Operation, Using the Microphone Shock Mount

Do not attempt to service this unit yourself as it will void your warranty

OPERATION

The TCM 1050 must be powered by the supplied TMPS-2 power supply and amplified by a microphone pre-amp (such as built into a mixer, or a stand-alone unit).

Set-up

1.Connect the TCM 1050 to the TMPS-2 power supply with the XC-7P (7-pin) XLR cable supplied.

2.Connect the TMPS-2 Audio Output to your mixer using a standard balanced 3-pin XLR microphone cable (Note: Before

connecting to a mixer directly, turn the channel to which you’re connecting to its lowest gain setting, and turn off its phantom power.)

3.Connect the TMPS-2 to the AC power supply (first selecting the proper voltage: 115-230VAC)

4.Turn on the TMPS-2 Power ON/OFF Switch.

5.Slowly turn up the channel gain in your mixer to the desired level.

(Note: Make sure to set the mixer to the proper gain level – too much gain may distort subsequent amplifiers and too little may result in a noisy signal.)

6.Select the polar pattern desired with the Polar Pattern Select Switch: omnidirectional, cardioid, figure 8, or one of six intermediate stages.

(Note: Experiment with all these choices to fully utilize the versatility the TCM 1050 can offer for various diverse applications.) (Note: For optimum performance, it is best to let the microphone warm up for 5 to 10 minutes so that the internal vacuum tube can reach its peak specifications.)

Controls and Connections

A. Audio output for connection to a standard balanced 3-pin XLR cable

B. To microphone (use the supplied 7-pin XLR cable: XC-7P)

C. IEC AC cord receptacle (with internal fuse), AC power cable supplied

D. 115/230 VAC select switch. (Note: verify setting is at the correct voltage supplied or the unit will be damaged)

E. Power ON/OFF switch

F. 9-pattern polar pattern select switch

A B FDC E

TMPS-2

USING THE MICROPHONE SHOCK MOUNT

It is recommended that the TCM 1050 be used with the SSM- 1050 spider shock mount, which uses an elastic suspension to isolate the microphone from vibration, thereby lowering noise transmitted to the microphone from the stand. This is a useful tool in many situations, such as when the performer is tapping his or her feet, or when there is noise pickup from the rumbling of traffic outside of the building. The disadvantage

of using the shock mount is that the weight of the microphone may make it drift in the elastic suspension, so mic placement may take a little longer.

To insert the TCM 1050 into the SSM-1050 shock mount, pinch close the levers on the sides of the mount to the open position, then slide the microphone into place.

USING THE FOAM WINDSCREEN

The FW-1050 foam windscreen is supplied with the TCM 1050. This windscreen fits over the grill portion of the microphone and is designed primarily to decrease bass rumble (from wind noise pickup) during outdoor live or recording use. It is also useful in keeping mouth spray out of the microphone head. The windscreen should be used whenever someone is close miked to both protect the microphone and to also eliminate “popping” sounds from percussive breath sounds. An external stand mount pop filter,

such as the Nady MPF-6, is also ideal for this application. (Note: Be aware that the foam windscreen will slightly attenuate the high frequency response of the microphone.) (WARNING: The capsule is the heart of the condenser microphone. If it becomes dirty or wet, the sound will be degraded. Never spray any liquid on the microphone head. Always use a foam windscreen or pop filter if you talk or sing close to the microphone grill screen.)

SERVICE

(U.S.) Should your Nady microphone require service, please contact the Nady Service Department via phone at (510) 652- 2411 or e-mail at service@nadywireless.com

(INTERNATIONAL) For service, please contact the Nady distributor in your country through the dealer from whom you pur- chased this product.

Date of purchase ____________________________________Serial # ____________________________________________________________________________

Dealer’s Name ________________________________________________________________________________________________________________________

Street ________________________________________________________________________________________________________________________________

City ______________________________________________State ____________________________Zip ________________________________________________

TCM 1050 SPECIFICATIONS

Type	True condenser pressure gradient microphone with 1 in (25 mm) diameter dual		S/N ratio re 1Pa	74dB
	diaphragms and vacuum tube preamplifier		Dynamic range (max SPL to A-weighted noise level)	116 dB
Vacuum tube	6072 (selected from 12AT7)		Ambient temperature range	14˚F to 140˚F (-10 ˚C to +60 ˚C)
Capsule capacitance	50 pF		Relative humidity range	90% (68˚F, 20 ˚C), 85% (140˚F, 60˚C)
Polar pattern	Omnidirectional, cardioid, figure 8, and six intermediate stages (silent switching)		Connector	7-pin XLR (gold plated)
Open circuit sensitivity @1KHz	-36dBV +/-2dBV (0dBV=1V/Pa) for all patterns		Mic cable	7-pin XLR cable (XC-7P), 30 ft (10 m)
Frequency range	20 to 20,000 Hz		Dimensions	Diameter: 2.36 in (60 mm), length: 7.1 in (180 mm)
Rated output impedance	<	200 Ohms	Net weight	29 oz (800 g)
Recommended load impedance	≥	1000 Ohms	Power requirement	Dedicated TMPS-2 powering unit (115/230VAC selectable)
Max. SPL (1% THD @1000Hz)	134 dB		TMPS-2 Dimensions and Weight	2” X 5.5” X 7” (51 X 140 X 178 mm), 3.25 lbs (1.46 Kg)
Equivalent noise level (A weighted)	≤	18 dB-A	Specifications and design subject to change without prior notice for improvement purposes

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