Shure M367 manual Internal Modifiable Functions

Page 8

INTERNAL MODIFIABLE FUNCTIONS

NOTE

Only qualified service technicians should perform these

modifications.

Perform all modifications through solder points accessible on the main PC board.

DISASSEMBLING THE M367

1.Remove the mixer top cover as previously described.

2.Carefully remove three multi-pin cable assembly connectors from upper front PC board (nearest front panel). Remove the three Phillips head screws securing the PC board. Remove up per front PC board.

3.Carefully remove four multi-pin cable assembly connectors from upper rear PC board (nearest rear panel). Remove the three Phillips head screws securing the PC board. Remove upper rear PC board.

4.Perform modification (refer to appropriate following proce- dure). Note that all modifications can be performed without removing the main PC board.

5.Reassemble M367 by performing above steps in reverse, assembling the Phillips screws in the order indicated on the upper front and upper rear PC boards.

CHANGING LINE LEVEL OUTPUT IMPEDANCE TO 600 ￿

Locate resistor R621 (near IC U602 pin 8) on the main PC board and remove it. Locate empty pads X621 (near resistor R621). Solder a 430 ￿￿ 1/2 W resistor through the holes at X621.

CHANGING UNSWITCHED LINE OUTPUT TO MIC LEVEL

Locate resistor R632 (near output transformer T601) and remove. Locate empty pads X632 (near transformer T601). Solder a jumper wire through the holes of X632.

CHANGING MIXER AUDIO LEVELS IN HEADPHONES

(Pull/Monitor Switch Activated, DIP Switch S701 Position

4 Closed)

Locate empty pads X649 (near Phones potentiometer R648). Solder a 68 k￿￿ 1/4 W resistor through the holes at X649 to hear program audio 12 dB down from standard headphones level with Pull/ Monitor switch on (pulled out). Solder a 24 k￿￿ 1/4 W resistor through the holes at X649 to hear program audio 6 dB from standard headphones level with Pull/Monitor switch on (pulled out).

CHANGING LOW-CUT FILTER CORNER FREQUENCY (3 DB DOWN POINT)

To decrease corner frequency:

1.Calculate new capacitor value for lower low-cut corner frequency. Use the following formula:

C in ￿F= (85/frequency) - 0.33

Example: for 200 Hz corner frequency,

85/200 ￿ 0.43

0.43 - 0.33 = 0.1

For 200 Hz corner frequency, use a 0.1 ￿F capacitor.

NOTE:

Capacitor must be non-polarized; ceramic or film type;

16V rating or higher.

Pad

Channel

 

Pad

Channel

 

 

 

 

 

X421

1

 

X451

4

 

 

 

 

 

X431

2

 

X521

5

 

 

 

 

 

X441

3

 

X531

6

 

 

 

 

 

2. Locate the following empty pads:

Find all pads near ribbon cable assemblies W811, W812 and W813.

3.Solder a new capacitor through the holes of the empty pads for each channel to be modified.

To increase corner frequency:

Note: Low-cut corner frequencies much higher than the factory preset of 260 Hz may excessively attenuate desired low- to mid-frequency program material.

1.

Locate the following capacitors near empty pads:

 

 

 

 

 

 

 

 

 

 

 

Capacitor

 

Pad

Channel

 

Capacitor

 

Pad

 

Channel

 

 

 

 

 

 

 

 

 

 

 

 

C425

 

X421

1

 

C455

 

X451

 

4

 

 

 

 

 

 

 

 

 

 

 

 

C435

 

X431

2

 

C525

 

X521

 

5

 

 

 

 

 

 

 

 

 

 

 

 

C445

 

X441

3

 

C535

 

X531

 

6

 

 

 

 

 

 

 

 

2.

Remove the indicated capacitor for each channel to be

 

modified.

 

 

 

 

 

 

 

 

3.

