Yamaha RX-V740 Digital Sound Field Processing Dsp, Understanding sound fields, Hi-FiDSP programs

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DIGITAL SOUND FIELD PROCESSING (DSP)

DIGITAL SOUND FIELD PROCESSING (DSP)

Understanding sound fields

A sound field is defined as the “characteristic sound reflections of a particular space.” In concert halls and other music venues, we hear early reflections and reverberations as well as the direct sound produced by the artist(s). The variations in the early reflections and other reverberations among the different music venues is what gives each venue its special and recognizable sound quality.

YAMAHA sent teams of sound engineers all around the world to measure the sound reflections of famous concert halls and music venues, and collect detailed sound field information such as the direction, strength, range, and delay time of those reflections. Then we stored this enormous amount of data in the ROM chips of this unit.

Recreating a sound field

Recreating the sound field of a concert hall or an opera house requires localizing the virtual sound sources in your listening room. The traditional stereo system that uses only two speakers is not capable of recreating a realistic sound field. YAMAHA’s DSP requires four effect speakers to recreate sound fields based on the measured sound field data. The processor controls the strength and delay time of the signals output from the four effect speakers to localize the virtual sound sources and fully encompass the listener.

Hi-Fi DSP programs

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments.

No.

Program

Features

 

 

 

1

CONCERT HALL

A large round concert hall with a rich surround effect. Pronounced reflections from all directions

 

 

emphasize the extension of sounds. The sound field has a great deal of presence, and your virtual

 

 

seat is near the center, close to the stage.

 

 

 

2

JAZZ CLUB

This is the sound field at stage front in “The Bottom Line”, a famous New York jazz club, that

 

 

seats up to 300 people. Its wide left to right seating arrangement offers a real and vibrant sound.

 

 

 

3

ROCK CONCERT

The ideal program for lively, dynamic rock music. The data for this program was recorded at LA’s

 

 

“hottest” rock club. The listener’s virtual seat is at the center-left of the hall.

 

 

 

4

ENTERTAINMENT/

This program recreates the acoustic environment of a lively disco in the heart of a big city. The

 

Disco

sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate”

 

 

sound.

 

 

 

 

ENTERTAINMENT/

Using this program increases the listening position range. This is a sound field suitable for

 

6ch Stereo

background music at parties, etc.

 

 

 

OPERATION

BASIC

 

 

