Tascam manual DM-24 Signal Flow, Inputs

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DM-24 SIGNAL FLOW

The first 24 channels of the DM-24 can accept “INPUTS” or “RETURNS.” These assignments are made on the I/O page. Use the cursor keys to highlight the virtual patch cable then use the data wheel to make the proper assignment.

In this example M/L 1 is an “input” and TDIF1-1 is a “return.”

Channels 25-32 are Input-only channels. They cannot have “RETURNS” assigned to them. TDIF I/O, ADAT lightpipe I/O and any option slot I/O are not available to channels 25-32. In mixdown mode channels 25-32 would normally be used for internal effects returns and assignable returns. There is a “Mixdown” snapshot in ROM where channels 25-32 are assigned in just this manner.

INPUTS

“Inputs” include: mic/Line inputs, digital inputs 1 and 2 (2 CH. AES/EBU and S/PDIF inputs), internal effects returns and assignable returns. All of these inputs can be assigned to any of the 32 channels. For instance, mic/line input #2 can be assigned to channel 23, digital input #1 can be assigned to channel 2 and so on.

RETURNS

“Returns” include TDIF I/O, ADAT lightpipe I/O and any option slot I/O that might be added to the DM-24. “Return” is named such because it is short for “tape return.” Technically a “tape return” is an “input”, but understanding the idiosyncrasies of the DM-24 are necessary if one wishes to operate the DM-24 properly. An analog option card might be used to add more analog “inputs” to the DM-24. Even though the benefit for the user is more “inputs”, the DM-24 thinks of the option cards as “returns.” Keeping these terms clear is the key to understanding the signal flow of the DM-24.

When channels 1-24 are used for “returns”, there are options as to which “return” interfaces are to be used. There are 24 channels of TDIF I/O and 8 channels of ADAT lightpipe I/O built in, but there are also two option slots available to expand your I/O capabilities. All of these “returns” cannot be used simultaneously because there are only 24 channels available to them. “Return” interface choices must be made in the following manner:

TDIF 1 or SLOT 1 TDIF 2 or SLOT 2

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Contents Tascam DM-24 Signal Flow Inputs DM-24 Signal FlowOptions Outputs AUX SendsTracking Options Using AUX 1&2 as the tape return path Tracking with channels EffectsRatio Attack Release AutomationMidi Machine ControlCascading TWO DM-24s Operating AT 96kHz Recording and Mixing Snapshots

DM-24 specifications

The Tascam DM-24 is a versatile digital mixer and recorder that has garnered acclaim amongst audio professionals for its robust features and reliable performance. Designed to meet the demands of live sound, studio recording, and post-production, the DM-24 stands out with its comprehensive set of tools and intuitive layout.

One of the DM-24's defining features is its 24-channel configuration. Each channel is equipped with a high-quality microphone preamp, providing up to 48V phantom power, making it ideal for recording a variety of sound sources, from vocals to acoustic instruments. The mixer also includes 8 auxiliary sends per channel, allowing for flexible routing options and the ability to create personalized monitor mixes effortlessly.

The DM-24 incorporates remarkable digital processing capabilities, with 24-bit resolution and sampling rates of up to 96 kHz, ensuring superior audio fidelity. Its built-in digital effects processor offers an array of high-quality effects, such as reverb, delay, and modulation, providing users with plenty of creative possibilities without relying on additional external units.

Connectivity is a key strength of the DM-24. The mixer features comprehensive digital and analog inputs and outputs, including ADAT lightpipe, S/PDIF, and AES/EBU options, facilitating easy integration into various studio setups. Furthermore, the DM-24 supports the use of a Tascam FireWire interface, allowing for direct connection to a computer for seamless audio transfer and recording.

User-friendliness is enhanced by the large, backlit LCD display, which provides clear metering, setting adjustments, and visual feedback on the status of the mix. The mixer includes a well-designed control surface featuring dedicated buttons, rotary encoders, and faders, making adjustments and automation simple and intuitive in both studio and live environments.

In terms of automation, the DM-24 offers advanced features such as snapshot memories, which allow users to store and recall different mix settings easily. This is particularly beneficial for live performances where quick changes may be necessary. The onboard mixer supports MIDI control, enabling integration with various DAWs and external devices for enhanced functionality.

In summary, the Tascam DM-24 stands as a reliable workhorse for audio engineers and musicians alike. Its combination of high-quality preamps, digital processing capabilities, flexible connectivity, and user-friendly interface make it a powerful tool for both studio recording and live sound applications. With its array of features and dependable performance, the DM-24 continues to be a valuable asset in the world of audio production.