Calculate new capacitor value for higher high-cut corner fre

 

quency. Use the following formula:

 

 

 

 

 

 

 

C in ￿F= (85/frequency)

 

 

 

Example: for 400 Hz corner frequency, C = (85/400) = 0.21

For 400 Hz corner frequency, use a 0.22 ￿F capacitor.

4.Solder a new capacitor through the holes of the empty pads for each channel to be modified.

SLOWING OUTPUT METER FROM "True VU" BALLISTICS

Locate empty pads X691 (at left of VU meter M1). Solder a 100 ￿F x 6.3 V electrolytic capacitor through the holes of X691. Ob- serve capacitor polarity as marked on the PC board. The response time is now 500 ms with no overshoot. To further slow the meter response, use a larger capacitor value.

CHANGING MIC LEVEL OUTPUT IMPEDANCE

Locate resistor R631 (near output transformer T601) and remove it. Locate empty pads X631 (near T601). Solder desired value 1/4 W resistor through the holes of X631. For example, use a 150 ￿￿ 1/4 W resistor for 150 ￿￿output impedance.

8

Image 8
Contents Features Additional FeaturesSIX Channel Microphone Mixer DescriptionFront Panel Controls and Indicators Front Panel Controls and IndicatorsWhen limiter is on Power-On LEDRear Panel Connectors and Controls Mic/Line Level Output SwitchMic/Line Level Input Switches M267/M367 Mix Bus Level SwitchBattery Operation Battery LifeConnecting M367 Outputs to Telephone Lines Setting LevelsSpecifications Replacement Parts Optional AccessoriesStatement of Conformity General InformationInternal Adjustments VU Meter Adjustment R684Set the 1 kHz tone oscillator switch to the on position Internal AdjustmentsInternal Modifiable Functions Master Gain Remote Control Master Gain Remote ControlAdapting Line OUT to Dual Banana Jack Dual Banana Jack OutputChanging Limiter Threshold Presets Changing Limiter Threshold Presets Samples CalculationsDIP Switch S701 Limiter Threshold Changing Limiter Release Time to ONE Second
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M367 specifications

The Shure M367 is a premium audio mixing console designed for professional applications, renowned for its robust build quality and advanced functionalities. Specifically designed for use in live sound reinforcement and broadcasts, the M367 is a reliable choice for audio engineers and sound technicians.

One of the standout features of the Shure M367 is its versatile channel configuration. With a total of six mono input channels, it allows for a variety of sources, including microphones and instruments. Each channel is equipped with high-quality preamplifiers, providing low noise and a wide dynamic range. This ensures that audio signals are captured with clarity and precision, essential for any professional setting.

The M367 features a flexible EQ section for each channel, utilizing a three-band equalizer with adjustable parameters. This allows users to tailor the tonal balance according to their specific needs, enhancing the overall audio experience. Additionally, the built-in low-cut filter helps eliminate unwanted low-frequency noise, making it easier to achieve a clean sound across various applications.

Another important aspect of the Shure M367 is its advanced routing capabilities. With multiple auxiliary sends, users can create independent mixes for stage monitors, effects processing, or recordings. The output section also offers balanced XLR outputs, ensuring that signals are transmitted cleanly with minimal interference.

Technologically, the M367 incorporates high-performance components designed to withstand the rigors of live sound environments. Its rugged chassis is built to endure extensive use, while intuitive controls make it user-friendly, even under pressure. This combination of durability and ease of use makes it a favorite among professionals.

Moreover, the M367 is equipped with comprehensive metering options, allowing for accurate monitoring of audio levels. This is critical in live sound situations, where ensuring clarity and balance is paramount. The console's design also includes a dedicated headphone output for monitoring, enabling sound engineers to listen closely to the mix.

In conclusion, the Shure M367 is a highly capable audio mixing console that combines professional-grade sound quality, extensive features, and rugged construction. Whether used for live performances, studio recordings, or broadcast applications, the M367 stands out as a reliable tool for achieving high-quality sound. With its robust technology and user-friendly design, it continues to be a preferred choice among audio professionals around the world.