Shure M367 manual Specifications

Page 5

SPECIFICATIONS

Frequency Response

20 to 20,000 Hz ￿￿￿2.0 dB (channel controls centered)

Total Harmonic Distortion

0.25% THD at +4 dBm output, 55 to 20,000 Hz

Voltage Gain

 

 

 

 

 

Output

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Input

Line

 

Mic

Phones

 

Mix Bus

 

Mix

 

 

 

 

 

 

 

(M367)

 

Bus

 

 

 

 

 

 

 

 

 

 

 

(M267)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Low-Z Mic

87 dB

 

40 dB

103 dB

 

66 dB

 

27 dB

(150 ￿)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Line

37 dB

 

-11 dB

53 dB

 

15 dB

 

-25 dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Monitor

--

 

--

12 dB

 

--

 

 

 

--

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mix Bus

10 dB

 

-38 dB

26 dB

 

--

 

 

 

--

 

 

(M367)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MixBus

50 dB

 

2 dB

66 dB

 

--

 

 

 

--

 

 

(M267)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Inputs

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

IMPEDANCE

 

 

 

 

Input

 

 

 

 

 

 

 

 

 

 

Input

 

Designed for

Actual

 

Clipping

 

 

 

 

Use With

(Internal)

 

 

Level

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mic

 

19 to 600 ￿

1 k￿

 

 

 

-10 dBV

 

 

 

 

 

 

 

 

 

 

 

 

Line

 

 

￿10 k￿

50 k￿

 

 

 

+36 dBV

 

 

 

 

 

 

 

 

 

 

 

 

 

Monitor

 

 

￿1 k￿

13 k￿

 

 

 

 

0 dBV

 

 

 

 

 

 

 

 

 

 

Mix Bus

 

930￿￿ bal.;

930￿￿ bal.;

 

+23 dBV

 

(M367)

 

1860 ￿ unbal.

1860 ￿ unbal.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mix Bus

 

 

3.5 k￿

3.5 k￿

 

-17 dBV

 

(M267)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Outputs

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

IMPEDANCE

 

 

 

Output

 

 

 

 

 

 

 

 

 

Output

 

Designed for

Actual

 

 

Clipping

 

 

 

 

 

Use With

(Internal)

 

Level

 

 

 

 

 

 

 

 

 

 

Mic

 

Low-Z inputs

1 ￿

 

 

 

-31 dBV

 

 

 

 

 

 

 

 

 

 

 

 

Line

 

 

600 ￿

150 ￿

 

 

 

+18 dBm

 

 

 

 

 

 

 

 

 

 

 

 

Phones

 

 

8 to 200 ￿

300 ￿

 

 

 

+11 dBV

 

 

 

 

 

 

 

 

 

 

Mix Bus

 

 

930￿￿ bal.;

930￿￿ bal.;

 

 

+11 dBV

 

 

(M367)

 

1860 ￿ unbal.

1860 ￿ unbal.

 

 

 

 

 

 

 

 

 

 

 

 

 

Mix Bus

 

 

3.5 k￿

3.5 k￿

 

 

-28 dBV

 

 

(M267)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Equivalent Input Noise

￿–127 dBV with 150 ￿ source, 400 to 20,000 Hz

Output Noise

Master level full CCW: 100 dBV, 400 to 20,000 Hz

Master level full CW: 80 dBV, 400 to 20,000 Hz

Hum and Noise

Equivalent Input: ￿125 dBV, 20 to 20,000 Hz

Output: 95 dBV (Master CCW), 75 dBV; (Master CW), 20 to 20,000 Hz

Common Mode Rejection Ratio 65 dB at 100 Hz, 20 dBV input

Polarity

Mic/Line In to Mic/Line Out

Non-Inverting

 

 

Mic/Line In to Phones

Non-Inverting

 

 

Mic/Line In to Mix Bus (tip)

Inverting

 

 

Monitor to Phones

Non-Inverting

 

 

Mix Bus to Mic/Line Out

Inverting

 

 

Overload and Shorting

Shorted outputs, even for prolonged periods, cause no damage. Microphone inputs of up to 3 Vrms cause no damage. Line and monitor can withstand signals of up to 30 Vrms.

Input Peak Indicators

6 dB below clipping level

Output Peak Indicator

Lights red at 6 dB below clipping level

Output Clipping Level

￿￿+18 dBm at line output into 600 ￿

Low-Cut Filters

7 dB down at 150 Hz; 6 dB/octave slope (3 dB down at 260 Hz)

Tone Oscillator

1 kHz ￿￿20%

Limiter

Threshold: Switchable: 0, +4, +8, +16 dBm

Attack Time: 1 ms ￿￿0.5 ms

Release Time Constant: 100 ms ￿￿30 ms

Indicator: Green when limiting by 1 dB or more

Phantom Power

12 V Phantom: 12 V through 340 ￿

48 V Phantom : 48 V through 3.4 k￿

AC Power

M367: 100120 Vac, 50/60 Hz, 100 mA

M367E: 220240 Vac, 50/60 Hz, 50 mA; no-signal current drain

25mA

DC Power

18 Vdc nominal at 40 mA typical no-signal, 45 mA typical at +4 dBm output; 13.5 Vdc minimum

Batteries

Two 9 V alkaline batteries

Battery Life

Up to 8 hours* at +4 dBm output in continuous use.

