Mesa/Boogie Big Block 750 owner manual Rear Panel Controls

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REAR PANEL CONTROLS: (Continued)

GROUND LIFT / POST & PRE / DIRECT OUT: (Continued) PRE gives you just the sound of your instrument and no BIG BLOCK 750 enhancement so that an engineer can create their own sound with your unprocessed signal at the console. This is very handy for sound reinforcement applications as the sound you use on stage may be too big with enhanced low end for a large venue house application.

GROUND LIFT: This switch removes the circuit-to-chassis ground connection from the XLR jack. Leave it in the grounded position (switch down) normally unless you experience a hum when connecting to a console. If you do experience a hum when connecting the XLR Output to a console, try lifting the ground (switch up) on the circuit. This will usually (but not always) remedy most ground loop type noise from the signal path. Sometimes it may also be necessary to lift the A.C. Cable Ground also by using a 3-2 ground adapter to achieve a quiet signal path.

NOTE: Ground loops can occur in many places in a complex signal path. The DIRECT OUTPUT GROUND LIFT switch is not a cure- all and therefore should not be expected to remedy every type of ground related problem.

EFFECTS: These two jacks provide an interface for external signal processors and they access a point between the preamp and

power section. This wiring scheme creates a Series Effects Loop that is well matched to the input and output impedance of most good

 

 

quality processing devices. The jacks used in the loop are switching-type jacks - meaning that when

M-PULSE

BIG BLOCK 750

nothing is inserted into either SEND or RETURN the preamp signal bypasses the jacks. When cables are

inserted the signal path is interrupted and sent through the EFFECTS LOOP.

SIMUL STATE BASS AMPLIFIER

TUBE DRIVEN-MOSFET POWER

 

EFFECTS

Because the loop is wired in series, anything you do to the signal here will affect the entire sound of the

 

 

amplifier. Therefore we suggest using only the highest possible quality of processing devices and the

RETURN

SEND

best possible low capacitance cables of the shortest possible length.

 

NOTE: Cable lengths of 1 foot are best with 3 feet being about the longest desirable length. Using longer interface cables in the series loop will introduce unwanted capacitance and begin to roll off top end and attack.

To use the EFFECTS LOOP;

1 ) Connect the SEND jack to your processors’ INPUT.

2 ) Connect the RETURN jack to your processors’ OUTPUT.

3 ) Adjust the dry/wet blend with your processors’ MIX ( WET OUTPUT ) control.

FOOTSWITCH: This 1/4” stereo jack accepts the stereo phone plug from the included BIG BLOCK Footswitch. Connecting the FOOTSWITCH via this jack allows remote activation of the OVERDRIVE and SOLO features.

GROUND

LIFT

TUBE DRIVEN-MOSFET POWER

EFFECTS

These two features can only be activated when the FOOTSWITCH is connected. The Front Panel controls for these features are bypassed when the FOOTSWITCH is disconnected.

 

RETURN

SEND

DIRECT OUTPUT

FOOT

TUNER

LEVEL

SWITCH

 

HANDBUILT IN PETALUMA , CALIFORNIA

 

 

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Contents Mesa Boogie Greetings from the Home of Tone Precautions & Warnings Table of Contents Operating Instructions Overview Front Panel Controls Able when the Footswitch is disconnectedControl Dreaded gak when the G string is pluckedWay through to high mid/low treble frequencies You just enough and no moreControl very sensitive Enhance your soundRest Area Fuse rating for USA 15A S.B. / 120 Volts.FUSE Rear Panel ControlsRear Panel Controls Tuner Factory Sample Settings Personal Settings Sheet 12AX7 Rear View Mesa Boogie Spirit of Art in Technology