Behringer V-AMP PRO, V-AMPIRE, V-AMP 2 manual Effects Processor, Midi Foot Controller FCB1010

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￿￿￿￿￿￿￿V-AMPIRE/V-AMP

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AMP 2

PRO/V-

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AMERICAN BLUES

MODERN CLASS A

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1

ECHO

Mix

Feedback

Delay Time

TWEED COMBO

CC49, val 1

CC54

CC53

CC50+51

2

DELAY

Mix

Feedback

Delay Time

CLASSIC CLEAN

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-)./0

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BRIT. BLUES

CC49, val 0

CC54

CC53

CC50+51

3

PING PONG

Mix

Feedback

Delay Time

BRIT. CLASS A

CC49, val 2

CC54

CC53

CC50+51

BRIT. CLASSIC

4

PHASER/DELAY

Delay Mix

Mod. Mix

Delay Time

BRIT. HI GAIN

CC55, val 1 + CC49, val 0

CC54

CC59

CC50+51

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5

FLANGER/DELAY 1

Delay Mix

Mod. Mix

Delay Time

RECTIFIED HI GAIN

CC55, val 5 + CC49, val 0

CC54

CC59

CC50+51

MODERN HI GAIN

6

FLANGER/DELAY 2

Delay Mix

Mod. Mix

Delay Time

FUZZ BOX

##￿￿$￿￿￿

CC55, val 5 + CC49, val 2

CC54

CC59

CC50+51

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7

CHORUS/DELAY 1

Delay Mix

Mod. Mix

Delay Time

ULTIMATE V-AMP

CC55, val 3 + CC49, val 0

CC54

CC59

CC50+51

DRIVE V-AMP

8

CHORUS/DELAY 2

Delay Mix

Mod. Mix

Delay Time

CRUNCH V-AMP

CC55, val 3 + CC49, val 2

CC54

CC59

CC50+51

CLEAN V-AMP

￿￿￿￿&'()*+,￿￿!￿￿"

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9

CHORUS/COMPRESSOR

Sense

Mod. Mix

Modulation Speed

TUBE￿￿￿￿￿￿￿￿￿￿￿￿PREAMP

CC55, val 4 + CC44, val 1

CC45

CC59

CC58

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12%3/-

4),56%&'0,)%*-7￿￿￿￿￿￿

10 COMPRESSOR

Sense

Attack

-

CC44, val 1

CC45

CC46

11 AUTO WAH

Depth

Speed

-

CC44, val 2

CC45

CC46

12 PHASER

Mix

Feedback

Modulation Speed

AND DELUXE

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CC55, val 1

CC59

CC58

CC56

CUSTOM CLASS A

13 CHORUS

Mix

Depth

Modulation Speed

SMALL COMBO

CC55, val 4

CC59

CC57

CC56

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14 FLANGER

Mix

Feedback

Modulation Speed

BLACK TWIN

CC55, val 6

CC59

CC58

CC56

AND CUSTOM

15 TREMOLO

Mix

-

Modulation Speed

NON TOP BOOST

CC55, val 2

CC59

CC56

16 ROTARY

Mix

Depth

Modulation Speed

CLASSIC 50 W

BRIT. CLASS A 15 W

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CC55, val 0

CC59

CC57

CC56

RECTIFIED HEAD

Tab. 6.1: Effects and MIDI controllers

SAVAGE BEAST

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+ Table

CUSTOM HI GAIN

6.1 shows

the MIDI controllers for the

ULTIMATE PLUS

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!￿"

corresponding parameters. The settings are made

CALIF. DRIVE

via MIDI. A detailed list of all controllable MIDI

CUSTOM DRIVE

parameters will be available free of charge on the

CALIF. CLEAN

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BEHRINGER internet site: www.behringer.com.

CUSTOM CLEAN

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Tab. 5.2: Loudspeaker/amp simulation default settings

6.1 Wah Wah

The MIDI function enables you to use an additional Wah Wah

6. EFFECTS PROCESSOR

effect. The optimum control of this effect is achieved by using a

MIDI foot controller with expression pedal, e.g. our BEHRINGER

A special feature of your V-AMPIRE/V-AMP PRO/V-AMP 2 is

MIDI FOOT CONTROLLER FCB1010.

+ Adjust the filter characteristic and grade in the DRIVE

its built-in multi-effects processor module offering 16 different

groups of first-class effects such as chorus, flanger, delay,

menu by simultaneously pressing TAP and turning

auto wah as well as various effects combinations.

the EFFECTS control (see also

B).

The appendix gives an overview of all MIDI data transmitted

and received by your device.

6.2 Effect descriptions

+ The standard operating mode of the multi-effects

The following section contains short descriptions of the effects

processor is stereo, so you can use stereo effects

that can be produced using the multi-effects processor.

for recording purposes via the LINE OUT or play in

stereo using a second amplifier.

You can adjust up to 3 effects parameters on the V-AMPIRE/

V-AMP PRO/V-AMP 2 by turning the EFFECTS control; by turning

the EFFECTS control holding down the TAP button, and simply by

6.2.1 Reverb and delay algorithms

pressing the TAP button while in time to the music.

+ To match speed-based effects to the tempo of the

REVERB: Reverb is still the most important effect for mixing or

live performance. That’s why we at BEHRINGER make a point of

music, press the TAP button at least twice in time

giving you as many as nine different reverb programs so that

to the music.

you can use the most suitable reverb program for any situation.

The reverb effect can be added separately to all the other effects

(see chapter 6.2).

ECHO: Echo is similar to the stereo delay effect in that it is a

delayed repetition of the input signal. The main difference is that

the high-frequency content of the repeated signals steadily

decreases. This simulates a tape delay used in the pre-digital

era, producing a “vintage sound”. In addition, the reflections are

routed in turn to the left and right channels, creating a quasi-

stereo effect.

6. EFFECTS PROCESSOR 13