*(see Battery Operation)

Temperature Range

Operating: -18° to 57° C (0° to 135° F)

Storage: -29° to 74°C (-20° to 165° F)

Overall Dimensions (H x W x D)

71.9mm x 308 mm x 233 mm (2 13/16 in. x 12 5/32 in. x 9 5/32 in.) including feet.

Weight (without batteries)

3 kg (6.6 lb)

Measurement conditions (unless otherwise specified): operating voltage 120 Vac, 60 Hz (18 ￿1 Vdc for dc test); operating tempera- ture 22°C (72°F); input signal 1 kHz; internal DIP switches 1–7 open; Power switch on; Mic/Line switches to Line; low-cut switches to flat; Limiter out; Phantom power off; Mix Bus to M367; channel 1 gain full CW; channel 2 through 6 full CCW; Master full CW; Phones level full CCW; Line output terminations 600 ￿ (pins 2 and 3); Mic output ter- minations 150 ￿ (pins 2 and 3); Phones (1/4"–ring) 300 ￿ to ground; Phones (1/4"–tip) 300 ￿ to ground; Phones (3.5 mm) unloaded; Mix Bus 930 ￿ (M367 position) or 3.5 k￿ (M267 position), not connected unless specified; 1 kHz input signal.

5

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Contents Additional Features FeaturesSIX Channel Microphone Mixer DescriptionFront Panel Controls and Indicators Front Panel Controls and IndicatorsWhen limiter is on Power-On LEDMic/Line Level Output Switch Rear Panel Connectors and ControlsMic/Line Level Input Switches M267/M367 Mix Bus Level SwitchBattery Life Battery OperationConnecting M367 Outputs to Telephone Lines Setting LevelsSpecifications Optional Accessories Replacement PartsStatement of Conformity General InformationVU Meter Adjustment R684 Internal AdjustmentsSet the 1 kHz tone oscillator switch to the on position Internal AdjustmentsInternal Modifiable Functions Master Gain Remote Control Master Gain Remote ControlAdapting Line OUT to Dual Banana Jack Dual Banana Jack OutputChanging Limiter Threshold Presets Samples Calculations Changing Limiter Threshold PresetsDIP Switch S701 Limiter Threshold Changing Limiter Release Time to ONE Second
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M367 specifications

The Shure M367 is a premium audio mixing console designed for professional applications, renowned for its robust build quality and advanced functionalities. Specifically designed for use in live sound reinforcement and broadcasts, the M367 is a reliable choice for audio engineers and sound technicians.

One of the standout features of the Shure M367 is its versatile channel configuration. With a total of six mono input channels, it allows for a variety of sources, including microphones and instruments. Each channel is equipped with high-quality preamplifiers, providing low noise and a wide dynamic range. This ensures that audio signals are captured with clarity and precision, essential for any professional setting.

The M367 features a flexible EQ section for each channel, utilizing a three-band equalizer with adjustable parameters. This allows users to tailor the tonal balance according to their specific needs, enhancing the overall audio experience. Additionally, the built-in low-cut filter helps eliminate unwanted low-frequency noise, making it easier to achieve a clean sound across various applications.

Another important aspect of the Shure M367 is its advanced routing capabilities. With multiple auxiliary sends, users can create independent mixes for stage monitors, effects processing, or recordings. The output section also offers balanced XLR outputs, ensuring that signals are transmitted cleanly with minimal interference.

Technologically, the M367 incorporates high-performance components designed to withstand the rigors of live sound environments. Its rugged chassis is built to endure extensive use, while intuitive controls make it user-friendly, even under pressure. This combination of durability and ease of use makes it a favorite among professionals.

Moreover, the M367 is equipped with comprehensive metering options, allowing for accurate monitoring of audio levels. This is critical in live sound situations, where ensuring clarity and balance is paramount. The console's design also includes a dedicated headphone output for monitoring, enabling sound engineers to listen closely to the mix.

In conclusion, the Shure M367 is a highly capable audio mixing console that combines professional-grade sound quality, extensive features, and rugged construction. Whether used for live performances, studio recordings, or broadcast applications, the M367 stands out as a reliable tool for achieving high-quality sound. With its robust technology and user-friendly design, it continues to be a preferred choice among audio professionals around the world.