CROSSOVER CONTROLS | | PREAMP OUTPUT SECTION | SPEAKER OUTPUTS |
Crossovers are groups of individual electronic filters | 2) “Filter Slope” Control: This switch allows | The 300/2 incorporates a flexible preamp output | | The 300/2 employs JL AUDIO's exclusive |
which allow only certain frequency ranges to pass | you to select from two filter slopes for that | section, so that additional amplifiers can be added to | Regulated, Intelligent Power Supply (R.I.P.S.) design. |
through them by attenuating frequencies outside | channel section. | the system.This pre-amp output can be configured | This sophisticated power supply allows the |
the selected range.These filters allow the user to | “12dB”: Configures the filter to attenuate | three different ways using the switch labeled | amplifier to produce its optimum power (300 |
specify what frequency range will be sent to the | frequencies above or below the selected filter | “Output Mode” in the “Preamp Output Section”. | watts) over a wide range of speaker impedances. |
each amplifier (or channels) in a system.This, in turn, | frequency at a rate of 12 dB per octave | | | | | | | | | Unlike conventional amplifiers that require a |
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allows each speaker system to only reproduce a | (Butterworth alignment). | | | | | | | | | specific impedance to produce optimum power, |
range of frequencies it is well-suited for, resulting in | “24dB”: Configures the filter to attenuate | | | | | | | | | the R.I.P.S.-equipped 300/2 gives you the freedom |
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reduced distortion and improved fidelity. | frequencies above or below the selected filter | | | | | | | | | to use a variety of speaker configurations that |
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| | | | | | | | | | | | | | frequency at a rate of 24 dB per octave (Linkwitz- | | | | | | | | | achieve final impedances between 1.5 – 4Ω |
Amp Filter Section: | Riley alignment). | | | | | | | | | nominal per channel (without sacrificing power |
| | | | | | | | | | | | | | Depending on the speaker system and the | | | | | | | | | output or sound quality). |
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| | | | | | | | | | | | | | vehicle, different filter slopes may be required to | | | | | | | | | | The operation of the R.I.P.S. circuitry is entirely |
| | | | | | | | | | | | | | produce a smooth transition between the sound of | | | | | | | | | automatic and adjusts itself every time the amplifier |
| | | | | | | | | | | | | | 1) “Full-Range”: The preamp output delivers |
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| | | | | | | | | | | | | | different speakers in the system. Experiment to find | is turned on according to the lowest impedance |
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| | | | | | | | | | | | | | the slope which best matches the acoustic | the same signal that is connected to the 300/2's | present at the speaker outputs .There are no user |
| | | | | | | | | | | | | | requirements of the system.The sharper “24dB” | Amplifier Inputs. | controls to configure.The system operates through |
| | | | | | | | | | | | | | setting will do a better job of protecting small | 2) “Low-Pass”: The preamp output delivers | multiple stages of impedance optimization, choosing |
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| | | | | | | | | | | | | | speakers with limited power handling.The shallower | the same signal that is connected to the 300/2's | the stage most appropriate to the actual impedance |
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| | | | | | | | | | | | | | “12dB” octave setting allows the rear speakers to | Amplifier Inputs with Low-Pass filtering applied to | of the speakers you connect to it. |
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| | | | | | | | | | | | | | reproduce more low-frequency content. | it at the “Filter Freq.” and “Filter Slope” selected | | | | | | | | | | | | | |
1) “Filter Mode” Control: This switch allows you to | 3) “Freq. Range” Control: When thrown to | in the “Amplifier Filter” section. This mode can | | | | | | | | | | | | | |
configure the filter into one of two filter types or | the right, this switch multiplies the cutoff | be useful for feeding a subwoofer amplifier | | | | | | | | | | | | | |
defeat it completely: | frequency selected by the rotary “Filter Freq. | when the 300/2 is being used to drive the | | | | | | | | | | | | | |
“Off”: Defeats the filter for that channel section | (Hz)” control by a factor of 10. In the “x1” | main speaker system. | | | | | | | | | | | | | |
completely, allowing the full range of frequencies | position, the range of the rotary control is | 3) “High-Pass”: The preamp output delivers | | | | | | | | | | | | | |
present at the inputs to feed the amplifier.This is | 50 - 500 Hz (as marked). In the “x10” | the same signal that is connected to the 300/2's | | | | | | | | | | | | | |
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useful for systems utilizing outboard crossovers or | position, the range of the rotary control is | Amplifier Inputs with High-Pass filtering applied to | | | | | | | | | | | | | |
requiring full-range reproduction from the 300/2. | 500 Hz - 5 kHz (5000 Hz). | it at the “Filter Freq.” and “Filter Slope” selected | | | | | | | | | | | | | |
“LP” (Low-Pass): Configures the filter to attenuate | 4) “Filter Freq. (Hz)” The filter frequency | in the “Amplifier Filter” section. This mode can | | | | | | | | | | | | | |
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frequencies above the selected filter frequency. | markings surrounding this rotary control are for | be useful for feeding a second satellite amplifier | | | | | | | | | | | | | |
Useful for connection of subwoofer(s) to the 300/2. | reference purposes and are generally accurate to | when the 300/2 is being used to drive the main | | ! | IMPORTANT | | | | | |
| | If you connect a load higher than 4Ω nominal |
“HP” (High-Pass): Configures the filter to attenuate | within 1/3 octave or better. If you would like to | speaker system. | | |
frequencies below the selected filter frequency. | select the filter cutoff frequency with a higher level | | | | | | | | | per channel in stereo mode (or 8Ω in bridged |
Useful for connection of component speakers to | of precision, consult the chart in Appendix A | NOTE: The signal level of the “Preamp Output” is | mode), power will drop by half with every |
the 300/2 in a bi-amplified system. | (page 12) of this manual. | affected by the setting of the “Input Voltage Range” | doubling of impedance above 4Ω stereo / 8Ω |
| | | | | | | | | | | | | | | switch of the amplifier. See the “Input Voltage | mono. If you connect a load lower than 1.5Ω |
| | | | | | | | | | | | | | | Range” section (page 7) for details on “Input | nominal per channel in stereo mode (or 3Ω in |
| | | | | | | | | | | | | | | Voltage” settings.The preamp output level is not | bridged mode, the amplifier protection circuitry |
| | | | | | | | | | | | | | | affected by the “Input Sens.” rotary control. | activates a “safe” mode which reduces amplifier |
| | | | | | | | | | | | | | | | | | | | | | | power to protect the circuitry from failure (the |
| | | | | | | | | | | | | | | | | | | | | | | yellow “Low Ω” LED lights to indicate that this |
| | | | | | | | | | | | | | | | | | | | | | | has happened). See page 10 for details. |
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| | | | | | | | | | | | | | | | | | | | | | | | ! | IMPORTANT | | | | | |
| | | | | | | | | | | | | | | | | | | | | | | | Speaker loads below 1.5Ω nominal per channel |
| | | | | | | | | | | | | | | | | | | | | | | in stereo or 3Ω nominal in bridged mode are not |
| | | | | | | | | | | | | | | | | | | | | | | recommended and may cause the amplifier output |
| | | | | | | | | | | | | | | | | | | | | | | to distort excessively. |