Phase One H 5 manual Levels, Curves, 13.10 13.11

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Editing and Selecting Images

To control the brightness and contrast of the image two standard tools are available: Levels and Curves.

Levels

The first part of the Exposure Tab is the Levels control. This is a standard levels box similar to that of Adobe Photoshop. To make an adjustment drag the black or white slider left or right to either darken the shadows or lighten the highlight. Alternativly, click on the black or white eyedropper and select an area of the image to set as the shadow or highlight point. Beneath the display are preview windows showing the “before and after” of the changes.

At the top of the window settings and tonal adjustments can be loaded, or saved for future use. The “Preserve Balance” option ensures that all three color channels are adjusted simultaneously. If this option is un-checked the three color channels can be con- trolled independently.

Editing and Selecting Images

Curves

The next window in the Exposure tab is the Curves control, again this is a standard Curves control that may look familiar to those of other imaging programs.

The Curves control is extremely powerful and can be used to control every tone in the image. An imaging curve is a graph that represents the original data along the bottom and the output or developed data along the side. The dark tones are to the left, while the light colors are on the right. The default curve is a straight line, which means that the

image data is not changed by the curve. To use the curves, click anywhere along the line to add a point and then drag the point up or down to affect the tone in the image.

In the example a point has been added in the lower (darker) end of the curve (called the three-quarter tone) and pulled down. This will make that point darker in the developed image. A second point was added in the quarter-tone (light end of the curve) and pushed up. This will make that point lighter. In addition to darkening and lightening these two selected points, because the entire curve was shifted between these points an overall increase in contrast will occur from this “minor” change.

Curves are extremely powerful and should be used with caution and discretion. Again, as with the Levels control, RGB channels can be controlled individually, and settings saved and loaded.

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Contents Phase One H 5 User Guide Macintosh Getting Started ContentInstall the Software Software Set-upTrouble Shooting Tools Software Setup 12.1Additional Features Install the Software 11.1Table of Contents Macintosh Getting Started Hardware Set-up Photographic Equipment Set-upCable Connections for the Mamiya RZ67 Pro Green Lights Steadily On LED Indicators LightsOther Photographic Equipment Green Lights FlickeringInstall the Software Captures Installed ItemsUsing the Phase One H PreviewsSelecting landscape or portrait orientation Software Set-upTaking Photographs Organizing ImagesPreview Generation Editing Editing and Selecting ImagesDeleting Preview Window in detail PreviewingExposure Monitor Color Info Develop SpecificationGray Balancing Current Capture Apply to ImageAll Selected Captures Pick Position RestoreReset Developing ImagesExport Previews File FormatDestination Folder Image SizeApply Color Management Name PostfixTools CroppingGrid Tool Crop Mask ToolZoom Tool Exposure Warning ToolTonal Range/Gradation Curves/Film Curve Amount Unsharp MaskThreshold Capture Navigator Camera SettingsColor Management Focus ToolDevelop File PreferencesName Tab Digit unique suffix number Include Capture CountAlways include unique suffix Location TabAfter Develop Creator File ForProfiles Setting up ICC profiles in Adobe Photoshop Camera Set-upCamera Information Additional Features Demoirize plug-inUsing advanced mode on textiles Advanced modeUsing advanced mode on skin and hair Pattern sizeTrouble Shooting Windows Getting Started 10.2 10.3 10.4 10.5 Windows Getting Started 10.6 10.7Install the Software Floppy disk installation for portable solution 11.2 11.3Software Set-up Naming Sessions 12.2 12.3Capture Collection Preview WindowDeleting Images Function Window/Function Tabs13.2 13.3 Exposure Window Function Tabs and WindowCapture Tab Remaining ResourcesGray Balance Tab 13.6 13.7Exposure Tab Set as Capture gray balanceApply gray balance to current captures 13.8 13.9Curves Levels13.10 13.11 Focus Preview Focus Tab13.12 13.13 Save the Capture Settings Automatic Focus UpdateMenu Settings Reuse Capture SettingsAdd Annotations to the Capture Files Copy from active captureDeselect reference file Search via annotationsAutomatic Preview Enhancement Embed information in Tiff filesExample DevelopingRemove Image from Batch Develop ImageAdd Image to Batch Begin Developing BatchBrowse Develop Folder 13.22 13.23Create CD-ROM and Web index 13.24 13.25Tools Soft Proofing and Color Management Gray Scale Viewing14.2 14.3 Destination working space Simulate Sharpening SettingsCamera Profile MonitorExpand Preview Compare Captures Side By SideZoom to Fit Preview 14.6 14.7Camera Info Additional Features 16.2 16.3 Trouble Shooting Current Strobe EquipmentFall time Strobe Systems Status 18.2 18.318.4 18.5 Photographic Compatibility Camera Systems Status Lenses # BR with RZ adaptor from Phase OnePhase One H 5 for Mamiya 645AF S/N # BT Lenses StatusPhase One H 5 for Contax 645 S/N # BS Camera Systems Status 19.4 19.5

H 5 specifications

Phase One H 5 is a remarkable addition to the realm of high-end medium format cameras, designed for professional photographers who demand precision, flexibility, and exceptional image quality. This camera represents the pinnacle of Phase One's commitment to delivering cutting-edge imaging solutions, catering to a range of photographic applications from fine art to commercial photography.

At the core of the Phase One H 5 is its impressive sensor technology. Utilizing a large medium format sensor, the H 5 captures images with stunning resolution and dynamic range. This capability allows photographers to produce large prints without any loss of detail, making it ideal for gallery exhibitions and high-end client work. The exceptional image quality is complemented by advancements in noise reduction, which ensures that images maintain clarity and detail even in low-light conditions.

The H 5 features a modular and versatile design, allowing users to customize their shooting experience based on specific project requirements. Photographers can seamlessly switch between different lens options, providing flexibility in framing and composition. This modularity is further enhanced with various grip and ergonomic options, ensuring comfort during extended shooting sessions.

Another standout technology in the Phase One H 5 is its advanced autofocus system. Equipped with fast and accurate autofocus capabilities, the camera ensures that subjects are sharply in focus, even during fast-paced shooting. This is particularly beneficial for photographers in dynamic environments, such as events or wildlife photography.

The H 5 also boasts impressive connectivity features. With built-in Wi-Fi and tethering options, photographers can easily share images in real-time and connect with devices for editing and processing. This level of connectivity streamlines workflow, allowing photographers to focus on their creative vision without the hassle of complicated setups.

Durability is a key characteristic of the Phase One H 5. Constructed with robust materials, the camera is designed to withstand the rigors of professional use. Weather-sealing provides protection against dust and moisture, making it suitable for various shooting conditions, from studio work to outdoor adventures.

Overall, the Phase One H 5 combines state-of-the-art technology, exceptional image quality, and a versatile design to meet the demands of professional photographers. Its impressive features and characteristics set a new standard in medium format photography, making it an invaluable tool for capturing stunning imagery.