Panasonic AG-DVX100 P manual Progressive shooting, 30P mode, 24P mode, 24P advance mode

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Shooting

Progressive shooting

The progressive mode can be selected using the PROGRESSIVE item (see page 39) of the setting menu SCENE FILE screen.

30P mode:

Images are shot in the progressive mode at 30 frames per second.

The 30 frames per second images are converted into 60-field interlace signals, and the resulting video signals are output or recorded.

Shift-free, high-quality still pictures can be obtained in this mode.

30 P A B C D E F G H I J

60 i AoAeBoBeCoCeDoDeEoEeFo FeGoGeHoHe Io Ie Jo Je

24P mode:

Images are shot in the progressive mode at 24 frames per second.

The 24 frames per second images are converted into 60-field interlace signals using the regular [2:3] conversion system, and the resulting video signals are output or recorded. Cinema-like images can be obtained in this mode.

24 P

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24P advance mode:

Images are shot in the progressive mode at 24 frames per second.

The 24 frames per second images are converted into 60-field interlace signals by the advanced conversion system, and the resulting video signals are output or recorded.

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When editing images using the conventional 24P [2:3] conversion system, the images of different frames are expanded for the [BoCe] [CoDe] [FoGe] [GoHe] frames in the figure, causing the picture quality to further deteriorate. Under the 24P advanced conversion system, images with minimal picture quality deterioration in the 24P mode can be obtained by weeding out the [BoCe] [FoGe] frames in the figure.

Furthermore, when an editing system that supports the advanced conversion system is used, editing can be performed with minimal picture quality deterioration compared with the 24P mode.

OWhen an editing system that supports the advanced conversion system is not going to be used, shoot in the regular 24P mode.

Bear in mind the following points when shooting in any of the progressive modes.

O The color bars cannot be displayed.

O The gain cannot be controlled. The gain value is controlled using a fixed value.

O The auto focus cannot be controlled.

O When the progressive mode has been selected, the sync signals of the images are temporarily disturbed.

Furthermore, no images are output for approximately 3 seconds.

O A shutter speed setting of 1/50 (OFF) or 1/60 is recommended.

O Since the images are recorded in 5-frame increments when shooting in the 24P mode or 24P advance mode, the timing at which recording starts may be delayed slightly.

O When shooting in the progressive mode using the ATW (Auto Tracking White) function, it will not be possible to adjust the black balance even by pressing the AWB button.

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Contents Digital Video Camera Recorder Indicates safety information Important Safeguards Antenna Lead in Wire Contents Accessories AC adapter and battery Precautions for useWhen carrying the camera recorder, take care not to drop it LCD Storage tips Parts and their functions Preset Auto ManualIndex button ND Filter switchRemote control sensor front Menu button Auto buttonLine MICServo ManuINPUT1 INPUT2Counter Remote control unit Play button VCR operation buttons C/REW buttonFF/C button Still ADV buttons E, DRemote control unit settings Remote control unitInstalling the battery Setting methodCharging the battery Connect the AC cable to the power outletBattery eject button Mounting the batterySupplying power from the AC adapter Connect the AC adapter correctly as shown in the figureInserting a cassette tape Cassette tapesTo prevent accidental erasure of recordings Mounting the lens hood Adjusting the hand strapAttaching the shoulder strap Removing the lens hoodDo not point the viewfinder’s eye-piece at the sun Using the viewfinderViewfinders Attaching the eye cupUsing the LCD monitor Setting the calendar Charging the internal battery Shutter speeds which can be set Setting the electronic shutterSynchro Scan LOW Light Adjusting the white balanceWhite balance and black balance Level OverProgressive mode Adjusting the black balanceStandard 60i mode ATW Auto Tracking White functionSetting the time data Setting the user’s bitOTC Mode item Otcg item Ofirst REC TC item OTC Preset item Setting the time codeHow to select the TC Preset item setting Scene files Changing the scene file settings Save VCR mode Setting menusCamera mode Operation methodMenus in the camera mode Configuration of setting menusMenus in the VCR mode Scene File screen Camera Setup screen SW Mode screenAuto SW screen Playback Functions screen Inputs and audio tracks recordedRecording Setup screen AV IN/OUT Setup screen Display Setup screen Other Functions screen Screen displays Camera mode and VCR modeLOW Light Remote Date and time display Remaining battery charge displayRemaining tape display CHK Unable to A. DUB LP Recorded Unplayable Tape Other FormatCopy Inhibited Incompatible TapeSearch number display VCR modeL U M E Selecting the display Display item Mode CHK button Other Display item settingALL Partial OFF Input 1 Input Connecting external componentsMicrophone holder Microphone holder adapter Regular shooting ShootingPreparation and inspections REC checkIndex recording Using the User buttonsFace-to-face shooting Intermittent recordingBackup recording 24P advance mode 30P mode24P mode Progressive shootingTape blank search PlaybackNormal playback Variable speed searchCondensation Video headsBattery-related problems Troubleshooting Q&APower supply-related problems Problems during normal video recordingDisplay-related problems Problems during various kinds of video recordingEditing-related problems Playback-related problems videoQ3 The remote control unit does not work Playback-related problems audioOther types of problems Q2 More than one recorded stream of sound is heardViewfinder maintenance MaintenanceIndex mark Eye cup holder Specifications DC Input Phones Input 1, InputCAM Remote Memo Panasonic Broadcast & Television Systems Company

AG-DVX100 P specifications

The Panasonic AG-DVX100 P is a landmark camcorder that has garnered a reputation in the digital filmmaking community for its professional-grade features and performance. Released as an enhancement over its predecessors, the DVX100 P is widely praised for its advanced technologies that cater to both amateur and professional videographers.

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Overall, the Panasonic AG-DVX100 P is a significant tool for those serious about video production. Its combination of professional features, user-friendly design, and high-quality imaging places it among the top choices for filmmakers and content creators alike. With a legacy of reliability and performance, it continues to be a cherished asset in the technical toolkit of videographers worldwide.