Shure M267 specifications Mix Bus, VU Meter, Headphones, Battery Operation and External Powering

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Mix Bus

Direct access to the mixing bus is provided through the rear-panel MIX BUS phono pin jack. This provision is made primarily to facilitate stacking or ªmultingº M267s to achieve additional input capacity without losing any inputs. With two M267s, for example, the two mixing buses are di- rectly connected, providing two independent master gain controls and two isolated line amplifiers with eight individu- ally controlled inputs. Since the buses are directly paral- leled, a 6 dB drop in gain will occur; and the master or input controls must be increased to compensate. Noise specifi- cations are not adversely affected by this interconnection. Mix bus interconnection can also be made with other Shure mixers, such as the M268, FP42. etc.

VU Meter

The VU meter is factory-calibrated for use with a 600 Ω terminated line. The VU RANGE switch on the rear panel selects either a +4 or +8 dBm output at 0 VU meter indica- tion. (This switch changes the meter indication but does not change the actual output level.) Microphone output levels are 50 dB below line output. The +4 range is recom- mended for normal use to provide approximately 14 dB of headroom from operating level to clipping level.

The VU meter is illuminated by two No. 86 lamps operat- ing well under their normal ratings for a life expectancy of greater than 10,000 hours. The lamps are only lit during ac operation. Consequently, the illumination serves as a visual alarm if the ac is interrupted and the unit has switched to battery.

The VU meter is connected on the primary side of the output transformer to assure protection from any dc level on a telephone line.

Headphones

The headphone outlet appears at the front-panel jack panel designated PHONES. The two-circuit phone jack will accommodate most stereo or mono headphones. The output level is sufficient to provide high volume for use in noisy environments.

Note that the headphone output level is also high enough to use as an auxiliary unbalanced line feed to drive a tape deck or a power amplifier.

The tip and ring connections of the headphone plugs are in phase with pin 3 of all input and output connectors, and with the tip of the MIX BUS jack.

Tone Oscillator

The highly stable, low-distortion tone oscillator provides for line test and level checks. The oscillator is instantly ac- tivated by the front-panel INPUT 1/OSC 1 switch; its level can then be controlled by the INPUT 1 gain control on the front panel. The tone oscillator frequency is 1,000 Hz, and the signal appears on both the line and microphone out- puts, as well as the headphone and mix bus connectors. The oscillator should be switched off (INPUT 1 position) when not in use.

Phantom Power

The rear-panel PHANTOM OFF/ON switch controls the application of phantom power for condenser microphones, such as the Shure SM81 and SM87A, to all inputs. With the switch on and the rear-panel MIC/LINE switches in the MIC positions, +30 Vdc is applied to pins 2 and 3 of each input connection. Series current-limiting resistance is 3.3 kΩ for each input. When using other condenser micro- phones with the M267, verify that the voltage and resis- tance requirements are compatible.

Note that the phantom power cannot normally be ap- plied to the inputs with the MIC/LINE switches in the LINE position.

IMPORTANT: Do not turn the PHANTOM switch on when using unbalanced low-impedance microphones; objec- tionable hum will result. Turn off the PHANTOM switch when condenser microphones are not being used.

Use only high-quality cable. Intermittent shorts between broken shield wires and balanced conductors will cause of- fensive noise transients in the system.

BATTERY OPERATION AND EXTERNAL POWERING

In addition to ac operation, the M267 can be operated from an internal battery pack. Current drain is typically 17 mA at +8 dBm output level and typically 15 mA at + 4 dBm. Battery power is recommended both for remote, on-loca- tion operation, and as an emergency backup source in case of failure of the ac power.

Access to the battery compartment is provided at the bottom of the chassis. Three 9-volt alkaline batteries pow- er the M267 at full rated output. Use alkaline batteries for maximum life. Duracell MN1604A or Eveready 522 are recommended. Battery life is approximately 20 hours at +4 dBm continuos use. Note that battery operation with phan- tom power loads and high level headphone monitoring will increase battery drain.

With batteries in the battery compartment, the M267 will automatically and silently switch to battery operation should the ac voltage fall below a suitable level. If the ac power fails completely, the VU meter lamps will go out, pro- viding a visual indication of line failure.

Battery condition can be determined by using the BATT CHECK switch on the front panel. Activate the BATT CHECK switch and observe the VU meter. A new set of batteries will give about a +2 VU indication. Battery condi- tion is good if the reading is above 0 VU; a lower reading means that new batteries are required for proper opera- tion. Note that the M267 power switch must be turned on to check battery condition.

Telephone Interconnection

When using the M267 connected directly to a telephone line, check to see whether the local telephone company re- quires an interface coupler between the M267 and the tele- phone line. If a coupler is required, make certain the cou- pler selected and the wiring arrangement are in compliance with the telephone company regulations.

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Contents Specifications GeneralCommon Mode Rejection Phantom PowerTemperature Range Dimensions Control InteractionControls and Connectors LOW-CUT Filter ActionInput Gain Controls Master Gain ControlHeadphones Battery Operation and External PoweringMix Bus VU MeterWiring ServiceTelephone Line Surge Protection Vac OperationPage Page Replacement Parts List
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M267 specifications

The Shure M267 is a versatile and robust audio mixer designed primarily for professional audio environments. Known for its high-quality sound and reliable performance, this mixer has been a staple in both live and studio applications. One of the standout features of the M267 is its four-channel configuration, which allows for multiple audio sources to be mixed simultaneously. This makes the mixer ideal for a variety of settings, including live events, broadcast, and recording sessions.

The M267 employs a range of advanced technologies to ensure optimal sound quality and user experience. One of the key technologies within the M267 is its low-noise preamps, which are designed to deliver clear and precise audio with minimal background noise. This is particularly important in professional environments where clarity is paramount. The mixer also includes a built-in limiter, which provides additional control over audio dynamics, preventing distortion during loud peaks and ensuring a clean signal.

The M267 features a simple and intuitive user interface that makes it easy for users of all skill levels to operate. Each channel is equipped with individual level controls, EQ settings, and PFL (Pre-Fader Listen) capabilities. With these controls, operators can tailor the audio signal to their specific requirements, whether they are balancing microphones, musical instruments, or playback devices.

Another significant characteristic of the M267 is its rugged construction. Designed to withstand the rigors of frequent transport and use in demanding environments, the mixer is built with high-quality components that ensure durability and longevity. Its compact size also makes it an excellent choice for mobile setups, allowing audio professionals to transport it easily from one location to another.

Furthermore, the Shure M267 incorporates flexibility in its connectivity options. It provides various input and output configurations, allowing seamless integration with other audio equipment. This versatility makes it a suitable choice for both permanent installations and portable setups.

In summary, the Shure M267 is a highly regarded mixer that combines professional-grade sound quality with practical features tailored for audio professionals. Its low-noise preamps, intuitive controls, rugged build, and flexible connectivity position it as an excellent choice for anyone seeking a dependable and effective audio mixing solution in both live and recorded scenarios. Whether in the studio or on stage, the M267 consistently delivers the performance that audio professionals demand.