Ampeg B4R manual Front Panel Controls and Their Use

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B4R Bass Amplifier

The Front Panel Controls and Their Use

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33Hz 80Hz 150Hz 300Hz 600Hz 900Hz

+12dB

0

-12dB

INPUT

GAIN

STYLE

BASS

ULTRA MID

MUTE

0dB

-15dB

TEXTURE

PEAK

1

2

3

4

5

6

7

8

9

1.0dB INPUT: The signal output from an instrument (active or passive – typically passive) or a line level signal may be connected here by means of a shielded instrument cable. The signal at this jack is sent into the preamp at full amplitude.

2.-15dB INPUT: The signal output from an instrument (active or passive – typically active) or a line level signal may be connected here by means of a shielded instrument cable. The signal at this jack is padded 15dB before it is sent into the preamp.

3.MUTE: This switch, when depressed, mutes all outputs except the Tuner Out (#41). A footswitch can also control muting if the Mute switch on the front panel is left in the “out” position. (The front panel switch is still active with a footswitch connected.) This is excellent for tuning your bass with an electronic tuner without having to adjust any levels or turn down your house volume.

4.TEXTURE: This switch adds a “tube emulation” stage which changes the tone for a more aggressive sound. Using the Texture switch, you can overdrive the amplifier without typical (and harsh-sounding) solid state clipping.

5.GAIN: This control sets the level of the signal entering the preamp stage. Adjust this control until the Peak LED (#6) flashes on strong signal peaks (but is not illuminated con- stantly while playing). To obtain the best signal to noise ratio, set the Gain control as described above and adjust the Master (#14) to obtain the desired volume level.

6.PEAK LED: This LED will illuminate when the signal entering the preamp stage is near the clipping level. Adjust the Gain control (#5) until a strong signal from your instru- ment causes this LED to flicker.

7.STYLE: This five-position switch allows you to vary the tone of the amplifier. The following table lists each of the dif- ferent settings – experiment with the Style and other EQ con- trols (#8,9,10,18,19) for the results which suit you best.

POSITION 1: Fully “scooped” mids (mid cut)

POSITION 2: Traditional passive tone setting

POSITION 3: Basically flat

POSITION 4: Boosted high end

POSITION 5: Basically flat with low end roll off – for loud playing without “muddiness”

8.BASS: This is the primary low frequency control which allows 12dB of cut or boost at 50Hz. The low frequency out- put is flat at the center position.

9.ULTRA MID: This is the primary midrange control which allows 7dB of cut at 400Hz or boost at 800Hz. The midrange output is flat at the center position.

10.TREBLE: This is the primary high frequency control which allows 18dB of cut or boost at 5kHz. The high fre- quency output is flat at the center position.

11.EFFECTS MIX: This control varies the mix between the direct (dry) signal and the effects (wet) when the effects loop (#39,40) is used. Full counterclockwise results in all direct signal (no effect) and full clockwise gives all effect and no direct signal. The clockwise position is equivalent to a series effects loop and should be used with such devices as limiters and equalizers.

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Contents B4R B4R Bass Amplifier Features An Introduction to your new Ampeg B4R Bass AmplifierFront Panel Controls and Their Use Front Panel Controls and Their Use Con’t Rear Panel BI-AMPRear Panel Con’t B4RConnections Mono BridgedBiamp Highs / Lows Some Suggested Settings Rack MountingTroubleshooting System Block DiagramTechnical Specifications Output Power Rating