier; it's a landmark in guitar amplification technology. With its versatility, compactness, and powerful tone-shaping capabilities, the MARK 1 paved the way for future amplifiers and continues to be revered by musicians around the world for its outstanding performance and timeless sound. Whether performing live or recording in the studio, the MARK 1 remains a trusted companion for guitarists seeking to explore the full spectrum of their musical expression.