FujiFilm RVP100 manual AF3-202E, Daylight

AF3-202E

COLOR REVERSAL FILMS

FUJICHROME Velvia 100 Professional [RVP100]

1.FEATURES AND USES

FUJICHROME Velvia 100 Professional [RVP 100] is a daylight-type high-image-quality color reversal film with an ISO speed rating of 100. In addition to the world’s highest level of color saturation, this film boasts an RMS granularity of 8, making it suitable for scenery, nature photography and other subjects that demand precisely modulated, vibrant color reproduction and high image quality.

Features

•ISO 100 Speed ............. Easy-to-use ISO 100 rating with the world’s highest level of color saturation.

•Ultrahigh-saturation ...Attainment of the world’s

Color Reproduction highest color saturation level equal to that of Velvia (ISO50) through the incorporation of new cyan, magenta and yellow couplers.

•Super-fine Grain .......... RMS granularity of 8, one of the finest level.

•Color Image Storage ... Color image storage

Permanence	permanence (anti-fading
	characteristics) equal to that
	of RVP 100F as a result of
	new couplers.

•Superb Push/Pull......... Minimum variation in color and

Processing	gradation during push/pull
Suitability	processing over a range from
	–1/2 to +1 stop, providing an
	expanded range of photo-
	taking opportunities, as well
	as facilitating fine adjustments
	in exposure and density during
	processing and allowing an
	increase in speed of up to +2
	stops (equal to EI 400),
	depending on the scene.

*RMS stands for “Root Mean Square”, a widely used standard method for measuring the degree of grain in photographic film. The lower the RMS number, the smaller the apparent grain.

2.	SPEED
Light Source	Speed	Color Balancing Filter
Daylight	ISO 100/21°	None
Tungsten Lamps	ISO 32/16°*	No. 80A**
(3200K)		(LBB-12***)

*Indicates the effective speed resulting from designated filter use.

**Wratten Filter

***Fuji Light Balancing Filter (not available in certain markets.)

3.FILM SIZES, EMULSION NUMBER, BASE MATERIAL AND THICKNESS

Sizes	Emulsion	Base	Base
	Number	Material Thickness

•Rolls*

135 ... 36-exp.

...		36-exp. (5-roll pack)			127	µm
			20-roll pack)		Cellulose
	35mm × 30.5 (100 ft.)				Triacetate
120 ...	12-exp.
...		12-exp. (5-roll pack)		#460–	98	µm
220 ...		24-exp. (5-roll pack)

•Sheets*

4 × 5 in. (10.2 × 12.7 cm)

	... 10 sheets and 50 sheets	Polyester 175	µm
8 ×	10 in. (20.3 × 25.4 cm)
	... 10 sheets
QuickLoad 4 × 5 in... 20 sheets

* Some sizes are not available in certain markets.

4.EXPOSURE GUIDE

Use a meter to determine the exposure setting. If a meter is not available, refer to the following table.

Light	Seashore or	Bright		Hazy	Cloudy	Cloudy
	Snow Scenes	Sunlight		Sunlight	Bright	Day or
Conditions	under Bright					Open
	Sun					Shade
Lens	f/16	f/11		f/8	f/5.6	f/4
Aperture
			(Exposure time: 1/250 sec.)
NOTES

•The settings are for 2 hours after sunrise and 2 hours before sunset.

•Provide a lens opening 1/2-stop smaller during the summer and 1/2-stop larger during the winter (except for snow scenes).

•Excessively bright (or dark) or backlighted subjects may require plus (or minus) 1-stop lens opening adjustments.

5.EXPOSURE FOR VARIOUS LIGHT CONDITIONS

Daylight

Under usual daylight conditions, color balancing filters are not necessary. For the following exposure condi- tions, however, the indicated filters are recommended.

•A UV filter No. 2C* (SC-39 or SC-40)** or other ap- propriate ultraviolet absorbing filter is recommended for scenes that are receiving strong ultraviolet light from the sun, such as seaside locations, snow scenes, and bright distant views.

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