4 Hints and advanced tips
4 – Hints and advanced tips
This section gives a few hints and tips which may be useful to you when you make recordings using the Porta02.
4.1Recording techniques
Learning how to record is an art, not a science. One of the best teachers is expe- rience. However, there are a few things mentioned here which may be useful to
you, and there are several good books on the subject which can explain the theory of recording and some of the techniques.
4.1.1 Recording electric guitars
Much of the sound of an electric guitar (and also bass) is due to the effects, amplifier and speakers, as well as the gui- tar and style of playing. If you plug the guitar straight into the Porta02, you will, of course, be able to record it, but the sound will probably not be what you are used to.
Plugging effects units between the guitar and the Porta02 will certainly help to pro- duce a fuller sound. The sound which will come closest to a live sound, though, will be provided by the amplifier itself.
You can adopt one of two approaches: either to put a microphone in front of the guitar speaker and record this (at MIC level), or to connect the output of the pre-
.amplifier to the Porta02 and record at LINE level.
WARNING
Do not connect the speaker output (or head- phone output, if provided) of the amplifier to the Porta02. This will almost certainly dam- age the Porta02, and may damage the ampli- fier. Only use outputs which are marked
LINE OUT, PRE OUT, DIRECT OUT
and so on. Avoid using any outputs marked
SPEAKER OUT, SP OUT, 4Ω, 8Ω, 16Ω
or the like.
4.1.2Recording with effects
Professional recordings often use effects like digital reverberation on vocals, etc. You can add some of these effects by plugging the microphone into an effects unit, and plugging the unit into the Porta02. Note that the effects unit must be able to accept
In addition, you will need to use the inter- nal balance control in the unit to decide how much of the “dry”
If you do not have access to a reverbera- tion unit, you can try recording vocals in a very “live” room (without much furni- ture).
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