Panasonic AG-DVX100 P Problems during various kinds of video recording, Editing-related problems

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Troubleshooting (Q&A)

Problems during various kinds of video recording

Q1: No automatic focusing

A1-1: Has the manual focus mode been set? The focus is adjusted automatically in the auto focus mode. (See page 12)

A1-2: Is a scene which is hard to bring into focus in the auto focus mode being shot? Some scenes are hard to bring into focus using auto focus. In cases like this, use the manual focus mode instead for focusing.

Scenes hard to bring into focus

O Shooting both distant and close-up subjects

O Shooting subjects through dirty window panes

O Shooting subjects in dark locations

O Shooting while objects that glitter or dazzle are around the subject

O Shooting fast-moving subjects

O Shooting subjects with minimal contrast

Editing-related problems

Q1: No audio dubbing.

A1-1: Has the accidental erasure prevention knob on the cassette tape been set to “SAVE?” If it has, recording cannot be performed. (See page 23)

A1-2: Has an attempt been made to edit parts shot in the LP mode? Audio dubbing cannot be performed as the track width on the tape is narrower than the head width in the LP mode.

Display-related problems

Q1: Something is wrong with the time code display.

A1: When the reverse slow playback mode is set, the count shown on the time code display becomes inconsistent; however, this is normal and not indicative of malfunctioning.

Q2: The remaining tape display does not match the actual amount of tape remaining.

A2-1: The remaining tape is not displayed accurately with continuous shooting sessions lasting less than 30 seconds.

A2-2: A display which is two to three minutes less than the actual tape remaining time sometimes appears.

Playback-related problems (video)

Q1: No playback, even when the play button is pressed.

A1: Has the CAMERA/VCR button been pressed and has the VCR lamp lighted?

If the VCR lamp is not lighted, playback- related operations cannot be performed. (See page 11)

Q2: Mosaic-type noise is generated during cue and review.

A2: This is a phenomenon inherent to digital video. It is not indicative of malfunctioning.

Q3: No playback images are seen even though the camera recorder is connected with the TV set correctly.

A3: Is the TV set’s input selector at “video input?” Read through the operating instructions of the TV set, and select the video input connector to which the camera recorder has been connected.

Q4: The playback images are not displayed clearly.

A4: Are the camera recorder’s heads dirty?

If they are dirty, the playback images will not be displayed clearly.

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Contents Digital Video Camera Recorder Indicates safety information Important Safeguards Antenna Lead in Wire Contents Accessories When carrying the camera recorder, take care not to drop it Precautions for useAC adapter and battery LCD Storage tips Parts and their functions Preset Auto ManualIndex button ND Filter switchRemote control sensor front Menu button Auto buttonLine MICServo ManuINPUT1 INPUT2Counter Remote control unit Play button VCR operation buttons C/REW buttonFF/C button Still ADV buttons E, DRemote control unit settings Remote control unitInstalling the battery Setting methodCharging the battery Connect the AC cable to the power outletBattery eject button Mounting the batterySupplying power from the AC adapter Connect the AC adapter correctly as shown in the figureTo prevent accidental erasure of recordings Cassette tapesInserting a cassette tape Mounting the lens hood Adjusting the hand strapAttaching the shoulder strap Removing the lens hoodDo not point the viewfinder’s eye-piece at the sun Using the viewfinderViewfinders Attaching the eye cupUsing the LCD monitor Setting the calendar Charging the internal battery Synchro Scan Setting the electronic shutterShutter speeds which can be set LOW Light Adjusting the white balanceWhite balance and black balance Level OverProgressive mode Adjusting the black balanceStandard 60i mode ATW Auto Tracking White functionSetting the time data Setting the user’s bitHow to select the TC Preset item setting Setting the time codeOTC Mode item Otcg item Ofirst REC TC item OTC Preset item Scene files Changing the scene file settings Save VCR mode Setting menusCamera mode Operation methodMenus in the VCR mode Configuration of setting menusMenus in the camera mode Scene File screen Camera Setup screen SW Mode screenAuto SW screen Playback Functions screen Inputs and audio tracks recordedRecording Setup screen AV IN/OUT Setup screen Display Setup screen Other Functions screen LOW Light Camera mode and VCR modeScreen displays Remote Remaining tape display Remaining battery charge displayDate and time display CHK Unable to A. DUB LP Recorded Unplayable Tape Other FormatCopy Inhibited Incompatible TapeL U M E VCR modeSearch number display ALL Partial OFF Display item Mode CHK button Other Display item settingSelecting the display Microphone holder Microphone holder adapter Connecting external componentsInput 1 Input Regular shooting ShootingPreparation and inspections REC checkIndex recording Using the User buttonsFace-to-face shooting Intermittent recordingBackup recording 24P advance mode 30P mode24P mode Progressive shootingTape blank search PlaybackNormal playback Variable speed searchCondensation Video headsBattery-related problems Troubleshooting Q&APower supply-related problems Problems during normal video recordingDisplay-related problems Problems during various kinds of video recordingEditing-related problems Playback-related problems videoQ3 The remote control unit does not work Playback-related problems audioOther types of problems Q2 More than one recorded stream of sound is heardIndex mark Eye cup holder MaintenanceViewfinder maintenance Specifications CAM Remote Input 1, InputDC Input Phones Memo Panasonic Broadcast & Television Systems Company

AG-DVX100 P specifications

The Panasonic AG-DVX100 P is a landmark camcorder that has garnered a reputation in the digital filmmaking community for its professional-grade features and performance. Released as an enhancement over its predecessors, the DVX100 P is widely praised for its advanced technologies that cater to both amateur and professional videographers.

One of the standout features of the AG-DVX100 P is its 3CCD image sensor system. This innovative technology effectively captures three separate color channels—red, green, and blue—resulting in superior color reproduction and enhanced image quality. The camcorder supports a native 16:9 aspect ratio, which allows for cinematic framing and versatility when producing content for film or television.

The AG-DVX100 P also supports a variety of recording formats, including standard DV and advanced progressive scan recording at 24 frames per second (fps). This 24p capability is particularly significant, as it allows filmmakers to achieve that coveted film-like aesthetic, making the camcorder suitable for serious narrative projects, documentaries, and more. The ability to shoot in both interlaced and progressive formats provides versatility for various shooting situations.

In addition to its excellent image quality, the camcorder comes equipped with a powerful digital signal processor (DSP) that enhances the overall performance by optimizing color management and reducing noise. The camera's built-in optical image stabilization further aids in achieving smooth footage, particularly in dynamic shooting conditions.

The AG-DVX100 P features an intuitive interface and ergonomic design, making it user-friendly. It includes customizable settings and a variety of manual controls, enabling videographers to fine-tune their exposure, focus, and white balance for optimum results. The camcorder is also compatible with a range of lenses, expanding creative possibilities.

Another notable characteristic of the DVX100 P is its versatility in low-light scenarios. With its impressive sensitivity ratings, it performs well even in dimly lit environments, making it a reliable choice for various shooting conditions.

Overall, the Panasonic AG-DVX100 P is a significant tool for those serious about video production. Its combination of professional features, user-friendly design, and high-quality imaging places it among the top choices for filmmakers and content creators alike. With a legacy of reliability and performance, it continues to be a cherished asset in the technical toolkit of videographers worldwide.
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