Sony ALC-F55A, LCL60AM, ALCSH0006, LCL90AM 35mm F1.4 G SAL35F14G, 300mm F2.8 G SAL300F28G

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A mode, 1/250 sec., F1.4, ISO 200, Vivid Creative Style; Photo: Yuji Nukui

Wide-angle prime

35mm F1.4 G  SAL35F14G

S mode, 1/80 sec., F14, ISO 100, Flash; Photo: Nick Webster

Telephoto prime

300mm F2.8 G  SAL300F28G

Aspherical lens

At 35 mm

100

 

 

 

 

 

(%)

80

 

 

 

 

 

60

 

 

 

 

 

Contrast

 

 

 

 

 

40

 

 

 

 

 

 

20

 

 

 

 

 

 

0

4

8

12

16

20

Distance from center of image (mm)

Spatial frequency Max. aperture

F8 aperture

 

 

R

T

R

 

T

10 line pairs/mm

 

 

 

 

 

 

30 line pairs/mm

 

 

 

 

 

 

 

R: Radial values T: Tangential values

One aspherical element contributes to outstanding image quality even at maximum aperture

High resolution and contrast throughout the image area Circular aperture for attractive defocusing

Focus ring with auto clutch does not rotate during autofocus

Focus hold and focus range switches offer precision focusing control

35mm prime lenses are a staple for many photographers.The angle of view provided by this focal length is one of the most comfortable and versatile on both 35mm full frame format and APS-C format cameras, and with that, this lens can be used for anything from close-ups to landscapes. The SAL35F14G, with its superb optics and large F1.4 maximum aperture, is one of the finest fast 35mm lenses in its class. In addition to no-compromise G Lens construction and quality throughout, it features an optical design that includes an aspherical lens element that contributes to consistently superior, low-distortion image quality right up to the F1.4 maximum aperture. You can shoot wide open in low light knowing that the entire scene will

be captured with equally superb clarity and contrast.The large maximum aperture and circular aperture design are also an advantage when you want to isolate your subject from a busy background, for example, allowing you to defocus unwanted detail so your subject stands out.

Weight (approx): 510 g

Dimensions (Dia. x L): 69 x 76 mm

Max. magnification ratio: 0.2x

ED glass

At 300 mm

 

100

 

 

 

 

 

(%)

80

 

 

 

 

 

60

 

 

 

 

 

Contrast

 

 

 

 

 

40

 

 

 

 

 

 

20

 

 

 

 

 

 

0

4

8

12

16

20

Distance from center of image (mm)

Spatial frequency Max. aperture

F8 aperture

 

 

R

T

R

 

T

10 line pairs/mm

 

 

 

 

 

 

30 line pairs/mm

 

 

 

 

 

 

 

R: Radial values T: Tangential values

Three ED glass elements effectively suppress aberration Exceptional sharpness and contrast throughout the image area SSM (Super Sonic wave Motor) for fast, quiet autofocus operation Circular aperture for attractive defocusing

Focus hold and focus range switches offer precision focusing control

If you’re serious about shooting sports, nature, or wildlife, or just about any subject that moves and needs to be shot from a distance, this is a lens that you’ll want to have in your kit. 300mm is the sweet spot for a wide range of telephoto applications, and its large F2.8 maximum aperture makes it possible to use motion-stopping shutter speeds when shooting fast action, as well as to control depth-of-field for creative defocusing. Chromatic aberration can be a problem in telephoto lenses, but the SAL300F28G uses three ED elements in a top-class optical design that reduces aberration to a minimum, ensuring high resolution, high contrast image quality at all aperture settings. A minimum focusing distance of just 2 meters is another advantage that is rare in a lens of this type, letting you take advantage of telephoto characteristics at close range.

Weight (approx): 2310 g

Dimensions (Dia. x L): 122 x 242.5 mm

Max. magnification ratio: 0.18x

Tripod mount supplied

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Contents Lenses Creation Contents Refraction bending light If a little hole can do all of this, why do we need lenses?Elements and groups Zoom and focus mechanismsNumber math Three keys to effective defocusingSony A-mount and E-mount systems Aperture and exposureTechnical definition of focal length Other macro lens characteristics you should know aboutFocal length Maximum magnification ratioScene to come through Use your lens hoodScientific approach Neutral density filtersLandscapes Resolution, contrast and sharpnessPortraits Macro and close-upsSSM Super Sonic wave Motor Rear focusing mechanismAspherical lens elements ED and Super ED glass Auto clutch Floating lens mechanismDT 11-18mm F4.5-5.6 SAL1118 Zoom LensesDT 16-50mm F2.8 SSM SAL1650 Weight approx 470 gDT 18-200mm F3.5-6.3 SAL18200 DT 18-55mm F3.5-5.6 SAM SAL185528mm to 300mm DT 18-250mm F3.5-6.3 SAL1825028-75mm F2.8 SAM SAL2875 High-performance full-frame bodies DT 55-200mm F4-5.6 SAM SAL55200-275-300mm F4.5-5.6 SAL75300 Providing outstanding image quality from 18mm to 200mm16mm F2.8 Fisheye SAL16F28 Fixed Focal Length LensesSAL28F28 20mm F2.8 SAL20F2828mm F2.8  50mm F1.4 SAL50F14 DT 35mm F1.8 SAM SAL35F1885mm F2.8 SAM SAL85F28 DT 50mm F1.8 SAM SAL50F18DT 30mm F2.8 Macro SAM SAL30M28 135mm F2.8 T4.5 STF SAL135F28 100mm F2.8 Macro SAL100M28 50mm F2.8 Macro SAL50M2870-200mm F2.8 G SAL70200G Lenses70-400mm F4-5.6 G SSM SAL70400G 70-300mm F4.5-5.6 G SSM SAL70300G300mm F2.8 G SAL300F28G 35mm F1.4 G SAL35F14G0x Teleconverter 4x TeleconverterVario-Sonnar T* DT 16-80mm F3.5-4.5 ZA SAL1680Z Vario-Sonnar T* 16-35mm F2.8 ZA SSM SAL1635ZDistagon T* 24mm F2 ZA SSM SAL24F20Z Vario-Sonnar T* 24-70mm F2.8 ZA SSM SAL2470ZSonnar T* 135mm F1.8 ZA SAL135F18Z Planar T* 85mm F1.4 ZA SAL85F14ZMount Lenses Fisheye Converter Ultra Wide Converter 16mm F2.8 SEL16F28 18-55mm F3.5-5.6 OSS SEL1855 Sonnar T* E 24mm F1.8 ZA SEL24F18ZUnwanted camera noise 18-200mm F3.5-6.3 OSS SEL1820055-210mm F 4.5-6.3 OSS SEL55210 30mm F3.5 Macro SEL30M35 50mm F1.8 OSS SEL50F18Main specifications of a lenses Lens accessories DI11012