English

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Contents AV Receiver RX-V740IMPORTANT SAFETY INSTRUCTIONS I CAUTIONNote to CATV system installer FCC INFORMATION for US customersCAUTION READ THIS BEFORE OPERATING YOUR UNIT We Want You Listening For A LifetimeIII CAUTION INTRODUCTION CONTENTSBASIC OPERATION ADDITIONAL INFORMATIONAbout this manual FEATURESInstalling batteries in the remote Supplied accessoriesGETTING STARTED controlCONTROLS AND FUNCTIONS Front panela s d f wSILENT PHONES jack INTRODUCTION EnglishRemote control Handling the remote control Using the remote controluSELECT k/n iAMP~~~~~~~~~~~~~~ Front panel display0 q w e y u i o p aConnecting to digital jacks Before connecting componentsCONNECTIONS EnglishConnecting a video monitor Connecting video componentsConnecting a DVD player/digital TV/cable TV Connecting a recording componentEnglish VCR indicates audio signal directionDVD player TV/digital TV cable TVConnecting a CD player Connecting audio componentsConnecting a CD recorder or MD recorder Connecting a turntableConnecting the antennas Connecting the AM loop antennaEnglish Connecting an external amplifier Connecting an external decoderSpeaker placement Connecting the speakersSpeakers EnglishConnections IMPEDANCE SELECTOR switchREAR SPEAKERS terminals MAIN SPEAKERS terminalsCENTER SPEAKER terminals REAR CENTER SPEAKER terminalsTurning on the power Connecting the power supply cordsConnecting the AC power cord AC OUTLETS SWITCHEDP01 CONCERT HALL ON-SCREENDISPLAY OSDOSD modes Selecting the OSD modeUsing the basic menu BASIC SYSTEM SETTINGS1 SETUP ExitCANCEL4 SET/CANCEL 1 SETUPSET MENU 2 SP LEVELSetting speaker output levels SP LEVEL Setting the unit to match your speaker systemAUTO PLAYBACKBGV background video function When you have finished using this unitTo mute the sound Night listening modeInput modes and indications Notes on digital signalsAUTO Notes on playing DTS-CD/LDsGeneral AdventureSelecting a sound field program PLAYBACKMatrix PRO LOGICSelecting PRO LOGIC, PRO LOGIC II or Neo6 Playing Dolby Digital EX or DTS ES materialVirtual CINEMA DSP SILENT CINEMA DSPNormal stereo reproduction Understanding sound fields DIGITAL SOUND FIELD PROCESSING DSPHi-FiDSP programs Recreating a sound fieldSound design of CINEMA-DSP CINEMA-DSPCINEMA-DSPPrograms For audio-videosources No. 4 toFor movie programs Straight DecodeEnglish Dolby Digital/DTS + DSP sound field effect Sound field effectsDolby Digital EX/DTS-ES+ DSP sound field effect Dolby Pro Logic + DSP sound field effectAutomatic tuning TUNINGManual tuning AAM 1530 kHzPresetting stations Automatically presetting stations for FM stationsA1 FM 89.9 MHz AAM 1440 kHz Manually presetting stationsC AM 1440 kHz C3 AM 1440 kHzExchanging preset stations Selecting a preset stationE1 FM 87.5 MHz A5 FM 90.6 MHzSetting the sleep timer SLEEP TIMERCanceling the sleep timer SLEEP 120min L RSpecial considerations when recording RECORDINGDTS material SET MENU Adjusting the items on the set menuSet menu list 3,5,81A CENTER center speaker mode SOUND 1 SPEAKER SET speaker mode settings1C REAR LR rear speaker mode 1B MAIN main speaker mode1D REAR CT rear center speaker mode 1E BASS bass out modeSetting by “feet” Setting by “meters”SOUND 2 SP DISTANCE speaker distance SOUND 3 LFE LEVELSOUND 6 HP TONE CTRL SOUND 5 CENTER GEQ center graphic equalizerINPUT 1 I/O ASSIGN input output assignment 1A for COMPONENT VIDEO INPUT jacksINPUT 3 INPUT RENAME INPUT 2 INPUT MODE initial input modeOPTION 1 DISPLAY SET 3 INPUT RENAMEOPTION 3 AUDIO MUTE OPTION 2 MEM. GUARD memory guardOPTION 4 ZONE SET OPTION 5 REC OUTControl area REMOTE CONTROL FEATURESControlling this unit Controlling other componentEnglish Setting the manufacturer codeChanging the source name in the display windowand setup manufacturer codes Clearing renamed source namesEnglish 9 0 q w e Controlling other componentsAdjusting the volume during playback SETTING THE SPEAKER LEVELSUsing the test tone EnglishZONE 2 For U.S.A., Canada and Australia models To enable Zone 2 modeTo enable Zone 2 mode on the remote control Remote Control in ZoneTo use the remote control in Zone When you have finished using the unitSOUND FIELD PROGRAM PARAMETER EDITING What is a sound field?Elements of a sound field Sound field program parametersChanging parameter settings P03 ROCK CONCERTEnglish DSP LEVEL Digital Sound Field Parameter DescriptionsINIT. DLY Initial delay P. INT. DLY for the presence sound fieldS. INIT. DLY Surround initial delay LIVENESSS. ROOM SIZE Surround room size S. LIVENESS Surround livenessREV. TIME Reverberation time REV. DELAY Reverberation delayREV. LEVEL Reverberation level For 6ch Stereo DIMENSIONCT LEVEL Center level RL LEVEL Rear left level RR LEVEL Rear right levelGeneral TROUBLESHOOTINGpage EnglishRefer to Remote control TunerEnglish Dolby Surround GLOSSARYDolby Digital Dolby Pro LogicComponent video signal S-videosignalPCM Linear PCM Sampling frequency and number of quantized bitsAUDIO SECTION SPECIFICATIONSVIDEO SECTION FM SECTIONWA69310