General Product Description
Designed to yield outstanding performance in applications requiring the miking of acoustic and electric instruments, as well as vocal performances. Excellent for stage or studio, the Co4’s versatility will make it a “must have” in any microphone mix.
Microphone Use and Placement
Please note that miking techniques are a matter of personal preference.These are merely guidelines to assist in the placement of the microphone to gain optimal performance.
Usage | Optimal Placement |
Electric Guitar | Place microphone approximately |
and Bass | a 90° degree angle to the speaker cone. |
Guitar Amplifier | To reduce boominess, move the microphone off |
| axis to the cone from 90° to 45°, or move mic |
| from center of cone to either edge. |
| On double headed Toms place mic over the top of |
| drum |
| and |
| Toms use above method or place mic inside Tom |
| from underneath at a 90° angle from the center of |
| head, |
Snare Drum | Place mic |
| rim. Aim each mic at the top heads angled down |
| about 45°. If the drum rings, tape deadening |
| material to the head or use damping rings. |
| For more “snare” sound place a 2nd mic |
| underneath aimed up at the bottom of head. |
Cymbals | Place microphone one to two feet above the |
| top of cymbals. |
Place 5 inches above outside edge at a | |
| 45° down angle. |
Brass | |
| the instrument. |
Acoustic Guitar | Place mic |
| joins the body. |
Cobalt™ Co4
Instrument Microphone
C O B A L T ™
W I R E D
MICROPHONES