Samson PL2404 manual Using the Balance Control

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Using the Balance Control

L R BALANCE

The final Main output of the PL 2404 is stereo—that is, there are two discrete Main output jacks (and two discrete Control Room output jacks), labeled “left” and “right,” which will normally be routed to two discrete speakers.* Because of this, you will usually be working with a stereo field that ranges from hard left to hard right. The PL 2404 provides twenty-four stereo channels, each with two inputs—an odd-numbered (left) input and an even-numbered (right) input. When only the odd-numbered (left) input is connected, the Balance control in that stereo channel acts like a panning control, allowing you to place each individual sound at any point within this left-right field, while keeping the overall level con- stant.

You can use stereo panning creatively in a variety of ways: For example, you might want to have guitars coming from one speaker and keyboards from another, or you might use panning to “spread” the signal from a piano miked with two microphones—one over the bass notes (panned left) and the other over the treble notes (panned right). In live performance, you may want to resist the temptation to pan anything completely hard left or right, since some members of the audience not seated in the center of the venue may miss some signal alto- gether. In these circumstances, you’re best to use modest panning, with signals routed no further than the 9 o’clock and 3 o’clock positions.

In channels where both the odd-numbered (left) and even-numbered (right) inputs are connected, the odd-numbered (left) input signal is automatically panned hard left and the even-numbered (right) input signal is automatically panned hard right. The Balance knob in these channels then controls the relative levels of the two input signals. When the knob is placed at its center (detented) position, both the odd-numbered (left) and even-numbered (right) input signals are at equal strength. When moved left of center, the signal of the odd-numbered (left) input remains the same but the signal of the even-numbered (right) input is attenuated; when the knob is moved right of center, the the signal of the even-numbered (right) input remains the same but the signal of the odd- numbered (left) input is attenuated. When placed fully counterclockwise, only the odd-numbered (left) input is heard; when placed fully clockwise, only the even-numbered (right) input is heard.

*You can, of course, also use the PL 2404 monophonically—simply route the same signal to both the left and right outputs.

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Contents Page Guided Tour Appendix a Block Diagram SpecificationsIntroduction PL 2404 Features IntroductionPL 2404 Features Guided Tour Overview SamsonGuided Tour Channels CH 1/2Guided Tour Channels Guided Tour Main Section SamsonGuided Tour Main Section Guided Tour Rear Panel SamsonGuided Tour Rear Panel Connecting The PL 2404 General Suggestions + Signal GroundSleeve TIP Ring TIP Return Ground Ring Send Setting Up and Using The PL Setting the Correct Gain Structure Setting the Correct Gain Structure Grounding Techniques Grounding Techniques Busing, Submixing and Channel Muting Using the Balance Control Using Equalization Using Aux Sends and Returns Using Channel Inserts Using PFL/AFL Application 1 Using The PL 2404 As a Recording Mixer ApplicationsApplication 2 Using The PL 2404 As a Main Live Mixer SamsonApplication 3 Using The PL 2404 As a Keyboard Submixer Avis RightApplication 4 Linking The PL 2404 With Other Mixers Secondary MixerAppendix a Block Diagram ALL MIC Level Inputs 1.5K Ohms XLR BalancedSpecifications Maximum Gain

PL2404 specifications

The Samson PL2404 is a sophisticated audio mixer that stands out in the realm of live sound and studio applications. It is designed for professionals seeking versatility, quality, and robust performance in a compact package.

One of the main features of the PL2404 is its 24-channel configuration, which allows users to handle a variety of audio sources simultaneously. Each channel is equipped with a 3-band EQ, providing precise control over high, mid, and low frequencies. This EQ section helps audio engineers shape the sound of individual channels to achieve optimal mix clarity.

The mixer also includes 4 subgroups, which enable the grouping of channels for simplified control over multiple inputs. This is particularly useful for live performances or large events, as it streamlines the mixing process and allows for quick adjustments. Each subgroup can be routed to the main mix or through auxiliary outputs, offering greater flexibility.

In terms of connectivity, the PL2404 features a range of options, including XLR inputs for microphones, 1/4" TRS inputs for line-level devices, and various send/return options for external effects processors. This diverse range of inputs and outputs makes it easy to integrate the mixer into a variety of audio setups.

The PL2404 also incorporates advanced technologies designed to enhance audio quality. Its low-noise preamps ensure that every sound source is captured with clarity, while the mixer’s overall design minimizes signal interference and crosstalk. This ensures that whether you’re recording in a studio or mixing live, the integrity of the sound is maintained.

Additional characteristics of the PL2404 include a built-in talkback function, which allows the engineer to communicate with performers or other crew members without disrupting the mix. The intuitive layout of controls ensures quick access to essential functions for both novice and experienced users.

The PL2404’s rugged construction makes it suitable for touring, as it can withstand the rigors of constant transportation. Its lightweight yet durable chassis is designed to endure the wear and tear of frequent use, ensuring reliability in demanding environments.

In summary, the Samson PL2404 is a versatile audio mixer that combines professional features and advanced technology, making it an excellent choice for both live and studio applications. Its quality, flexibility, and durability make it a trusted tool for audio professionals.