Nady Systems ENCORE1HTSYSB manual Instrument Connection using the WGT instrument transmitter

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5. Connecting the Audio Output

The Encore I receiver provides both a fixed mic level BALANCED AUDIO OUTPUT XLR

(14)and an adjustable line level UNBALANCED AUDIO OUTPUT 1/4” JACK (13). The level from the UNBALANCED OUTPUT is controlled by the rear panel VOLUME CONTROL (6).

(Note: As when making any connection, make sure the amplifier or mixing board volume is at the minimum level before plugging in the receiver to avoid possible sound system damage. Also make sure that the phantom power on the input of the mixer is turned OFF before making connection to the receiver.)

a.Instrument Connection (using the WGT instrument transmitter)

Insert an audio cord with a 1/4" mono phone plug in the A + B UNBALANCED OUTPUT JACK (13) on the rear panel of the receiver. Plug the other end of the cord into an amplifier, effects, or mixing board. Adjust the appropriate VOLUME CONTROL (6) for the channel being used on the Encore I receiver clockwise to about 3/4 rotation, until the mixed volume level is comfortable for your application. This setting is roughly equivalent to a direct instrument cord connection. Turning the volume up to maximum will provide

4dB gain over a cord.

b.Microphone Connection (using the WLT transmitter with either a headset or lavalier microphone or the WHT handheld microphone transmitter)

For microphone use, either the BALANCED MIC AUDIO OUTPUT XLRs (14) or the 1/4" line level A + B UNBALANCED OUTPUT (13) can be used. The XLR output

is set at a non-adjustable microphone level, similar to hardwired mic levels. Plug an XLR connector into either or both of the XLR OUTPUT JACKS on the rear of the unit and plug the other end into your amplifier or mixing board.

(Note: Make sure the phantom power on your mixing board is turned off and the volume is turned down when making connections.)

For your convenience, the XLR output levels are preset at the factory and are not adjustable with the receiver volume controls. To use the 1/4" A + B UNBALANCED OUTPUT JACK (13), follow the instructions for the Instrument

Connection (above), except start with the receiver volume at 1/2 MAX and adjust the volume control for each channel until the mixed Ch A and

Ch B volume level is optimal. If the volume controls are set too high, you may overload your mixer or amp.

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Contents VHF Wireless Microphone System Introduction ContentsUsing this Manual WHT Handheld MIC Transmitter System FeaturesRackmounting the Receiver Encore I ReceiverInstrument Connection using the WGT instrument transmitter Unbalanced OUT Volume WHT Handheld Microphone Transmitter Page Page Opening Battery Compartment WGT Instrument Bodypack Transmitter Opening Battery Compartment Operating Range SpecificationsService Information This warranty is subject to the following conditions ONE-YEAR Limited Warranty

ENCORE1HTSYSN, ENCORE1HTSYSG1, ENCORE1LTOB, ENCORE1LTOE, ENCORE1HTSYSD specifications

Nady Systems has a reputation for innovative solutions in the field of wireless audio technology, and its ENCORE series embodies this commitment to quality and performance. Among the standout offerings are models ENCORE1LTON, ENCORE1LTOG1, ENCORE1HTSYSE, ENCORE1LTOF, and ENCORE1LTOD. These models cater to various needs, making them suitable for musicians, performers, and audio professionals seeking reliable wireless systems.

The ENCORE1LTON is designed for clear vocal reproduction, featuring a handheld transmitter and a compact receiver that operate on UHF frequency bands. It provides a flexible 100 selectable channels, ensuring interference-free operation. The built-in frequency scanning capability automatically detects the best available frequencies within the operating range. Additionally, the rapid setup and user-friendly interface make it accessible for both novice and seasoned users.

ENCORE1LTOG1 operates similarly, but it includes a guitar transmitter, making it perfect for electric guitarists seeking freedom of movement on stage. The low-latency design offers real-time audio transmission, which is essential for a seamless performance. This model also benefits from superior battery life, delivering up to eight hours of continuous use on a single charge.

The ENCORE1HTSYSE model is an all-in-one solution that combines both handheld and bodypack transmitters. This versatility allows performers to switch effortlessly between different vocal styles or instruments. Its robust construction and advanced technology ensure reliability even in rugged performance environments, making it a solid choice for touring musicians.

For musicians who require a dedicated microphone setup, the ENCORE1LTOF features a specialized handheld microphone optimized for vocal clarity. This model incorporates advanced compression and expansion circuits to minimize feedback and enhance audio quality. Moreover, it includes a waste-free charging system, which is both eco-friendly and efficient.

Finally, the ENCORE1LTOD is tailored for more extensive systems, allowing for multi-channel operation. This model excels in larger venues, where multiple performers may need to operate simultaneously without interference. It includes a rack-mountable receiver, which simplifies integration into existing sound systems.

In summary, the Nady Systems ENCORE series, including models ENCORE1LTON, ENCORE1LTOG1, ENCORE1HTSYSE, ENCORE1LTOF, and ENCORE1LTOD, showcases cutting-edge technologies in wireless audio transmission. From versatile setups for performers to dedicated solutions for specific applications, these models cater to a wide range of audio needs while maintaining high standards of performance and reliability.
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