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The body of the Les Paul Jr. received a pair of rounded horns to become Gibson’s first double- cutaway solidbody. And the finish color on the Les Paul Model was changed to Cherry Sunburst, which let the grain of the maple top show through. The model name was changed to Les Paul Standard, and the sunburst Standards from
The new Les Paul Jr. set in motion a complete redesign of the Les Paul line. In 1959 the Special went to the
Gibson’s design innovation continued into the 1960s when Ted McCarty hired legendary auto- motive designer Ray Deitrich to design a Gibson. The result was the Firebird series, and the companion Thunderbird bass series of 1963. The Firebirds “reversed” conventional designs, with their elongated