Abbingdon Music Research LS-77 owner manual

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Contents LS-77 Reference Class Professional Monitor Loudspeakers Page Page Precautions Running-InContents Page Unpacking Front Panel of the LS-77Please check that all contents are present Component Overview LS-77 Front FasciaContact with the chassis Using AMRs OptiLink Speakon Cable SetupConnecting the loudspeakers Speaker R Speaker L Using Binding Posts Speaker Cable Stereo Amplifier Interconnect Cable Choice of loudspeaker cable Connecting the amplifierMulti-channel set up Distance between the loudspeakers PositioningSymmetry and room modes Distance to the loudspeakers Distance to back and side wallsLevelling/Speaker Support Loudspeaker Toe-in Room and furniture influenceRunning-in the loudspeakers Care and maintenanceCare & Maintainance Power rating LS- 77 Technical Features Troubleshooting Troubleshooting GuideSpecifications Specifications TableAppendix a Adjustment of tonal balan ce HF Level Placement Suggestions HF Level R1 Placement Appendix B Abbingdon Acoustic Setup Regime Page ~100″/254cm ~115 ″/290cm Page Page Appendix C Biamplifying the LS-77 LS-77 Speaker R Speaker L Speaker Cable Appendix D The AMR Active System AM-77 Control Center Edition CCESetting up the AMR Active System Line Level ConnectionSpeaker Connection Scenario Testing and Troubleshooting the AMR Active System AMR Active System Configuration Diagram LS-77 Speaker LAppendix E LS-77 in OptiArray configurations Introducing AMRs OptiArray scalable acoustic systemPage AMR recommends the following OptiArray Setups Epsilon/Zeta Iota/Zappa Omicron/Sigma Epsilon/Zeta System wiring Good acoustics Appendix G Acoustics Background In formationAcoustics Reverberation timePage Absorbers DiffusersAbsorption or Diffusion ? Membrane absorbersStanding Waves Porous absorbersRoom modes